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Very Rare Gillow Breakfront Library Desk Brass Gallery Burr Amboyna Wood

About the Item

We are delighted to offer for sale this stunning and exceptionally rare Gillow Library breakfront desk with brass gallery in Burr Amboyna timber, circa 1852-1857 An exceptionally rare example of a high Victorian Library desk made by one of the finest if not the finest furnisher in English history, Gillows of Lancaster and London I’ll include a short biography below on Gillows for those who aren’t fine furniture connoisseurs. The desk is fully stamped in the middle drawer Gillow with a serial number 617 L, looking through Volume I, Gillows Lancaster and London 1730-1840 we see on page 95 plate 55 this particular stamp dates to 1852-1857 The desk is made from Burr Amboyna timber which we find detailed in Volume II of the same directory as follows “Amboyna or Ambonia, the finely coloured knotty wood of Pterocarpus indicus, a papilionaceous tree, is no. 29 on the workbox.” This refers to a lovely sample workbox they have The timber is glorious to look at from every angle, the better the light source the more it glows, the leather top is the original Regency Green with tooled edge and is nicely aged with a good patina. We have lightly cleaned waxed and polished the piece from top to bottom, the new owner should expect a piece that is in excellent condition however it will have genuine age related signs of use Dimensions: Height 78cm Width 123cm Depth 56cm Leg room Height 64cm Width 55cm Please note all measurements are taken at the widest point Gillows of Lancaster and London, also known as Gillow & Co, was an English furniture making firm based in Lancaster, Lancashire, and in London. It was founded around in Lancaster in about 1730 by Robert Gillow (1704–1772 Gillows was owned by the family until 1814 when it was taken over by Redmayne, Whiteside, and Ferguson; they continued to use the Gillow name. Gillows furniture was a byword for quality, and other designers used Gillows to manufacture their furniture. Gillows furniture is referred to by Jane Austen, Thackeray and the first Lord Lytton, and in one of Gilbert and Sullivan's comic operas. In 1903 Gillows merged with Warings of Liverpool to become Waring and Gillow and although the furniture remained of a high quality it was not as prestigious. Gillow family (1728–1814) In 1728 Robert Gillow began trading in Lancaster as a joiner, builder, house carpenter, furniture maker and overseas merchant. By the summer of 1731 he had entered into a partnership with a fellow catholic, George Haresnape, which had ended by 1735. By 1734 six other names appeared on their staff list. Gillows notably made heavy use of mahogany wood, which is indigenous to the Americas, from the early 1730s. In the early 1740s, Gillow owned a twelfth share of the ship Briget, which he partially used to import mahogany from the West Indies. The success of the firm was partly due to his ability to directly import mahogany; by 1742 Gillow was exporting finished mahogany furniture back to the West Indies. On 1 January 1757 Robert entered into an equal partnership with his son Richard Gillow (1733–1811), and the firm was known as Robert Gillow & Son. Richard was also the architect for several buildings in Lancaster. He financed the building of the Catholic church in Dalton Square, Lancaster in 1798. The family's Catholic history was important in building up a customer base within Lancashire's gentry, and their subsequent purchase of Leighton Hall, Lancashire from a cousin in 1822. On 31 December 1768 Robert Gillow I retired and left his share of the firm to his other son, Robert Gillow II (1747–1795). In 1769 and 1770, a shop at 176 Oxford Street, London, was sent up by the brothers' cousin, Thomas Gillow (1736–1779), to sell their furniture. Goodison and Hardy state that the firm opened a London branch in 1760 at 176 Oxford Road. By 1775 the Lancaster branch had 42 employees, and by 1789 there were about 50 employees. This item is available for collection from our Wimbledon warehouses Condition: Please view the very detailed pictures as they form part of the description around condition Please note vintage period and original items such as leather seating will always have natural patina in the form of cracking creasing and wear, we recommend regular waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.

Creator:

Gillows of Lancaster & London (Maker)

Dimensions:

Height: 30.71 in (78 cm)Width: 48.43 in (123 cm)Depth: 22.05 in (56 cm)

Style:

High Victorian (Of the Period)

Materials and Techniques:

Burl,Hand-Crafted

Place of Origin:

England

Period:

1850-1859

Date of Manufacture:

1852-1857

Condition:

Wear consistent with age and use. Minor fading.

Seller Location:

Reference Number:

1stDibs: LU2823315326012

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Gillows of Lancaster & London

It would be difficult to find an antique furniture enthusiast or collector unfamiliar with the name Gillows of Lancaster and London. The British furniture company — which has earned references in the writings of Jane Austen and elsewhere in literature — is renowned for its exceptional quality craftsmanship, and attracted designers such as Thomas Chippendale, Thomas Sheraton and George Hepplewhite in its heyday.

The firm was founded circa 1730 by Robert Gillow (1704–72), who worked as a joiner, housebuilder and overseas merchant before making furniture for homes and export. Gillow established his business in his home city of Lancaster. However, the company later expanded into London in the 1750s after Robert entered into a partnership with his son, Richard, who apprenticed with a London architect and learned the merchant trade in Barbados. Richard had entrepreneurial aptitude — he managed apprenticeships at the firm, ensured that quality materials were a priority, navigated economic hardships, and designed furniture, too. He created seating based on sketches drawn by his cousin, James Gillow, in London.

London’s wealthy upper class took notice of the Gillows’ high-quality furniture, which came to include bedroom furniture, cabinets, a range of seating and other pieces made of rosewood or rich mahogany imported from the West Indies and Jamaica. By the end of the 18th century, the manufacturer was one of the leading furniture makers in Britain. Gillows designed its own furnishings and worked with significant designers; they had in-house upholsterers and cabinetmakers and employed decorative techniques such as “japanning” in their designs.

Gillows of Lancaster and London became Gillow & Co. in 1813 after selling to Redmayne, Whiteside and Ferguson. The company continued to thrive throughout the Georgian era and into the Victorian period, a time that yielded well-known collaborations with Scottish architect and designer Bruce Talbert on a regular basis. High-brow clients of the manufacturer clamored for their inventive and functional designs for tables and writing desks, many of which incorporated whimsical elements such as secret and pop-up drawers. There was also demand for earlier Gillow designs such as Baroque and Gothic Revival pieces as well as adaptations of Chippendale works.

Despite their success, Gillow & Co. entered into financial hardship during the late 1800s with the advent of mass-produced furniture. By 1903, they merged with Waring of Liverpool to become Waring and Gillows and, in 1980, were taken over by Maple & Co. to become Maple, Waring and Gillow. Today, many Gillows of Lancaster and London pieces are in museums throughout the United Kingdom, New Zealand and Australia.

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