Old Engraving of Eleazer Killing a War Elephant, Title in Six Languages, 1728

Antique religion print titled 'Joseph tempted to whoredom'. Joseph Tempted to Whoredom, as in Genesis 39:7: "And it came to pass after these things, that his master's wife cast her e...

Antique religion print titled 'Jephthah's daughter meets him at the door of his house'. The story of Jephthah’s Daughter (Judges 11) tells us that Jephthah the Gileadite made a v...

This exceptional antique map, titled "Nouvelle Carte Marine de Toute les Cotes de l´Amerique" and alternatively known as "Nieuwe groote en seer Curieuse Paskaart van Geheel-WestIndie...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

One leaf with an engraving on each site and text in old Dutch. One side shows the War Council of the locals in Bantam and the other side show some vegetables traders of Bantam. B...

Antique print China titled ‘Kajutsiu'. This plate shows a view on the Chinese city of Kajutsiu. This print originates from the Latin edition of Nie...

Panorama of the seat of war. Bird's-eye View of Virginia, Maryland, Delaware and the District of Columbia. This third state of this fascinating bird's eye view of the northernmost p...

Fine 18th century engraving of a stag, after the hunt, with a magnificient dog at rest, in a country scene, beautifully depicted.

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

ST/556/1 - Old map of Corsica isle, surveyed by Captain Hell, of the French Royal Navy in 1824, engraved and published on 1874, with additions and corre...

ST/520 - Old rare Italian map of England, dated 1826-1827 - by Girolamo Tasso, editor in Venise, for the atlas of M.r Le-Sage.