Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Tiffany & Co 1905 Edwardian Essex Glass Scent Bottle 18kt Gold and Rock Quartz

About the Item

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop Ford, a student of Essex’s created well known enamelled miniatures set in jewellery such as stick pins during the late 1800s; particularly an image of a fox head, which was also a popular motif in Essex crystal pieces; possibly helping to perpetuate the myth surrounding his masters involvement with the craft. Unfortunately, very few of these mini-masterpieces can be attributed to specific craftsmen, the only artist to sign his pieces was Emile Marius Pradier of Belgium, who was believed to have developed the technique. Thomas Cook made crystals himself for Lambeth & Co, and trained an apprentice Thomas Bean, who then went on to train his son and grandson. After the cabochon has been created, a mixture of oil and diamond dust is used alongside anywhere up to 250 different tools to carve the design. It is a complicated skill, the secrets of which were often kept within a particular family of craftsmen. Those keen to avoid the erroneous name, sometimes refer to these pieces as ‘reverse intaglio crystals’. Animals, hunting scenes and flowers are the most common themes, occasionally nautical motifs also. Traditionally they were backed onto gold foil and later etched mother of pearl or plain mother of pearl, before being set in their respective pieces of jewellery. Generally these are most commonly brooches, stick pins, cufflinks, buttons and studs etc; less commonly bracelets and rings. The backing is a great way of roughly dating the piece. Towards the later years of their popularity, the 1920s/30s the market was flooded with cheap imitations, modelled in glass and even plastics. It is important to look at the piece under magnification using a jeweller’s loupe, taking note of the depth of the carving, and the quality of the painting; these signs of quality, coupled with the setting and any condition issues, are great indicators of age and quality. (From Lyon & Turnbull with thanks). Edwardian Period This era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band. Millegraining, a new decorative technique made possible by the use of platinum, is featured often on Edwardian jewelry. Its border of delicate balls and ridges surrounding a gemstone or on the knife sharp edges of a design served to give jewelry a softer, lighter look. Literature: Miller, Anna M. Illustrated Guide to Jewelry Appraising. New York: Von Nostrand Reinhold, 1990. Widener, Roger & Walter, Thomas. “Little Beauties” The Story of Reverse Intaglio Crystals © Roger Thomas ltd. For similar examples of this rare and difficult technique. Note: This piece is extremely rare and we has been not able to see any other. We only locate few pieces of minor jewelry made by Tiffany in the same technique from the same period. This is one of the best essex reverse carving we have ever saw. Collateral: It is accompanied by a presentation jewelry box. Condition: The overall condition of this bottle is excellent. Beside the little normal wear, there is no damage to the gold, have a small rim nick in the bottom. This piece has been carefully inspected to guarantee the condition and authenticity. INVENTORY REF: D040323ERNM/3.305
  • Creator:
  • Metal:
  • Stone:
  • Stone Cut:
  • Weight:
    137.5 g
  • Dimensions:
    Height: 3.15 in (80.01 mm)Width: 1.54 in (39.12 mm)Depth: 1.37 in (34.8 mm)
  • Style:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1905
  • Condition:
    Wear consistent with age and use. The overall condition of this bottle is excellent. Beside the little normal wear, there is no damage to the gold, have a small rim nick in the bottom. This piece has been carefully inspected to guarantee the condition and authenticity.
  • Seller Location:
    Miami, FL
  • Reference Number:
    Seller: D040323ERNM/3.3051stDibs: LU2690218943702
More From This SellerView All
  • French 1820 Baroque Rock Quartz Scent Perfume Bottle Mount 18k Gold with Gems
    Located in Miami, FL
    French scent bottle with gemstones. Gorgeous antique scent perfume bottle, created in France in the first quarter of the 19th century, circa 1820....
    Category

    Antique 1820s French Neoclassical Vanity Items

    Materials

    Pearl, Natural Pearl, Quartz, Ruby, Gold, 18k Gold, Yellow Gold

  • Tiffany & Co 1977 Elsa Peretti Rock Quartz Lilies Clips Earrings In 18Kt Gold
    By Elsa Peretti for Tiffany & Co.
    Located in Miami, FL
    A lilies earrings designed by Elsa Peretti (1940-2021) for Tiffany & Co. These sculptural pair of clips-on earrings are extremely rare and just a few were produced. They were design...
    Category

