A Large Oil Painting of a Sheep by William Skilling

With dramatic simplicity, this large oil painting on canvas of a dog or Pit Bull, certainly gathers your attention, executed in a tongue in cheek Victorian pa...

Pair of antique oil on board oval panels portraying folky whimsical lion heads. These panels are architectural remnants possible from a circus car.

Midcentury flower paintings executed with acrylic on canvas in a bold vibrant style, titled Buttercup and Trout Lilly. Signed McFeatters an...

Mid Century acrylic on canvas painting of a Middle Eastern Street scene executed with bold impressionistic brush strokes. Depicting exotic Architecture ...

Set of nine antique drawings of American and English Navel Sailing ships executed in a pen and ink technique highlighted with watercolor, matted and presented in mahogany frames behi...

Midcentury abstract oil on canvas painted with skill and confidence with overlapping, disciplined geometric forms with free form lines executed with a complex palette of dark and bri...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original pair of John W Morris signed Victorian oil painting of Sheep...

oil painting on canvas of two playful dogs in mid frolic and executed in a tongue in cheek Victorian parlor painting style with contrived aging, distressed finish, and a faux tortois...

Original oil painting on canvas, Tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water at deep dusk or early dawn. A lone shepherd, seated beneath a tree, watches over his herd of sheep as they make their way down to the water. The tone is relaxed and misty, with softly blurred details and an air of hazy tranquility. William Keith was a Scottish-American painter famous for his plein air California landscapes, characterized by how the landscapes captured feelings and emotions, rather than actual details. He was neither pure Realist nor pure Impressionist. During the 1870s, Keith painted a number of six-by ten-foot panoramas, including "Kings River Canyon" (Oakland Museum, originally owned by Governor Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by famous California landscape painters Albert Bierstadt and Thomas Hill. Keith is associated with Tonalism and the American Barbizon school of painting...

An excellent and very stylish impasto oil on board of Ranunculus flowers in an urn vase. The expressionist impasto paint application is fascinating. Clearly the work of a competent colourist. It really evokes the texture of Ranunculas flowers, their weight and the vibrancy of their colour. Unsigned, dating from the 1960s. The style is Expressionist. It reminds us of the work of William Dobell...

This is a wonderful depiction of tromp l’oeil art by William Skilling American /British artist in the 1960s In wonderful condition

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...