Painting by William Aiken Walker

French landscape oil on canvas in gilt frame. Signed by artist. A. Mazar. Mid 19th Century

English oil on canvas painting of horse in stable with the gilt & burl frame. Signed & Dated "J. Brown Coventry 1866"

Pair of American oil on canvas portraits in the original floral gilt frames and stretchers. South Carolina, Late 18th century. Signed Dr. Anthony Hemingway on re-verso.

Italian hand painted oil on board still depicting centered floral urn with flanking parrots resting on decorative floral painted border. Early 19th Century.

American oil on canvas landscape with a flowing stream, trees and mountains, watering cows in the foreground, sun in the background, encompassed on the original stretchers and the or...

Pair of American oil on canvas stills in gilt and painted frames. Each painting consist of fruit in wicker baskets. Signed by artist. T. Maria. Early 19th Century.

Decorative silver painting by William Kozar, 2008, Canada.

William McCloy, borned in China and moved to US in 1926 and started his studies in Iowa in 1930.This is a nice modern style landscape also he is known by abstractions and commissione...

Original oil painting on canvas, Tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water at deep dusk or early dawn. A lone shepherd, seated beneath a tree, watches over his herd of sheep as they make their way down to the water. The tone is relaxed and misty, with softly blurred details and an air of hazy tranquility. William Keith was a Scottish-American painter famous for his plein air California landscapes, characterized by how the landscapes captured feelings and emotions, rather than actual details. He was neither pure Realist nor pure Impressionist. During the 1870s, Keith painted a number of six-by ten-foot panoramas, including "Kings River Canyon" (Oakland Museum, originally owned by Governor Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by famous California landscape painters Albert Bierstadt and Thomas Hill. Keith is associated with Tonalism and the American Barbizon school of painting...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

An excellent and very stylish impasto oil on board of Ranunculus flowers in an urn vase. The expressionist impasto paint application is fascinating. Clearly the work of a competent colourist. It really evokes the texture of Ranunculas flowers, their weight and the vibrancy of their colour. Unsigned, dating from the 1960s. The style is Expressionist. It reminds us of the work of William Dobell...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...