    Vintage 1970s American Modernist Clip-on Earrings

    Materials

    Quartz, Gold, 18k Gold, Yellow Gold

  • French 1870 Napoleon III Perfume Bottle Mount In 18Kt Yellow Gold With Gemstones
    Located in Miami, FL
    French scent bottle with gemstones. Gorgeous antique scent perfume bottle, created in Paris France during the imperial period of Napoleon III, back in the 1860. This exceptional bot...
    Category

    Antique 1860s French Napoleon III Vanity Items

    Materials

    Garnet, Pearl, Natural Pearl, Gold, 18k Gold, Yellow Gold, Enamel

  • French 1900 Edwardian Tortoise Parasol Handle in 18kt Yellow Gold Carved Citrine
    Located in Miami, FL
    Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...
    Category

    Antique Early 1900s French Edwardian Vanity Items

    Materials

    Citrine, Quartz, Gold, 18k Gold, Yellow Gold

  • Edwardian 1905 Belle Epoque Cross In 18Kt Gold With Diamond and Sapphire
    Located in Miami, FL
    Edwardian belle époque cross. Beautiful cross from the Belle Epoque period, created during the Edwardian era (1901-1910), back in the 1905. This de...
    Category

    Antique Early 1900s North American Edwardian Pendant Necklaces

    Materials

    Diamond, White Diamond, Sapphire, Blue Sapphire, Gold, Yellow Gold, Pall...

  • Edwardian 1905 Ring In 18Kt Yellow Gold And Platinum With Diamonds And Ruby
    Located in Miami, FL
    Edwardian ring with diamonds and ruby. A beautiful antique ring from the Belle Epoque period, created in England during the Edwardian period, back in the 1905. This stunning ring wa...
    Category

    Antique Early 1900s English Edwardian Engagement Rings

    Materials

    Diamond, White Diamond, Ruby, Gold, 18k Gold, Yellow Gold, Platinum

You May Also Like
  • Amythest and Gold Sulphide Scent Bottle on Stand
    Located in Riverdale, NY
    Amythest and 18k Tri Color Gold Sulphide Cameo Scent Bottle on Stand, early 19th Century, possibly by Baccarat. A custom made period stand in sterling allows the bottle to be display...
    Category

    Antique 1820s French Georgian Vanity Items

    Materials

    Amethyst, Gold, 18k Gold

  • 14 Karat Yellow Gold, Tiffany & Co. Perfume Bottle
    By Tiffany & Co.
    Located in Brisbane, QLD
    This mid century, solid 14 karat gold perfume bottle was manufactured by Tiffany and Company. Made during the mid 20th century the square form bottle has a ribbed or rippled type finish to the exterior of the piece which is repeated in the square topped applicator which has been engraved with the monogram 'DHJ'. Hallmarked for Tiffany and Company, this small perfume bottle...
    Category

    20th Century American Modernist Vanity Items

    Materials

    Gold, 14k Gold, Yellow Gold

  • Victorian Gold Double-Ended Crystal Scent Bottle
    Located in Paris, FR
    A cylindrical, double-ended transparent crystal perfume bottle with one side a fine vinaigrette and the other a smelling salt compartiment. The vinaigre...
    Category

    Antique 1860s English Victorian Vanity Items

    Materials

    Crystal, Gold

  • Mid-19th Century Silver Mounted Glass Scent Bottle
    Located in Paris, FR
    A silver mounted glass scent bottle with shaped baluster body, the part open work collar and foot are pierced and engraved. The circular lid has a s...
    Category

    Antique 1850s French Vanity Items

    Materials

    Silver

  • Glass Scent Bottle with Gold Mounting
    Located in Amsterdam, NL
    A glass scent bottle in the shape of an amphora with a 14 carat gold mounting, foot and stopper and two rings at the side in its original leather ca...
    Category

    Antique 19th Century Dutch Victorian Boxes and Cases

    Materials

    Gold, 14k Gold

  • Gold and Enamel Perfum Bottle, Restauration Period, Circa 1830-1840
    Located in Paris, FR
    Small perfum bottle in gold and enamel. The flask is decorated with palmettes and foliage motifs in white and black enamel on black enamel background. Two gold chains permitted the s...
    Category

    Antique 1830s French Vanity Items

    Materials

    Gold, Enamel

Recently Viewed

View All