Modern Contemporary Art
MODERN STYLE
The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”
Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.
Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.
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Style: Modern
Honey Gold Straw Marquetry Galucha Mirror by Elan Atelier (Preorder)
By Elan Atelier
Located in New York, NY
Circular wall mirror with hand laid straw marquetry frame. It is real straw marquetry, not wood veneer.
Dimensions/
dia 41.3 x h 1.4 in
dia 105 x h 3.5 cm
Additional straw colors a...
Category
2010s Unknown Modern Contemporary Art
Materials
Mirror, Straw
OTR Plate 007 Fluorescent Epileptic Rays Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
Gaia's Iris Concept Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Gaia's Iris concept minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 150 cm
Materials: Brass, wood, natural pigments, epoxy and acrylics
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Ash Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Ash minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 130 cm
Materials: Brass, Wood, Ash, Epoxy and Acrylics
‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Luis Vidal Collage "Paper Rabbit", circa 2009, Spain
Located in Girona, Spain
Luis Vidal Collage.
Very decorative.
Unique Piece.
Circa 2022, Spain.
Very good condition.
Modernism is both a philosophical and arts movement that arose from broad transformati...
Category
Early 2000s Spanish Modern Contemporary Art
Materials
Wood, Paper
OTR Plate 011 the Sandy Wind Licks His Eyes French Inhale Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book On the Rock published by Montez press in 2016. The plates are a collaboration between the founders of figure ground on how to interrogate text into ima...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
OTR Plate 008 A Fecund Moment Printed On Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called A Fecund Moment showing the tie of Marcus Garvey...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Don Williams Abstract “Still Life on Gold #6”
By Don Williams
Located in Oakland, CA
Don "Ace" Williams (Born 1941) is an active painter currently living in Sonoma, California. Williams is known for amazing photo realist landscapes, still life paintings, and suffused...
Category
2010s American Modern Contemporary Art
Materials
Acrylic
Resin Art Panel
Located in Westport, CT
Resin art panel colored with pigments and ink multi-layered process which result in an organic expression of shapes. Measure: diameter: 39.75".
The outcome...
Category
2010s Modern Contemporary Art
Materials
Resin
Two Kinds of People Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Two kinds of people minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 50 cm
Materials: Brass, wood, natural pigments, epoxy and acrylics
There are two kinds of people. Those that see the night coming and those that see the day arriving.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Blush Minimalist Round by Corine Vanvoorbergen
Located in Geneve, CH
Blush minimalist round by Corine Vanvoorbergen
Dimensions: diameter 140 cm
Materials: Brass, wood, natural pigments, epoxy and acrylics
Love, Anger, Shame, Frustration, Passion.
It comes and it goes.
Think about it.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Swoon "Mrs Bennet" Wheatpaste on Found Object
By Swoon
Located in Chalk Hill, PA
Well-known for her role in the "Street Art" scene, Caledonia Curry AKA Swoon's work can be found throughout the streets of the world as well as in the carefully curated collections...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Wood, Paper
Ash Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Ash minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 70 cm
Materials: Brass, wood, ash, epoxy and acrylics
‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life.
Available sizes: 70, 90, 110, 120, 130, 140, 150, 160, 180cm
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
OTR Plate 006 Floats Like An Obelisk Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
"Concept, " a Large Multi-Colored Abstract Painting by Kathi Robinson Frank
Located in New York, NY
"Concept," 2022 is a large abstract acrylic, oil featuring deep violets, yellow ochres, and metallic gold on a white ground tinged with pale blue. In addition, the artist incorporated touches of orange, forest green and maroon together with web-like ink drawn forms to achieve light and dark and depth.
New York City born Kathi Robinson Frank...
Category
2010s American Modern Contemporary Art
Materials
Acrylic, Paint
Two Kinds Of People Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Two Kinds Of People Minimalistic Round by Corine Vanvoorbergen
Dimensions: diameter 130 cm
Materials: Brass, Wood, Natural pigments, Epoxy and Acrylics
There are two kinds of people. Those that see the night coming and those that see the day arriving.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Ash Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Ash minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 180 cm
Materials: Brass, wood, ash, epoxy and acrylics
‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
OTR Plate 014 Maelstrom Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
Resin Art Round Panel
Located in Westport, CT
Resin art panel colored with pigments and ink multi-layered process which result in an organic expression of shapes.
