New York City - Prints and Multiples

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-5) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

John Moore (b.1941) Place Setting, 1979 Lithograph on wove paper Hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front 17 × 22 inches Unframed This elegant still life lithograph is hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front. About John Moore: John Moore is an acclaimed contemporary realist painter...

Canfield Hatfield VII, 1989 Softground/Aquatint/Etching 30 x 44" Edition of 60

Upside Down Devil, 1997 Engraving and aquatint in colors 17 1/4 x 15” Edition of 18

2023 Archival pigment ink print on Hahnemühle William Turner paper 32 x 21 9/10 in. (81.3 x 55.6 cm) Edition of 100 + 20 AP Signed, dated, and numbered in pencil, lower margin Osval...

Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...

George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...

Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...

Copper Dome, 2020 Woodcut and linocut with copper powder 25 1/2 x 19 1/2” Edition of 20

Copper Light, 2020 Woodcut and linocut with copper powder 25 1/2 x 19 1/2” Edition of 20

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Green Tower, 2020 Woodcut and linocut 25 1/2 x 19 1/2” Edition of 20

Bernard Sanders (1906-1967) was a master of minimalist prints. In several I've posted the subject is really atmosphere and tension. This could be r...

White Knuckle Rider, 2018 Etching ink on paper 30 x 24” 1 of 2 unique impressions.

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Joseph Beuys Stripes from the House of the Shaman (Hand Signed), 1980 Offset lithograph hand signed by Joseph Beuys Boldly signed on the recto in graphite pencil by Joseph Beuys Published by: Anthony D'Offay Gallery, London Frame included: held in original vintage frame From the estate and collection of artist Tom Levine. Very rare when hand signed as is the present work. Vintage frame is included with this work. (see other photos) Measurements: Framed: 32.5 inches (vertical) by 24 inches (horizontal) by 1 inch (depth) Print: 28.5 inches (vertical) by 19.5 inches (horizontal) More about Joseph Beuys: Joseph Beuys, who is recognized as one of the most influential artists of the postwar period, had a grand and ambitious goal for his work: the transformation of Western culture into a more peaceful, democratic, and creative milieu. His multifaceted career, which included sculpture, performance, lectures, activism, and even a campaign for elected office, were all part of an “expanded concept of art” that was aimed at advancing his utopian vision. In all its forms, his work is dense and highly allusive and draws on much of the accumulated knowledge of Western civilization, including history, religion, natural sciences, economic theory, and myth. A charismatic teacher, Beuys was mentor to a generation of younger artists who were inspired by his passionate fusion of art, life, and activism. Service in World War II Beuys was born in Krefeld, Germany, and as a youth pursued dual interests in art and the natural sciences. In 1940, at age 19, he joined the German air force. During his 5 years of service, he was wounded several times and interned in a British prisoner-of-war camp. He returned home in 1945 physically and emotionally depleted, and spent nearly a decade recuperating on a friend’s farm, where he made hundreds of drawings and small sculptures. Coming to terms with his involvement in World War II would be a lifelong process that informed much of his art. Teaching at the Düsseldorf Art Academy, Sled After the war, Beuys decided to dedicate himself to art. In 1961, he was appointed to a professorship at the Düsseldorf Art Academy and soon became the school’s most sought-after teacher. At the same time, he began to develop his sculptural practice. One of his best-known works from this period is Sled (1969), which he called a “survival kit”: an elemental means of transport carrying a felt blanket...

KAWS: HOLIDAY United Kingdom Black (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in original packaging - publis...

RETNA Skate deck (Blue with green back) with embossed COA, hand signed by RETNA, 2018 Limited Edition Silkscreen on Maplewood skatedeck with blue colored back. Accompanied by Hand signed Certificate of Authenticity on Embossed Letterhead. 32 × 8 1/2 inches This work is accompanied an embossed Certificate of Authenticity measuring 4 x 6 inches, issued by the sponsor "Beyond the...

