Vladimir Kagan Sectional Sofa for Weiman Preview
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Vladimir Kagan Sectional Sofa for Weiman Preview
About the Item
- Creator:Weiman (Manufacturer),Vladimir Kagan (Designer)
- Dimensions:Height: 32.5 in (82.55 cm)Width: 122 in (309.88 cm)Depth: 103 in (261.62 cm)Seat Height: 17 in (43.18 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1970s
- Condition:Wear consistent with age and use. The sofa is in good condition. There is some pilling on the upholstery in a couple spots. The sofa shows some wear consistent with age and use. Sofa was recently professionally steam cleaned.
- Seller Location:Culver City, CA
- Reference Number:1stDibs: LU1139211092873
Vladimir Kagan
The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.
Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.
Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”
A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.
Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on 1stDibs, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.
Weiman
Weiman left an indelible mark on the history of American furniture manufacturing as a leader in mid-century modern design. Its high-quality work included fabric upholstered and on-trend sofas, chaise longues and lounge chairs. Weiman also created many beautiful solid wood pieces, like side tables and end tables full of charm and character.
Weiman came onto the American furniture scene in 1935 in Rockford, Illinois, a city known for its furniture manufacturing industry. Weiman expanded in 1941 with the construction of a large factory. According to Rockford Streamlined, it was “one of the very finest factories in all the world of furniture.” While it industrialized its manufacturing processes, Weiman continued to focus on heirloom quality pieces with excellent craftsmanship.
Over the years, Weiman developed a more modern style. The company’s upholstered furniture was often inspired by innovative developments in design. It acquired a reputation for bold and colorful pieces that customers could personalize to their tastes.
In 1979, Weiman became a subsidiary of leading furniture manufacturer Bassett Furniture Industries, Inc. to continued success over the subsequent decades. In 2003, Bassett Furniture Industries, Inc. announced that the Weiman division would acquire assets of upholstery manufacturer Preview Furniture, Inc., creating Weiman Preview. The new company offered a stronger lineup of contemporary furniture and worked with designers like Vladimir Kagan, M.F. Harty and Stanley Jay Friedman.
Contemporary decor company Interlude Home Inc. purchased Weiman Preview in 2006 to expand its accent furniture collection. The purchase transformed Interlude Home Inc. into a custom furniture brand now known for upscale designs.
On 1stDibs, find classic Weiman seating, tables, case pieces and more.
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