2010s Paintings
30
496
476
to
65
492
388
972
896
935
315
67
12
3
3
3
2
1
1,328
3,599
12,773
2,924
1,809
4,808
3,986
188
124
338
534
439
754
1,172
1,136
726
523
Height
to
Width
to
417
362
309
267
241
449
398
350
93
75
20
15
15
14
12
Period: 2010s
Atlas Vallard, One-Time Only Limited Facsimile Edition of the Atlas of 1547
Located in BARCELONA, ES
This is a one-time only facsimile edition limited to 987 copies of an atlas from the Renaissance, the Atlas Vallard, owned by the Huntington Library in San Marino, CA, made by combin...
Category
French Renaissance 2010s Paintings
Materials
Leather
Tintin and Snowy in Amilcar, Vinc
Located in Saint ouen, FR
Tintin and snowy in Amilcar - Vinc
Technique: acrylic, posca and automotive varnish
Aluminium signpost
Possibility to put it outside
Dimensions: Ø47xP3cm
2022
Price : 390...
Category
2010s Paintings
Materials
Iron
Marilyn Monroe Pin Up Painting inspired by Tom Kelley's Playboy Photo
By Angelika
Located in BUSSUM, NH
Beautiful painting by Dutch / Bulgarian Painter Angelika Bes.
The painting in Pin Up style is based on the famous 'Red velvet series' made by photographer Tom Kelley in 1949 when Mar...
Category
Modern 2010s Paintings
Materials
Canvas, Paint
OTR Plate 004 Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
Enrico Della Torre Black Abstract Painting with Wood Frame
Located in Barcelona, Barcelona
Painting in charcoal on linen made by Enrico Della Torre.
In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.
Material:
Cha...
Category
Spanish Post-Modern 2010s Paintings
Materials
Linen
Sandro Contemporary Painting in Translucent Paper
Located in Barcelona, Barcelona
Painting made by Sandro.
In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.
Material:
Ink on translucent paper
Dimensio...
Category
Spanish Post-Modern 2010s Paintings
Materials
Wood
OTR Plate 015 Symmetry Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 003 Swaying in Developer Chemicals Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral.
Each plate is related to a scene and some lines from the book.
Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...
Category
American Modern 2010s Paintings
Materials
Aluminum
Dioscorides of Cibo and Mattioli - One-Time Only Limited-Edition Facsimile
Located in BARCELONA, ES
This is a one-time only facsimile edition limited to 987 copies of the Dioscorides of Cibo and Mattioli made during the 16th century. We created it by combining the highest technology with the mastery of the bookbinders who have handmade its binding by hand using only 100% full grain naturally tanned leather.
In this remarkable codex, the artistic genius and botanist Gherardo Cibo (1512-1600) compiled a selection of medical and botanical texts from the Discorsi by the famous physician of Siena Pietro Andrea Mattioli (1501-1577), and illustrated them with more than 160 remarkable pictures of plants and landscapes that rank amongst the most beautiful of the Renaissance.
Discorsi is Mattioli’s Italian translation of Dioscorides’ De Materia Medica (1st century AD) with the addition of lengthy commentaries based on his personal experience and on popular and learned medicine.
Gherardo Cibo was an avid reader and admirer of this book by Mattioli. He copied entire passages in neat script, adding his own comments, anecdotes and legends and, more importantly, illustrated them with delicate and lifelike botanical images...
Category
Italian Renaissance 2010s Paintings
Materials
Leather
OTR Plate 007 Fluorescent Epileptic Rays Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 011 the Sandy Wind Licks His Eyes French Inhale Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book On the Rock published by Montez press in 2016. The plates are a collaboration between the founders of figure ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 008 A Fecund Moment Printed On Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called A Fecund Moment showing the tie of Marcus Garvey...
