Early 1900s Desk Accessories

Antique Silver Table or Desk Cigar Cutter London 1903 W. H. Webber. Adjustable screw to allow access to cigar clippings. Cutting mechanism activated when pressed down from the top. F...

An Austrian agate vesta box with Essex glass. Gorgeous vesta matches box, created during the Edwardian Period in Vienna Austria, circa 1900. Made up in two parts carved from natura...

Antique swivel seal pendant set with Carnelian and Blood-Stone set in 9-carat rose gold, British Hallmarked Birmingham 1900, Sponsor mark "M&M". Could be a...

Desk seal with the arms of the Prince of Wales. Very rare and unusual desk seal, created in England during the Edwardian period, back in the early 1900's. This seal feature the arms of the Prince of Wales and is composed by the agate pommel, carved with smooth surfaces and the round mount setting crafted in yellow gold of 18 karats with scrolls decorations. The seal depicts three feathers aligned over a crown, carved with incised intaglio in natural white agate. Gemstones: The handle pommel is carved from a single piece of brown translucent agate with bluish veins. Weight: 14.95 Grams, (9.58 Dwt). Measurements: 41 mm by 19 mm (1.61 x 0.75 Inches). Hallmarks: No marks, electronically tested for 18 karats gold. Arms of Prince of Wales The Prince of Wales's feathers – Almost History The coat of arms of the Prince of Wales is the official personal heraldic insignia of the Princes of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England. Since Edward I awarded it to his son the future Edward II, the heir apparent to the English throne has been created with the title Prince of Wales. The history of the coat of arms is closely linked with those of the Royal coat of arms of England and the Royal coat of arms of the United Kingdom. However, as the noted antiquarian and heraldist Charles Boutell wrote in 1863, "The Arms of the Prince of Wales have a distinct individuality of their own, with which nothing ought to be directly associated". History The badge has no connection with the native Princes of Wales. Its use is generally traced back to Edward, the Black Prince (1330–1376), eldest son and heir apparent of Edward III of England. Edward bore (as an alternative to his differenced royal arms) a shield of Sable, three ostrich feathers argent, described as his "shield for peace", probably meaning the shield he used for jousting. These arms can be seen several times on his chest tomb in Canterbury Cathedral, alternating with his royal arms (the royal arms of King Edward III...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier,...

This exquisite Russian Imperial letter opened features medium green translucent nephrite knife with black inclusions and very luster. The handle a...

An Edwardian miniature travel clock designed by Valmé. Stunning and rare miniature travel-carriage clock, made in Geneva Switzerland by the Valmé Swiss Co. and the Concord Watch Co. This little antique...

Art Nouveau Figural Woman with Daisies 14K yellow gold lorgnette with diamonds signed by Krementz & Co. It measures 4 3/4" long and 1 1/8" wide when closed or 4 1/2" when open. It we...

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI style, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with the inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Hallmarks: Stamped in the border with German importation marks; the Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone...

This unusual gentlemen's dress accessory in the shape of a heart is made out of sterling silver, celluloid and wood. It was made by William Comyn's and son in 1906. The brothers Char...

A Fabergé gold, enamel and hardstone desk seal, workmaster Henrik Wigström, St Petersburg, 1904-1908 the spherical handle carved of aventurine quartz, the co...

An utterly beautiful and harmonious antique round pillbox in wood, ca. 1900. It is set with a sapphire sugarloaf cabochon and five old cut diamonds, all in a yellow gold bezel settin...