Late 20th Century Dining Room Sets

This stylish vintage chrome dining set includes six matching Stendig style chairs with matching chrome frame dining table. Making a beautiful Mid-Century Modern statement in any sett...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Gorgeous all original dining set by Mario Botta for Alias, Italy 1985, composed of large dining table and 10x La Tonda chairs, excellent condition overall --Table and/or Chairs CAN ...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

Set of four High Style formal dining steel side chairs each featuring a gold wash stone finished with silver gray fabric coverings. Circa 1990.

A fabulous table and four coordinating chairs. Made by the iconic Brown Jordan. Part of their Classic ll series. The table retains the original label, the chairs come with a clot...

Italy modern chairs, bench and dining table in solid wood, 1980s Set composing by 3 chairs, a dining table and a bench, entirely in solid w...

Vintage cast aluminum UV and rust resistent stackable patio armchairs with cushions and table set with cushions. Frame very durable, Water resist...

Black lacquered rattan dining room table base. A ding room table for 6 which looks like a large sheaf of wheat in the style of McGuire. Hand-crafted ...

De Couro of Brasil red leather dining room set. All in red nubuck leather; 6 dining room chairs and also the base of the dining room table. On top a very thick rounded glass top. ...

Vintage American hardwood dining table and chairs - set of 5 A vintage hardwood dining table and 4 chairs, made in the USA. We ar...

Space Age period dining room set designed by Boris Tabacoff and manufactured for Mobilier Modulair Moderne in 1970s circa period, France. The set consists of the round dinning table...

Very handsome , woven reed table base w/ glass top, and 8 matching , woven reed chairs; 2 arm chairs, and 6 side chairs. Chairs and table base are wel...

High-end travertine, brass and gold plated metal dining table by Alain Delon. An impressive dining table made of the most beautiful travertine with a cross shaped brass inlay. The table rests on a gold plated metal base. It has place for six dining chairs, but additionally two extra chairs could be placed at the table ends. We received this dining table from the first owner who bought it new at Roche Bobois in the first half of the 1980s. The former owner told us he bought it as an Alain Delon dining table. We examined other designs by Alain Delon and are convinced by his story. The table has the same geometric shapes like the backgammon table by Alian Delon. It is all high quality and luxurious design. The table is in very good condition with only some traces of use consistent with age and use. This is an unique, hard to get and very high end dining table...

German architect turned designer, Rainer Daumiller, popularized these playful pine dining sets through the Danish brand, Hirtshals Savvaerk, in the 1960s and ‘70s. Designed to be fun...

These stylish and chic dining table and chairs are attributed to Maitland Smith, and date to the late 1980s to early 1990s. The set is fabricted in tessellated marble and inset brass...

This set of table and chairs was designed by Willy Rizzo for Mario Sabot, in Italy during the 1970's. The chairs are in lacquered wood, steel and reupholstered with a synthetic leath...

Tito Agnoli for Pierantonio Bonacina rare exquisite Carabou dining set consisting of a round cherry wood and rattan dining table and four woven rattan dining chairs. This architectur...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Elegant dining set, designed by Charles Rennie Mackintosh and expertly manufactured in Italy during the 1970s. This set includes a sophisticated oval dining table and four matching c...

Faux Painted Dining Set, Reed Chairs, Maitland Smith Crespi Style Offered for sale is a set of 4 reed chairs with a round pedestal table with a faux-painted wood top that looks like...

"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s inverted pyramid structure in black steel , light signs of wear due to age Size cm 120 x 120 x 26 will be shi...

An impressive set of ten dining chairs with extendible dining table, designed by Ernst W. Beranek and manufactured by Thonet in Austria around 1980. This eye-catching set is made ...

Knoll platner dining table and chairs In 1966, the Platner Collection captured the “decorative, gentle, graceful” shapes that were b...

Belgo chrome set consisting a table with 2 chairs - 2 armchairs Belgo Chrome is a Belgian brand which was known for high quality handmade luxuriou...

Beautiful set of a dining table with 6 chairs, you can hang these chairs on the table. See the photo. This is very easy to clean. Marc Held ...

Dark solid oak dining table with a set of six matching chairs. Dimensions: Table (may be fully disassembled): H(table/tabletop) 74/4 cm, W 200 cm, D 84 cm Chairs: H 98 cm, H(sea...

A rare dinette set by famed French designer Pascal Mourgue (1943-2014), son of the legendary French industrial designer Olivier Mourgue (born 1939), best known as the designer of the...

Unique dining set consists of 6 rattan rope wrapped dining chairs upholstered in a tropical palm leaf print and matching pedestal table with glass top. Steel frame construction, heav...

Brutalist sculptural dining table and 4 chairs, by De Puydt. Belgium. Heavy pieces. Highback chairs. Set is made of solid oak wood and constructed with visibl...

