Victorian Prints

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

John Gould September 1804 – February 1881 Published by Thomas Rymer Jones / Dr Brehm, Cassells Book of Birds, volume III London C.1875. A set of four lithograph prints of parrots...

Antique map of South America. Displayed in a new Roma frame with museum quality matting. Custom frame in platinum. No print date, but cert...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good Provenance:...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Set of Nine Floral Colored Prints Each print is unframed and measures 14 x 11 inches. A range of floral bouquets and plants - ideal for many interior design projects. Cond...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

A set of eight of exceptional quality 19th century hand-coloured lithographs, in beautiful early 20th century walnut frames From John Gould (1804-1881), The Birds of Great Britain...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

French Victorian oak framed engraving of landscape titled: "Le Matin" or "The Morning".  

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Presenting a lovely 19C engraving of Lake Gaube in the Pyrenees by T Allom. From circa 1850. Besautiful depiction of Lake Gaube or Lac de Gaube in the F...

A set of six English 19th century Botanical Engravings, England C.1880. Mounted, ready to be framed. Fine examples, in excellent condition commensurate of age.

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

This antique print in its original frame was copyrighted by George Henry Patnoe & Henry Brown of Canada in 1909 in a Victorian style. The print depicts the symbolism of the Lodge and...

"O for Ostler" from "An Alphabet" by William Nicholson from the first edition published by William Heinemann, London, 1898. Original lithograph from the colored woodblock. "Ostler, o...

A rare 19th century anatomical wall chart depicting the human skeleton. On the sides On the sides are detailed description in German language. The wall...

An elegant black and white engraving of an aristocratic Victorian lady outfitted in period attire, framed handsomely with wide black mat and ...

19th century Victorian hand colored lithograph in original frame. Large and rare folio Beautiful original hand colored print of four girls titled, “God i...

Very nice pair of rare prints from the late 19th century, circa 1890. British, unattributed, scenes of ‘The Hunt”. The first print is labelled “The Meet on the Green” and the second one is called “Crossing the Green” Both scenes depict the gathering of The Hunt party on the Village Green to prepare for the fox hunt ahead. Both in their original frames. 19th century pair of British Hunt Prints of The Meet on the Green and Crossing the Green. FOX HUNTING: Fox hunting is an activity involving the tracking, chase, and sometimes killing of a fox, traditionally a red fox, by trained foxhounds or other scent hounds, and a group of unarmed followers led by a “master of foxhounds” (“master of hounds...

Antique Toms Music Lesson oval painted colored lithograph print by F. Silber for Edmund Foerster & Co. Features two Victorian clad girls / sisters at the p...

Presenting a fabulous and very rare, original early 19th century engraving after a painting by John Frederick Herring Snr……engraved by Charles Hunt, circa ...

"Z for Zoologist" from "An Alphabet" by William Nicholson from the first edition published by William Heinemann, London, 1898. Original lithograph from the colored woodblock. Nichols...

English Victorian color lithograph of the aerial view of an English estate in white matting and a rectangular wood & black trimmed frame (Companion piece: 062454).   

Émile Deyrolle Anatomical poster A wonderfully rare and decorative curio medical French (Paris) original lithograph on board anatomical poster in ...

English Victorian color lithograph of the aerial view of an English estate in white matting and a rectangular wood & black trimmed frame.  

The National Publishing Company's road map of New Jersey, showing all county and township divisions, cities villages and post-offices, railroads, ste...

Late 19th Century Lot of six lithographs for the magazine ¨ Ilustracion Artistica¨ in 1885. This was a magazine published in the second half of the 19th century with the collaboration of great Spanish and international writers and illustrators of the time such as Emila Pardo Bazan, Valle Inclan Imp. Montaner y Simón...

Victorian "Bird" Spider print mounted on a lovely faux marble paper ground showing large spider attacking a trapped bird. Black painted wood frame. Some p...

Mrs. Jane Webb Loudon reached notoriety as a woman for her hand colored lithographs of English wildflowers. It was quite unusual to be a female print maker in the 19th century. Jane Loudon's images show her delicacy in creating these floral images. To further support herself she was the author of "The Mummy...

Puck magazine political illustration cartoon lithograph framed art - Set of 7. Item features burl wood custom frames, original lithographs from 1886, ver...

Antique Foldable Anatomical Wall Chart Depicting Human Musculature The rare 19th century anatomical wall chart depicts the human musculature and inter...

Stunning 18th century colored botanical study print after Joseph Pitton de Tournefort (French 1656-1708) of Fucus algae seaweed sourced from "Elements de Botanique", printed in 1797....

Presenting a fabulous and very rare set of original mid-19th century Chromolithograph Engravings by John Frederick Herring Snr from circa 1850. The exci...

We are delighted to offer for sale this stunning pair of absolutely massive Engravings on Canvas of the Italian Trajan column and one other Roman column, circa 1860 These are monu...

A Folio of Maison Quantin, Paris, 1891 first edition text and plates. Chromomo- lithographed plates by Gillot, colored and decorated in raised gold by hand. The sevres porcelain fa...

A rare 19-carat anatomical wall chart depicting the human lymphatic and blood vessels. On the sides with detailed description in German language. Print...

Presenting a fabulous and very rare, original early-19th century chromolithograph engraving after a painting by John Frederick Herring Snr., engraved by Ch...

Presenting a fabulous and very rare, original early-19th century Chromolithograph Engraving after a painting by John Frederick Herring Snr, engraved by Cha...

"Le Croquet" etching and drypoint 1878 by French artist Jacques Tisset (1836-1902) on cream Japan paper. Young lady playing croquet with two reclining ladie...

A rare 19th century anatomical wall chart depicting human musculature and internal organs. With removable multicolored human organs like lung, heart, l...

"Pocahontas Saving The Life of Captain John Smith" is a chromo-lithograph made by the "New Eng. Chromo Lith. Co. Boston" (printed on the lower left border). It is dated 1870...

Pair of maps of Oxford and Cambridge in custom black wood frames. With beautiful hand-drawn lettering and a breathtaking commitment to detail, these mid ...

Circa 1870's engraving titled "Highland Music" by Sir Edwin Landseer, engraved by Henry S. Beckwith, published by London, Virtue & Co, Ltd. Shows a Scottish man seated in a cottage, ...