Edwardian Vanity Items

A truly elegant Edwardian old cut diamond tiara set in silver and gold, circa 1910. This beautifully handcrafted tiara is composed of a number ...

A fine antique Edwardian purse or evening bag. In sterling silver. By William B. Kerr & Co. The purse has a small chain and opens with a button. The interior has two pockets on ei...

This sterling silver mounted purse or evening bag is by English silversmith Samuel Jacob, circa 1900. The beautiful black velvet bag is suspended from...

Edwardian Classical sterling silver powder box. Made by Tiffany & Co. in New York. Round and bellied with flat and scrolled cover. Chased and applied ornament. On bowl oval reeded fr...

Lorgnettes were a fashionable item in high society. This 14k gold pair, circa the Edwardian era, have a minimalist design—simple, classic, with clean lines and excellent function, wi...

A fine antique sterling silver sash buckle. With etched decoration to the front. These buckles were de rigueur accessories during the Edwardian period. Marked to the reverse with...

Antique Mexican Watch Fob Chain, With 10 Mexican 5 Centavos .90 Silver Coins Cut Out and Date to the Late 19th c. The coins have bars joining them on the sides and it is topped by a ...

George V sterling silver and pink guilloche enamel vanity set. Made by Charles S. Green & Co., Ltd in Birmingham in 1927-8. This set comprises 4 piec...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

This Antique from circa, Late 1800s with intricate flower motif design, Collectible Unique Perfume Bottle, Crafted in solid Fine Silver, with a center composed of a GIA certified Bl...

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop...

Edwardian Art Nouveau powder jar. Made by Foster & Bailey in Providence, ca 1910. Crystal with curved sides and short inset neck. Cut geometric ...

An exceptional, fine and impressive set of six antique 9 karat yellow gold buttons with golfing interest - boxed; an addition to our jewelry collection. This exceptional set of six antique Edwardian shank buttons has been crafted in 9k yellow gold. Each hallmarked gold button has a circular form, ornamented with an impressive cast golfing scene depicting a male in full-swing, with a golf course terrain in the background. The reverse of each antique button is plain and unembellished, apart from the gold fineness hallmark '9k'. Each impressive piece is accommodated with a yellow gold split ring. The components of this exceptional set are fitted to the original hinged leatherette presentation box, with a satin and velvet lined interior and securing with a push fit catch. NOTE: Due to their large size of 34.6 lignes (34.6 L) it can be determined these shank buttons would typically be used for a coat or jacket; a button is commonly measured in lignes, with 40 lignes equal to 1 inch. Condition These impressive antique gold buttons...

Edwardian Art Nouveau vanity jar. Made by Foster & Bailey in Providence, ca 1910. Crystal with curved sides and short inset neck. Cut geometric ornament and stylized flower band; star on underside. Cover sterling...

This is a Museum piece, an Edwardian Silver and Hardstone-mounted Snuff Box marked for Aide & Lovekin Ltd., Birmingham, 1908, from the collection of the Indianapolis Museum of Art. ...

A Fabergé two-colour gold and lilac enamel vanity case by Workmaster A.Holmstrom, the rectangular case measuring approximately 11cms in width, the central...

Edwardian pave rose diamond lorgnette completely covered in stones and set in platinum. Pulling down the central floret station in the middle of the...

This amazing collectors item is an Edwardian 14k yellow gold engraved Lorgnette from 1910. What makes this item so special is its incredible condition for its age, as well as its unique function and fashion. Not only can this lorgnette make a stylish pendant that can be worn on a chain, however, it can also be incredibly functional. This is a great item to wear around the neck to bring to restaurants to read dinner and drink menus. The lenses can be swapped out with prescription lenses making this the perfect accessory for the neck or pocket. The beautiful craftsmanship and condition ensure this Lorgnette will continue to be a treasured heirloom. 1910 Edwardian...

A fine Edwardian pill box or compact. By Tiffany & Co. In 14k yellow gold. With engine-turned decoration throughout and a block letter monogram to the front. Fixed with a bail to...

Finely Made Diamond & Sapphire Platinum Lorgnette Each eye area is 1.65 diameter