The outcome is always unsuspected. Each piece is unique and canno...
Category
2010s Modern Contemporary Art
Materials
Resin
OTR Plate 010 French Inhale Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
OTR Plate 009 Weapons Deep in the Vaccum Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book on the rock published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
OTR Plate 002 Grey Targets Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
Hard Around the Edges Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Hard around the edges minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 70 cm
Materials: Brass, wood, natural pigments, epoxy, acrylics
You can still embrace me, I am ...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Two Kinds of People Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Two kinds of people minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 180 cm
Materials: Brass, wood, natural pigments, epoxy and acrylics
There are two kinds of people. Those that see the night coming and those that see the day arriving.
Corine van Voorbergen...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Nude Painting by Jenna Snyder-Phillips, Black Ink Drawing on Paper, No Frame
Located in New York, NY
Nude painting by Jenna Snyder-Phillips. Black ink on hard paper. Art work is from 2012.
Artist is educated in Italy.
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Acrylic
Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
OTR Plate 001 Classic Black Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Classic Black showing a collage of the interior of
the Seagram's build in the perspective style of Mies Van Der Rohe. Each plate is related to a scene and some lines from the book.
Plate 001: CLASSIC BLACK "The floor is smooth as a Japanese sharpening rock, a composite of volcanic ash...
Category
2010s American Modern Contemporary Art
Materials
Aluminum
Porsche 944 and 356 Watercolor by David Lord
By David Lord
Located in Littleton, CO
Extraordinary watercolor on paper of two Porsche automobiles, a 944 and a 356 by famed automotive and aviation artist David Lord. Signed and dated, 1985.
Image dimensions: 16.75” x 20.75”.
Chromed frame dimensions: 24.25” x 27.25”.
About David Lord by Randy Leffingwell:
Inspiration for David Lord to draw and paint came from hours spent as a child at a drawing board set next to his talented grandmother’s easel.
“She painted flowers and landscapes . . . I drew cars, boats, airplanes and army tanks.”
In addition, a beloved, dedicated, high school teacher, who “instilled the love of art history, taught me art skills and techniques, and the ability to ‘know what to keep . . . and what to leave out’ of my art.”
A New Englander by birth, David attended high school in Connecticut. Art was his favorite class and he kept his eighth grade dream of going to art school alive with hundreds of hours spent drawing cars and planes.
After high school, he began two years of art studies at the University of Hartford in Connecticut and then began training at Art center College of Design in Los Angeles, California. After two semesters there, general Motors granted him a full scholarship. He graduated in 1965 as a Bachelor of professional Arts in Industrial Design.
Upon graduation, Lord was hired by UniRoyal in South bend, Indiana, to design consumer products and eventually products for military application in Vietnam. “I also had the honor and privilege of working with Gordon Buehrig on the preliminary design, drawings, and clay for the 8/10 scale Cord, built of vacuum-formable, color impregnated plastic.
After three years with a South Bend industrial design firm, Lord started his own company. During this period he spent many late evenings at the easel in his own studio, painting and drawing automobiles. The direction of his artwork, philosophy and goals began to form.
“I decided to focus my love of all things automotive with my talent for painting and drawing. I had been to many events over the years; councours, car and air shows, had an extensive automotive reference collection and four major influences and mentors. These were men whose talent I was in awe over the years; Peter Helck, Walter Gotschke...
Category
1980s American Vintage Modern Contemporary Art
Materials
Paint, Paper
Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Hard Around the Edges Minimalistic Round by Corine Vanvoorbergen
Located in Geneve, CH
Hard around the edges minimalistic round by Corine Vanvoorbergen
Dimensions: diameter 150 cm
Materials: Brass, wood, natural pigments, epoxy, acrylics
You can still embrace me, ...
Category
2010s Dutch Modern Contemporary Art
Materials
Brass
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Wood, Paint
Framed Oil Painting on Board by Sara Skaaning
Located in New York, NY
Oil painting on board by Sara Skaaning.
Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...