Category
American Modern 2010s Paintings
Materials
Aluminum
Mixed Media Painting by Steven Colucci- My eyes on you
By Andrzej Galek
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
Mixed Media Painting by Steven Colucci
By John Byard
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
OTR Plate 006 Floats Like An Obelisk Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
"Concept, " a Large Multi-Colored Abstract Painting by Kathi Robinson Frank
Located in New York, NY
"Concept," 2022 is a large abstract acrylic, oil featuring deep violets, yellow ochres, and metallic gold on a white ground tinged with pale blue. In addition, the artist incorporated touches of orange, forest green and maroon together with web-like ink drawn forms to achieve light and dark and depth.
New York City born Kathi Robinson Frank...
Category
American Modern 2010s Paintings
Materials
Acrylic, Paint
OTR Plate 014 Maelstrom Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 010 French Inhale Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 009 Weapons Deep in the Vaccum Printed on Aluminum
Located in Brooklyn, NY
This plate comes from the book on the rock published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
OTR Plate 002 Grey Targets Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category
American Modern 2010s Paintings
Materials
Aluminum
Untitled, Wall Painting by Spanish Artist Federico Miró, Spain, 2022
Located in Madrid, ES
UNTITLED, Wall painting by Spanish artist Federico Miró, from the series THE TRUTH IS ANOTHER, Acrylic on canvas.
Federico is a young artist who, in his meticulous work, reflect...
Category
Spanish 2010s Paintings
Materials
Canvas, Acrylic, Paint
Mixed Media Painting by Steven Colucci- Two Men
By Jeff Koons
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
My eyes on you -Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied.
Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin.
If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity.
Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.”
As our bodies, like the sea, are largely water, Colucci’s water visions...
Category
2010s Paintings
Materials
Acrylic
OTR Plate 001 Classic Black Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image.
16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Classic Black showing a collage of the interior of
the Seagram's build in the perspective style of Mies Van Der Rohe. Each plate is related to a scene and some lines from the book.
Plate 001: CLASSIC BLACK "The floor is smooth as a Japanese sharpening rock, a composite of volcanic ash...
Category
American Modern 2010s Paintings
Materials
Aluminum
Mixed Media Painting by Steven Colucci, Sea Series
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School
of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest
as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that
denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one
who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts
have not only long blurred the boundaries between these disciplines, but have
challenged its most basic assumptions. The title of this show references a
most rudimentary dance move --the plié --and our assumptions of what to
expect in relation to this. Also the suggestion that we can simply press a
button and a preconceived outcome will be courteously delivered --a form of
prefabricated belief in itself. Steven Colucci’s artwork turns such basic
assumptions on their heads. Finding early inspiration in the New York school
of abstract expressionists such as Jackson Pollock with his action painting,
and then further by his professor --a then young Vito Acconci while studying
at the School of Visual Arts, Steven Colucci went from exploring the raw
existentialist experimentation of New York’s early painting and performance
scenes, to investigating the other end of the spectrum --the rigorously
measured and controlled disciplines of pantomime and ballet; studying in
Paris under the tutelage of world-famous Marcelle Marceau, and engaging
with the concepts of dramatic movement pioneer and intellectual Etienne
Decroux. Colucci has explained the difference between the extremes of
pantomime and dance as being that pantomime forces movement via an
internal capacity --movement directed inward to the core of one’s self --a
source requiring extreme mental and physical control. Dance by contrast is
an external expression; likewise requiring great precision, although instead
an extension of self or sentiment that projects outwardly. While such
historical ‘movement’ disciplines serve as foundation blocks for Steven’s
artistic explorations, it is the realm in between that he is best known for his
contributions --an experimental movement and performance art that
simultaneously honors, yet defiantly refutes tradition; rejecting a
compartmentalization regarding art and movement, yet incorporating its
elements into his own brand of experimental pastiche. Colucci’s performance
works manifest as eerily candy-coated and familiar, yet incorporate
unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia
in the viewer; an exploration of a cumulative artifice that binds human
nature against its darker tendencies; highlighting traditions of artifice itself -
the fabricated systemologies that necessitate compartmentalization in the
first place.
