Tavolo mod. La Basilica, Mario Bellini, Cassina, 1976

Simplicity with a smile: These words go a long way in describing the Chiara floor lamp and the work of its designer, Mario Bellini (b. 1935). A visionary who prefers hands-on experimentation, Bellini’s 1964 fixture began with models of rolled paper and concluded, in his own words, as “a nun-shaped lamp that makes the light come out of her white hat.” 

Known for his openly anthropomorphic yet sophisticated designs, Bellini studied architecture at the Polytechnic University of Milan. He graduated in 1959 and quickly found a place in the northern Italian city’s flourishing design scene. In 1963, Bellini opened his own design practice and became chief industrial design consultant to Olivetti. In the ensuing years, Bellini won multiple Compasso d’Oro awards, consulted on automobile design, edited design journal Domus and created objects that span a number of fields. He designed office chairs for Vitra and lighting for Artemide, Erco and FLOS, the venturesome Italian maker that announced plans to reintroduce the Chiara floor lamp (and a table version) in 2019. 

Topped with a gently curving hood that serves as a diffuser, Bellini’s original Chiara floor lamp takes the form of an elegant column made of a large single sheet of stainless steel. While the exterior’s surface is polished, the fixture’s interior is enameled in white, which supports a warm and luminous disbursement of the light that travels from the source inside the lamp’s base. The Chiara floor lamp represents Bellini’s humanist focus on our tactile experiences with an object. It is also a timeless component of his impressive design legacy.

Milan-born architect and designer Mario Bellini just may be the closest thing to a modern-day Renaissance man: His creative output spans genres, from electronics to furniture to architecture to cars, comprising iconic designs in each. Vintage Mario Bellini sofas, dining chairs and other seating pieces are widely coveted, and the designer has been the recipient of multiple prestigious Compasso d’Oro awards. More than 20 of his works are in the permanent collection of the Museum of Modern Art.

Born in 1935, Bellini studied architecture at the Polytechnic University of Milan before founding his own firm in his native city in the early 1960s. He soon branched out beyond architecture, however, first for the tech manufacturer Olivetti, where he served as chief industrial design consultant from 1963 to 1991. During that time, Bellini oversaw the design of some of Olivetti’s most popular typewriters.

His penchant for electronic design didn’t stop there: Bellini also designed cameras for Fuji, televisions for Brionvega and a slew of audio devices for Yamaha, then served as design consultant for Renault and devised the interior of the 1980 Lancia Trevi for Fiat. Meanwhile, his architecture work spans continents, including such modern gems as the Museum of Islamic Arts at the Louvre, the National Gallery of Victoria extension in Melbourne, the Dubai Creek Complex and the Milan Convention Centre in his hometown.

And then there’s the furniture: Over the last 70 years, Bellini has designed office furniture for Vitra; lamps for Artemide, Erco and FLOS; porcelain for Rosenthal and long-admired sofas and other seating for Kartell, Natuzzi, B&B Italia, Cassina and more.

His oft-imitated 1977 Cab chair for Cassina, comprising 16 individual pieces of saddle leather that create a “skin” over a minimal metal frame, remains one of the manufacturer’s best sellers today. His pudgy-legged, round tables for Cassina foreshadow Faye Toogood’s widely loved Roly Poly line. His postmodern Summa armchairs for Kartell, as well as his elegant Chiara floor lamp, still lure collectors on vintage furniture websites.

Bellini’s most famous contribution to furniture design, though, may be his 1970 Camaleonda sofa for B&B Italia (then C&B Italia). An entrant to the 1972 MoMA show “Italy: The New Domestic Landscape,” the seat takes its name from the Italian words for chameleon and wave. Its bulbous, modular form makes it infinitely flexible. The sofa was a runaway hit at the show and, once discontinued, remained so popular among vintage dealers that B&B Italia reissued it in 2020 with all recycled materials and interchangeable seat covers. “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom,” Bellini said.

Browse an expansive collection of vintage Mario Bellini furniture — including dining tables, armchairs, mid-century sofas and more — today on 1stDibs.