Plastic Sofas

Sandra sofa designed by Annie Hiéronimus for Cinna after she joined the Roset Bureau d’Etudes in 1976. The inside of the sofa consists entirely of poly...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the It...

A veritable icon made by Kartell, the mass-tinted polypropylene Bubble Club sofa was a Pioneer of a new concept in furniture accessories: the Industrial sofa made entirely of plastic...

Togo sofa by Michel Ducaroy for Ligne Roset. 2 pieces set: 1seater and ottoman. Togo was designed in 1973. 2 pieces set: one seater and pouf. The sofa is upholstered in brown leathe...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. A special project made possible this limited edition of "...

Gorgeous three-seater white leather Togo sofa designed by Michel Ducaroy for Ligne Roset from 2007. (2 available - another in separate listing). Designer Michel Ducaroy drew inspira...

Marvelous Mid-20th Century Mid-Century Modern Henredon Modified Lawson style sofa with original yellow & beige striped fabric, 3 loose seat cushions with Poly wrapped feather down in...

New to the foley&cox HOME custom collection is the Warren sofa, shown here. Featuring clean lines and low profile, the contemporary sofa is made with solid wood frame, feather wrap ...

Togo sofa by Michel Ducaroy for Ligne Roset. 5 pieces set Togo was designed in 1973. Five pieces set: three seater, twoseater, one seater, corner and pouf. The sofa is upholstered in...

Mario Bellini "Le Bambole" three-seater sofa for B&B Italia, faux-fur, foam and metal, Italy, 1972. The search for a new shape for upholstered furniture: all parts are shaped like a...

This classic camelback sofa with a dramatic, swept-out, flared arm and a flared solid oak leg. The solitary seat and back cushion create a seamless and clean look. The piece is const...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

A stunning serpentine sofa by Vladimir Kagan for American Leather, circa 2000s. This piece has been masterfully reupholstered in a sumptuous moss green mohair. It will elevate any in...

Mario Bellini for B&B Italia, 'Amanta' lounge chair, fabric and fiberglass, Italy, 1966. Grand and bulky lounge chair created for comfort. The "Amanta" lounge chairs or modular sofa...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, brown mohair, Italy, 1970, five elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, it ...

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality black Italian natural leather. Mattress upholstered with soft sheepski...

Kartell presents Uncle Jack, the revolutionary single mould transparent polycarbonate sofa signed by Philippe Starck. It is 190 cm long in a single block we...

“Camaleonda” sofa, in white velvet upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfort...

Iconic "Non Stop Sofa", model DS600, with 17 sections in full grain leather, by Ueli Berger, Elenora Peduzzi-Riva, Heinz Ulrich and Klaus Vogt for De Sede, Switzerland 1970’s. The le...

Immerse yourself in the classic beauty of our Mid-Century Danish Sofa, a masterfully hand-crafted piece from the 1960s. Constructed from high-quality teak wood, this sectional sofa i...

With its monolithic structure and its perfect integration with the floor it is on, the Sosa sofa offers an image that is different from the usual form and appearance that includes yo...

Bocca or Marilyn sofa with structure in expanded polyurethane foam covered with red fabric, the cover is completely removable. This sofa was designed by Studio 65 and produced by Guf...

Very rare extra large 'Gilda' circle sofa in excellent condition. Designed by Michel Ducaroy in 1972. The sofa is manufactured by 'Roset' the company name of Ligne Roset prior to 1...

New Stock ✅ Robin Day For Hille 1958 ‘Cane Back’ Three Seater Sofa Mid Century Vintage Retro MCM Featured in the Hille sales brochures and catalogues from 1958 to 1963. Complete wi...

Stunning left arm right facing sofa chaise lounge with two seat cushions and twelve back cushions for extra comfort that can be arranged in numerous combinations. Rendered in blue tw...

A three-section curved sofa featuring ribbed detailing and a sculptural shape reminiscent of designs by Michel Ducaroy. Low slung, ultra comfy and ready for a kitchen banquette, livi...

by C&B Italia c. 1968 and fully restored in leather. This piece has been signed + dated by the manufacturing team. The original maker’s insignia is also present on each piece. The fi...

"2 4 U" is a limited edition designer Sofa, Bench, and Love seat for indoor or outdoor use. It is ideal for poolside, garden, or patio. The color can be changed upon request. Sculptu...

This is a 'Ploum' sofa, an unusual design created by brothers Ronan and Erwan Bouroullec for Ligne Roset. It retains its Ligne tag on reverse. This piece is solid and has fabulous b...

Made to Order Classic Drop Arm Knole Sofa Upholstered in Off White Linen with Soft Foam Core with 50/50 White Goose Down Cushion Fill, Carved Solid Walnut Base Finished in Dark Walnu...

Modernist design by Pierre Paulin, the Pumpkin was designed by Paulin in the 70s to represent an organic interpretation to furniture. In line with many other Paulin designs, its insp...

This modular sofa was made in the 80s in Central Europe, probably in Germany. It can be divided into 4 free-standing armchairs on wheels. It is made of plywood, foam, wood and uphols...

Le Jeune Upholstery Shaker 3 Seat Sofa Showroom Model Offered for sale is a SHAKER S9.923 generous 3-seat sofa showroom model. The Shaker sofa is a modern boxed arm sofa with medium...