Category
21st Century and Contemporary Danish Modern Contemporary Art
Materials
Paint
Monumental LED Shadowbox Art Diorama with Taxidermy Horseshoe Crabs, In Stock
Located in Brooklyn, NY
Drones, 2022, is a techno-futuristic riff on the traditional Victorian shadowbox containing horseshoe crab carapaces collected by hand on a visit t...
Category
2010s American Modern Contemporary Art
Materials
Brass
Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Resin Art Round Panel 47"
Located in Westport, CT
Resin art panel colored with pigments and ink multi-layered process which result in an organic expression of shapes.
The outcome is always unsuspected. Each piece is unique and cann...
Category
2010s Modern Contemporary Art
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Framed Photography Paolo Ventrua
Located in Atlanta, GA
A framed photograph by Italian artist Paolo Ventura (b. 1968), No 59 from the series Winter Stories and created in 2009. The current digital chromogenic print on offer is presented f...
Category
Early 2000s Italian Modern Contemporary Art
Materials
Wood, Paper
Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Square Frame Mix Roses Set Arrangement, Flowers, Italy
Located in Treviso, Treviso
Life is a perpetual cycle with no beginning and no end: everything is, becomes and evolves according to its own nature. The universe does not admit of “nonexistence”: everything, eve...
Category
2010s Italian Modern Contemporary Art
Materials
Aluminum
Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Vintage Photograph Martha Graham Letter to the World by Barbara Morgan
Located in Atlanta, GA
An iconic black and white photography by Barbara Morgan (American, 1900-1992) of "Martha Graham, Letter to the World". The photo was originally tak...
Category
1970s American Vintage Modern Contemporary Art
Materials
Paper
Huai-Qing Wang "Another Space" Etching, 2002
Located in Barcelona, Barcelona
Etching made by Huai-Qing Wang in China
Etching
Another space
2002
Measures: 97.5 x 68.5 cm
Edition 50.
Category
Early 2000s Chinese Modern Contemporary Art
Materials
Paper
Zen - Acrylic silkscreen ink on canvas
By Aimee Wilder
Located in Brooklyn, NY
Multidisciplinary artist, designer, photographer, and founder of her eponymous brand of wallpapers, tiles, and home textiles, Aimée Wilder presents Shadow Wildling, a new series of large-format silkscreened paintings.
This debut fine art edition draws inspiration from Aimée’s textile design background to explore tessellation, positive/negative space, mathematics, fractal dragon curves, and nuanced color relationships.
These new paintings, however, reverse the usual role of patterned designs within interior spaces. Rather than an all-over application of patterned wallpaper...
Category
2010s American Modern Contemporary Art
Materials
Canvas, Acrylic
French Surrealist Lithograph Signed Gerald Moreno in the Manner of Salvador Dali
Located in Miami, FL
A stunning figurative surrealist work of contemporary art signed by the very talented French artist, Gerald Moreno.
Moreno's work is often described as...
Category
20th Century French Modern Contemporary Art
Materials
Paper
Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Modern Art Silkscreen Print Inspired by “Rothko” Signed / Numbered Edition
Located in Palm Springs, CA
Obviously inspired by Rothko but made modern with a beautiful gold metallic addition in shades of blue from navy to light blue. Entitled “Blue Stratus” it is #32/3600 numbered editio...
Category
2010s American Modern Contemporary Art
Materials
Paper
Lisbon Blue & White Tiles Wall Art, Gold Leaf, Handmade Portugal Lusitanus Home
Located in Lisboa, PT
Alfama Wall Art, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home.
Alfama wall art has an exclusive hand-painted design by Greenapple, inspired by the P...
Category
21st Century and Contemporary Portuguese Modern Contemporary Art
Materials
Glass, Mirror, Wood
Modern contemporary art for sale on 1stDibs.
Find a broad range of unique Modern contemporary art for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage contemporary art created in this style to your space, the works available on 1stDibs include wall decorations, decorative objects, mirrors and other home furnishings, frequently crafted with metal, glass and other materials. If you’re shopping for used Modern contemporary art made in a specific country, there are Europe, Italy, and Portugal pieces for sale on 1stDibs. While there are many designers and brands associated with original contemporary art, popular names associated with this style include sicis, Louise Heighes, Las Animas, and Sabrina Landini. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for contemporary art differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $110 and tops out at $191,803 while the average work can sell for $3,868.
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