It is evident in Steven Colucci’s paintings that he has established a uniquely
distinctive pictorial vocabulary; a strong allusion to --or moreso an extension
of --his performance works. Colucci’s paintings depict a sort of kinetic
spectrum, or as he refers to them “a technical expression of physicality and
movement”. Whereas the French performance and visual artist Yves Klein
used the human body as a “paint brush” to demarcate his paintings and
thereby signify a residue of performance, Colucci’s utilization of nonsensical
numbers and number sequences taken from dance scores, as well as heat-
induced image abstraction depicting traces of movement likewise inform his
vocabulary. In the strand of the choreographed, yet incorporating moments of
chance, Colucci’s paintings represent an over arching structure; a rhythm of
being and state, yet detail erratic moments --moments that denote a certain
frailty --the edge of human stamina. Colucci’s paintings dually represent a
form of gestural abstraction --and also the reverse of this --a unique
anthropomorphization of varying states of movement – that sometimes
present as a temperature induced color field, at others are juxtapositions of
movement and depictions of physical gestural images themselves. Colucci’s
use of vernacular and found materials such as cardboard evoke his mastery of
set design, and also reference a sort of collective experience of urbanity and
the ephemeral. Such contradictions seem to permeate not only Steven
Colucci’s artwork, but also are reflected in his person – one who grew up in
New York’s Bronx during a zeitgeist moment in visual and performing arts in
the 1960s – one who shifts with ease from happenings and experiments in
New York City, to his meticulously choreographed megaproductions at
Lincoln Center or starring in the Paris ballet...
Category
2010s Paintings
Materials
Acrylic
Craig Allen Abstract Nude Figurative Painting Titled "Echo"
By Craig Alan
Located in Miami, FL
Craig Allen Abstract Nude Figurative Painting Titled "Echo"
Offered for sale is an abstract nude figurative painting on canvas titled "Echo. The painting ...
Category
American Modern 2010s Paintings
Materials
Canvas, Acrylic, Wood
Flower by Caroline Rennequin 2021 Gouache on Handmade Indian Paper
Located in Santa Gertrudis, Baleares
In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette.
Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious.
This work has been shown for the first time in October 2021 at Galeria Tambien...
Category
French Other 2010s Paintings
Materials
Plywood, Parchment Paper
Hand-Painted Antique Tin Panel of Castle Along a River by Mladen Novak
Located in New York, NY
Original acrylic portrait painting on recovered antique ceiling tin by European artist Mladen Novak. Tin panel may have a few chips in the paint h...
Category
American 2010s Paintings
Materials
Tin
Adrian Contemporary Abstract Painting on Wood, 2017
Located in Barcelona, Barcelona
Contemporary abstract painting by Adrian.
Untitled.
Mixed-media on wood.
We offer free worldwide shipping for this piece.
Hand signed and dated on the back.
Category
Spanish Mid-Century Modern 2010s Paintings
Materials
Wood
"Fantastical Realms: a Nondual Landscape"
By John Brevard
Located in Coral Gables, FL
"Fantastical Realms: A Nondual Landscape" is a breathtaking painting that captures the wonder and magic of a world beyond the boundaries of reality. The scene is bathed in a soft, et...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
The Unseen Dimensions of Consciousness
By John Brevard
Located in Coral Gables, FL
In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
Surreal
By John Brevard
Located in Coral Gables, FL
In this John Brevard painting, we see a strange and surreal creature that seems to inhabit a multidimensional world. The overall theme of the painting...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
21st Century Abstract Painting ”Lusso”
Located in Los Angeles, CA
About the artist: Dor Saraf is an international abstract artist known for the unconventional style and technique that he has developed. He is known for combining special materials with touches of metallic colors, and mixed textures. Saraf is an autodidact artist with a B.A degree in social sciences and special-needs education. His artworks are inspired and motivated by optimistic energies, positive natural colors, and the artist's emotional connection to the human soul. As an artist, he is committed to creating powerful paintings that bring style, optimism, and character to any space.
