Israeli Sofas

Like a painter mixes paint on a pallet, Ayala Serfaty handcrafts a unique felt for each piece to create custom colours and textures. The materiality of textile came to inform her work from its very beginning. “I started out with felt when I went to a Joseph Beuys exhibition in London in 1985. Now I produce it myself. I was trained as a painter and for me, the value of felt – historically, culturally, and artistically – means that I can treat it like a painting or a sculpture. First, I sculpt the polyurethane foam over the metal structure. Next I figure out the shape of the garment so that it will totally cover it. I don’t cut a piece of fabric – I make the entire cover in one piece. Each one is unique, and with no fitting. I make the colours I need, mixing silk with wool and linen in different percentages”. The series of sensual and protective felt chairs, armchairs and benches is called ‘RAPA’ (‘the healer’ in Hebrew). The name echoes the idea so dear to Joseph Beuys who claimed to have been treated and healed during WWII by this material. Each featuring a unique organic pattern, these seats of singular beauty and consummate comfort defy categorisation while bringing to mind rocky soil, bird plumage, and animal hides. Visually rough but infinitely soft to the touch, they succeed in blurring the usual sensitive frontiers while asserting the physical and terrestrial character of life. Since the 1990s, Ayala Serfaty has forged a unique path in the world of contemporary design, translating the structural and aesthetic qualities of the natural world into three-dimensional objects. Her conceptual furniture...

Cradle to cradle sofa by Neil Nenner and Avihai Mizrahi. Objects Dimensions: H 60 x L 200 x W 150 cm Materials: leather, iron, foam, rubber. Aviha...

Following the success of the Gladis Lounge Chair which was originally introduced in 2009, Aqua Creations created the Gladis Collection. The first inspiration was a finger print. Aqua...