Mid-Century Modern folding dining set by Hyllinge Møble, Denmark, 1970s.

Welded polychromed and patinated steel "skyline dining" table by Paul Evans. Welded signature and date to base ‘Paul Evans 73’. Dimensions of the base: H:29 W:40 D:18 in. USA c.1973 ...

Made in Italy, circa !980"s chrome Willy Rizzo breakfast/dining set. Four Cantilevered chairs with a plinth based round table and a round glass top. The lime green base is "of the pe...

Dining table and chairs by Pierre Mazairac & Karel Boonzaaijer for Pastoe, Netherlands 1980s Set of 4 modern vintage dining table chairs...

Danny Ho Fong mid century iron and cane dining table with 6 stools The dining table measures: 73 wide x 30 deep x 26 high, with a chair clearance...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

A Frank Gehry compact dining set featuring 2 bentwood maple ply Cross Check chairs matched to a maple and glass Face Off dining table manufactured by Knoll International. Originally designed in the late 80’s Gehry’s Cross Check chairs...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, Cass...

One of Elinor McGuire's most iconic and enduring designs for McGuire of San Fransisco, the NP-12 dining table has a base of rattan gathered at the waist like a sheaf of wheat that su...

Angelo Mangiarotti for Skipper, dining table ‘Eros’, white marble, 1970s, with Rainer Daumiller Set of Six Dining Chairs in Pine This sculptural table by Angelo Mangiarotti is a ski...

"McGuire" 1970s dining room set in black lacquered rattan Complete of: – Trolley with extendable top bar cart server buffet (dimensions: 110 x 5...

1970’s White powder coated patio set by Russell Woodard. Set consists of two arm chairs, two side chairs and table with glass top. Newly powder coated white, new glass top and new yellow with green thread Sunbrella cushions...

This gorgeous dining set is produced by Glostrup Mobler from Denmark. The chairs are beautiful sculptured. The back of the chair and the joints has some beautiful details. It´s solid oiled scandinavian pine wood. The dining table has an ellipse shape. Unfortunately the extension top is missed so you can´t use the extension, only the normal measures. It contents 4x dining chairs...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

This 1970s signed Lion In Frost Lucite sculptural base dining table and original tufted leather Lion Frost dining chairs make for a great ensemble. The glass can be a much larger one to put on at your end. The base is solid. It is now at 46" round diameter. This was a replacement glass top. The leather of cream colored is the original leather fabric from the time. These are very comfortable to sit in. The tubular Lucite chairs...

Very nice dining room set by Giotto Stoppino from the 1970s in Italy. This set consists of a dining table and four matching dining room chairs. The table has a tubular, chrome-plated...

Mid Cent Rattan / Cane Dining Table & 6 x Chippendale Style Dining Chairs, 1970s Magnificent mid century rattan / Cane set of six vintage Chinese Chippendale style dining chairs plus matching table by ‘Angraves’ from the “Invincible” range. Brown in colour. The Table has a 10mm Glass top with polished edges. The chairs and table have cane lapping on all joints and other areas in abundance, the seats of the chairs are heavily woven wicker. In great condition Plaque reading: Angraves, Invincible, Brook Street, Thurmaston, North Leicester Excellent quality and craftsmanship, in great condition. Please note these are made from natural materials, so they may differ slightly in finish and colour. Angraves of Leicester: manufactured high class cane furniture in Britain for almost a century. From 1912 through to 2011, when the company along with its highly skilled craftsmen were bought out by Soane Britain...

Richard Young for Merrow Associates. A chrome dining table with the original smoked glass circular top and a set of eight rare 160Z Merrow chairs which are arguably the best-lookin...

German beer garden wood folding table with two wood folding benches. Sturdy and well made wood surfaces and metal folding legs. Folding mechanism is...

Beautiful large round wenge dining table with 8 matching chairs in the style of Jules WABBES. The table can be extended with two original leaves. If there are 6 chairs at the table, ...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

Chinese rosewood cherry Asian dining room set table 8 chairs with mother of pearl inlay - 9pc set. Set includes (1) 24" leaf, (2) armchairs, (6) side chairs, larg...

Great California design table and chairs. Handcrafted solid Shedua wood (African walnut) Oval top showing the beautiful wood grain in different cuts. It also has a nice scale, not to...

High-end travertine and gold-plated metal dining set by Alain Delon. Made and designed in France in the 1980s. An impressive dining table made of the most beautiful travertine wit...

Asian modern Ethnic table and stools in brown metal with drawing, 1990s Set consisting of a table and two round stools in brown painted metal. The table a...

A spectacular ‘Scimitar’ dining set designed by Bulgarian designer Boris Tabacoff for Mobilier Modular Moderne (MMM) in the 70’s. The chairs and table have a heavy chromed steel base...

A set of ten custom lacquered designer dining chairs. Sleek and stylish with straight lines throughout this strong and strudy set of dining chair...