-Size:
200/80
180/65
150/50
-condition: new, excellent quality.
-Style: modern, abstract, Design
- texture original artwork Hand-Painted acrylic Paintings of the Artist.
-Each piece comes signed by the artist.
-Framed in an internal wooden frame, ready to hang
Choice:
Hanging horizontally / hanging vertically.
Category
Modern 2010s Paintings
Materials
Gold Leaf
The Multidimensional Mind
By John Brevard
Located in Coral Gables, FL
In this painting by John Brevard, the theme of the work is nonduality, illustrating the concept that all things are interconnected and inseparable.
At the center of the painting, th...
Category
Spanish Space Age 2010s Paintings
Materials
Canvas, Acrylic
Ethereal Journey
Located in Coral Gables, FL
In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...
Category
Spanish 2010s Paintings
Materials
Canvas, Acrylic
Cosmic Explorer
By John Brevard
Located in Coral Gables, FL
In this painting, the viewer is transported to a world beyond the boundaries of the material world. At the center of the painting, we see a female ethereal character, with a transluc...
Category
Spanish Space Age 2010s Paintings
Materials
Cane, Acrylic
Original Acrylic Abstract Painting by Rick Orr
By Rick Orr
Located in Palm Springs, CA
Original acrylic on board abstract paint by American listed artist Rick Orr.
Framed in a gilded wood frame.
Measurements: 54” Wide, 30” High, 2” Deep.
Category
American Modern 2010s Paintings
Materials
Gold Leaf
Oil on Canvas Painting by Virginie Gaillet
Located in Bois-Colombes, FR
Very nice painting showing an old African woman
by Virginie Gaillet.
Category
French 2010s Paintings
Materials
Acrylic
Original Modern Contemporary Pink and White Painting in Antique Gilt Frame
Located in Houston, TX
Original Modern Contemporary Acrylic Painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...
Category
American Modern 2010s Paintings
Materials
Wood, Giltwood, Paint
Aythamy Armas Painting, circa 2022, Spain
Located in Girona, Spain
Aythamy Armas painting.
Vertical Format.
Mixed technic on canvas.
Signed by the artist.
Circa 2022, Spain.
Very good condition.
Bachelor of fine ar...
Category
Spanish Modern 2010s Paintings
Materials
Canvas, Paint
Original Painting by Listed Cuban Artist, Ahmed Gomez, "Relics"
Located in East Hampton, NY
This wonderful early painting in acrylic on canvas by Listed and famed Cuban artist, Ahmed Gomez from 2015. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MI...
Category
American Modern 2010s Paintings
Materials
Acrylic, Wood
Contemporary Modern Abstract Acrylic Painting on Wood Framed White Black Red
Located in Berlin, DE
This painting has heavily textured acrylics in multicolored on wood.
The artist created the piece using multiple techniques like palet knife, brush and pencil.
The series is call...
Category
German Modern 2010s Paintings
Materials
Acrylic, Wood, Plywood
Helen Allois Signed Original Oil on Canvas Painting Disappearances 8, 2015
Located in Studio City, CA
A beautiful original oil on canvas painting by German-born American artist Helen Allois (who artistically simply goes by Allois). This work titled "Disapp...
Category
American Modern 2010s Paintings
Materials
Canvas, Paint
"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (1380-18) - One of a Kind.
Abstract painting created in 2018 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
---
Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Wood, Paint, Paper
"Variation (1119-12)" Abstract Painting by Pascal & Annie LENIAU, French Artists
Located in Paris, FR
Variation (1119-12) - One of a Kind.
Abstract painting created in 2012 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
---
Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Paint, Paper, Wood
Contemporary Monument Forms Abstract Art Painting with Black and Yellow
By Louis Jobst
Located in London, GB
Monument forms are a series of paintings by Louis Jobst experimenting with form and color. Here there are two black abstract forms amongst a metaphysical landscape. The painting focu...
