"Nude, Horse and Hound, " Art Deco Charger by Manfredo Borsi

Massive Italian Majolica allegorical charger by A. Deruta Gorgeous continuous Italian Renaissance style decoration Ready to hang.

Circa 1900 Japanese hand painted Imari charger. The charger is hand painted in an array of spectacular colors and has a central lozenge with a potted pla...

Wedgwood charger in their famous "Fallow Deer" pattern. Impressed mark on reverse reads 3QT, which is dated 1907.

Circa 1900 Imari charger from Japan with a central medallion, containing a hand painted picture of a potted plant, surrounded by three larger medallions ...

19th century Imari charger with exquisitely hand painted patterns in lovely colors. There is a central medallion, which depicts what appears to be a jade tree...

A massive famille rose enameled Chinese export style charger, Continental, probably French, circa 1900. The large dish painted in vibrant famille rose enamels in an overall pink ton...

These are a good set of six side or salad plates decorated in the "LYNN" Art Deco pattern and made by Royal Doulton, England in the early 1930s. The plates are circular and made f...

A stylish and iconic John Beswick midcentury pottery 'tennis set' decorated in the prancing horse design dating from circa 1960. The set comprises of an ove...

Emerald green tulip ornamented ceramic "tapas" serving dish made by Andreas Schneider, Norway 1910s. Art Nouveau meeting Art Deco.

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...