This stunning Modular sectional leather sofa is manufactured in Germany. It is a high quality manufactured seating group. The producer is yet unknown. It is a pure 70ties design w...

Configure this impressive piece as you wish. The sofa sections can be used separately or together, lending a flexibility to your design. The backs and armrests are attached with ring...

"Elevate furniture aesthetics to an artistic level" Premium designer sofa, custom-made in France. This MW01 combines comfort, design, and aesthetics. The HR40 foam seat, elegantly...

An undeniably beautiful and coveted antique 19th Century Duncan Phyfe sofa upholstered in a feline Onyx Merramec Barrow fabric. One of the brilliant...

New Stock ✅ Timothy Oulton Reggio Halo 3 Seater Sofa Leather Sofa The retro-styled look of the Reggio sofa is inspired by the clean, streamlined forms of Danish mid-century design ...

Togo 5 Piece Sofa Set by Michel Ducaroy for Ligne Roset, produced under licence by Airborne/Arconas for the Canadian market. This beautiful and amazing large set has a stamped produc...

Product Description Title: Authentic Featherston Uniroyal Numero VII suite Product Description Full: A highly collectable Numero VII set currently as is upholstered. These were mou...

Set of 2 Barcelona lounge chair, designed by Ludwig Mies Van der Rohe in 1929 and manufactured by Knoll International in 1972. Made of chromed steel and leather. Excellent vintage co...

Step back into the 1980s with this extraordinary vintage sofa, beautifully crafted from leather and meticulously restored by our team of professional expert craftsmen. This sofa feat...

Experience the timeless elegance of the Serpentine Sofa by Vladimir Kagan for Directional, circa 1970s. This iconic piece has been fully restored and reupholstered in luxurious choco...

New Stock ✅ Greaves and Thomas Davenport Sofa Three Seater Sofa Mid Century Vintage Retro MCM A very rare, stylish and incredibly comfortable Greaves and Thomas Davenport three sea...

The Togo was designed by Michel Ducaroy in 1973. It is the first sofa/chair ever made only of foam and leather. The innerwork consists of foam in 5 different densities. Manufactured...

________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precis...

The epitome of mid-century modern design is the Armless Gondola designed by Adrian Pearsall for Craft Associates in the 1960s. This specific unit has been expertly restored by Cople...

Iconic Mid Century Modern Vladimir Kagan serpentine cloud sofa for Directional, USA circa 1970's. This highly collectable and desirable modern designer sofa features original blue U...

This vintage sofa is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. It was made by JITONA company in the 1970´s. The sofa is based on a stron...

Strips sofa designed by Cini Boeri for Arflex in the late 1960s. One of the most famous products of Arflex. Designed in 1968, it was awarded the price Comp...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and three armchairs. It features brown alpaca...

"Elevate furniture aesthetics to an artistic level" High-end designer sofa, custom-made in France. This MW02 combines comfort, design, and aesthetics. The seating in HR40 foam, el...

"Elevate furniture aesthetics to an artistic level" High-end designer sofa, custom-made in France. This MW02 combines comfort, design, and aesthetics. The seating in HR40 foam, el...

"Elevate furniture aesthetics to an artistic level" Premium designer sofa, custom-made in France. This MW01 combines comfort, design, and aesthetics. The HR40 foam seat, elegantl...

Rare opportunity, Vladimir Kagan sofa with ottoman and attached sofa table. Sofa is from the 70ies and made by Directional, sofa table is about 2 years old and made by Vladimir Kagan...

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality grey Italian natural leather. Mattress upholstered with soft sheepskin wool. The Anfibio sofa ranks among the most outstanding cult products of Italian design. It is innovative, original, and highly functional; it is a revolutionary sofa-bed, a symbol of high quality and sapient artisanry. It is possible to find it in the permanent collection of 13 museums worldwide, among which the MoMa in New York, since 1972. Alessandro Becchi designed the “Anfibio” sofa for the Italian manufacturer Giovannetti in 1970. It is characterized by generous dimensions and soft, embracing shapes that invite relaxation and comfort. It reminds a floating dinghy thanks to its lack of rigid mechanism. This feature inspired its name, which means amphibious. Furthermore, the sofa presents a rectangular steel structure and padding in non-deformable high-density polyurethane, covered with acrylic thermo-welded fibers and protective fabric. The Anfibio sofa by Giovannetti is available covered in leather or fabric and several colors. This artwork is the ideal convertible solution, the perfect combination of aesthetic research and innovative household living. Alessandro Becchi was born in Florence in 1946. He studied at ISIA in his hometown, and in the late 60s, he began his career as a designer. In 1970 he designed the revolutionary Anfibio sofa for Giovannetti. In 1972, thanks to the success of Anfibio, he was invited to the exhibition “Italy: the New Domestic Landscape” at the Museum of Modern Arts in New York. This date opens in close collaboration with Giovannetti. He designed a series of sofa-beds, such as Only You, Brando, Diletto, and the famous armchairs Le Bugie...

2-seater sofa, floral fabric, wood frame, plastic and wood feet, 1970s DESCRIPTION PIECES 1 DESIGN PERIOD 19...

The Vico Magistretti Maralunga Leather Sofa, designed by Cassina in 1975, is a celebrated icon of Italian design. This sofa exemplifies Magistretti's innovative approach, featuring a...