Category
British Mid-Century Modern 2010s Paintings
Materials
Acrylic, Paper
Adrian Contemporary Abstract Black Mix-Media Large Painting
Located in Barcelona, Barcelona
Contemporary abstract painting by Adrian.
Untitled.
Mixed-media on wood.
Handsigned and dated on the back.
Dimensions: 120 x 180 cm.
Category
Spanish Modern 2010s Paintings
Materials
Wood
John O'Hara. Sardinia 8, 2022, Encaustic Painting
By John O'Hara
Located in SAINT LOUIS, MO
Art Dimensions: 72 x 72 H inches and Framed Dimensions: 73 W x 73 H inches
This work consists of 4 36 inch boards.
We are proud to be the exclusive gallery of John O'Hara (American, b. 1963). O'Hara is a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. His work is included in both public and private collections around the world. Michael Kors selected O'Hara's Tar series paintings for his Milan, Paris, and New York showrooms and his flagship store in London designed by Pamela Meech. O'Hara's Brands on Yellow is hanging in the lounge of Maison de Luz, the new luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...
Category
American 2010s Paintings
Materials
Paint
"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (2170-19) - One of a Kind.
Abstract painting created in 2019 by French contemporary artists Pascal & Annie LENIAU.
Colorful composition and abstract matter.
Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back.
---
Pascal & Annie LENIAU
Since their meeting in 1978, Pascal and Annie...
Category
French 2010s Paintings
Materials
Wood, Paint, Paper
André Ferrand, Cadillac Drawing “Back to Never”
Located in Saint ouen, FR
André Ferrand.
Cadillac dessine "retour vers jamais"
Measures: 100x50
2022
Price : 980€ for the artist.
Category
French 2010s Paintings
Materials
Paper
Flower by Caroline Rennequin 2021 Gouache on Handmade Indian Paper
Located in Santa Gertrudis, Baleares
In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette.
Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious.
This work has been shown for the first time in October 2021 at Galeria Tambien...
Category
French Other 2010s Paintings
Materials
Plywood, Parchment Paper
Contemporary Oil on Canvas from the Swedish West Coast
Located in Los Angeles, CA
Karin Elmlund, born in 1974, is from the tiny island of Tjörn on the west coast outside Gothenburg, Sweden. Tjörn has a rich arts and crafts culture; this, combined with being on an ...
Category
European 2010s Paintings
Materials
Canvas
Annick BIAUDET, Rhinoceros, Original painting
Located in Encino, CA
Annick Biaudet, One of the Best 21st Century Wildlife Artists!
Morateur Gallery is proud to exclusively represent this talented Artist
throughout her...
Category
2010s Paintings
Materials
Paint
Contemporary Mixed Media by Hymn of Silence 'Layers of Earth"
Located in Vosselaar, BE
Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...
Category
Belgian 2010s Paintings
Materials
Paint, Ceramic, Hemp
Mie Majgaard, Danish Artist, Mixed Media on Canvas, "Gazelle", 2013
Located in Copenhagen, DK
Mie Majgaard, Danish artist. Large painting.
Mixed media on canvas. "Gazelle". Dated 2013.
The canvas measures: 99 x 99 cm.
The frame measures: 1.5 cm.
In excellent condition.
...
Category
Danish 2010s Paintings
Materials
Canvas
Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018
Located in Milan, IT
Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018
Signed and Dated by Artist on front and rear.
Coded and Archived by Ugo La Pietra Archives.
Certificate of Authenticity a...
Category
Italian Post-Modern 2010s Paintings
Materials
Canvas
Colorful Still Life on Canvas of Berries by Beverly Ward
Located in Redding, CT
Colorful still life on canvas of Berries by Beverly Ward. Nice contemporary composition. This will pop off of any wall. Colorful and playful. Signed on rear. This item can parcel shi...
Category
Expressionist 2010s Paintings
Materials
Canvas, Paint, Wood
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