2021 13-color screenprint in colors, on Rives BFK paper, with full margins Sheet size: 40 x 30 in. (101.6 x 76.2 cm) Edition of 50 + 10 AP Signed, dated and numbered in pencil, lower...

2021 Screenprint in colors, on Rives BFK paper, with full margins Sheet size: 40 x 30 in. (101.6 x 76.2 cm) Edition of 100 + 25 AP Signed, dated and numbered in pencil, lower margin ...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Very good condition other than gentle handling near the edges Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

This piece is featured in Bruckner’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: Karin Bruckner was born in Zurich, Switzerland and...

2020 Screenprint in colors, on Rives BFK paper, with full margins Sheet size: 32 7/10 x 40 in. (83.1 x 101.6 cm) Edition of 55 + 15 AP Signed, dated and numbered in pencil, lower mar...

2020 Screenprint in colors, on Rives BFK paper, with full margins Sheet size: 32 7/10 x 40 in. (83.1 x 101.6 cm) Edition of 55 + 15 AP Signed, dated and numbered in pencil, lower mar...

2020 Screenprint in 15 colors with 3 metallic inks, on Arches paper, with full margins Sheet size: 28 1/2 x 38 in. (72.39 x 96.52 cm) Edition of 55 + 15 AP Signed, dated and numbered...

2021 13-color screenprint in colors, on Rives BFK paper, with full margins Sheet size: 30 x 40 in. (76.2 x 101.6 cm) Edition of 50 + 10 AP Signed, dated and numbered in pencil, lower...

Flowers for mom's birthday, they are always special, filled with tenderness and love :: Digital :: Abstract :: This piece comes with an official certificate of authenticity signed by...

Artist: Eduardo Paolozzi, British (1924 - 2005) Title: Mr Peanut Year: 1970 Medium: Screenprint, signed and dated in pencil Image: 27 x 19 inches Frame Size: 35 x 25 inches

I digitally design 3-D objects and compositions, and cut them in slices from different types of plastic sheet materials. These slices are then fixed to a rigid canvas, a pedestal or ...

Judy Pfaff Wufu Wu, 1995 (The Five Blessings) Original etching on Japanese Kozo paper with hand-colored opalescence Hand signed, numbered from the limited edition of 120, and dated i...

Keith Haring Fertility 1983: A complete set of five 1983 Keith Haring Tony Shafrazi promotional cards published to promote Keith Haring's “The F...

New York, landscape, clouds, pointillism, ocean, city, dynamics :: Digital :: Pointillism :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this Kusama plush pumpkin features the universal polka dot patterns and bold colors for whic...

Banksy Di-Faced Tenner (Banksy 10 pound note): Set of 2 works (framed): A set of two individual notes, framed transparently on front & reverse. Published by ...

Tracey Emin Sometimes the Dress is Worth More Money than the Money, 2001 Limited edition offset lithograph Signed and dated by Tracey Emin on the front (one of approx. 50 hand signed...

Keith Haring Pop Shop Tokyo book 1992: Rare vintage Keith haring monograph which well documents the history of Keith Haring's Tokyo Pop Shop; features many photographs by Haring's longtime friend and collaborator Tseng Kwong Chi. 
 Softcover; 68 pages; 1st edition 1st printing, 1992. 9.75 x 9.5 inches. Minor surface & age related wear to front & back cover; in otherwise good overall vintage condition. Text in German & English. Published by Galerie Kunst Parterre / George Mulder Fine Arts. Unsigned from an edition of 1500. Rare. Keith Haring Pop Shop: In 1986, Keith Haring opened the Pop Shop at 292 Lafayette Street, New York. The following year, Haring collaborated with Japanese film producer Kaz Kuzui, and his American wife, film director Fran Rubel Kuzui on a Tokyo venue, in the Aoyama neighborhood. The shop was made out of two shipping containers welded together to form one large room. While the shop was conceived very much in the image of its New York counterpart, many of the products were created by Haring to mirror Japan’s cultural traditions. Haring did extensive design work in Tokyo; fans and kimonos were manufactured in Kyoto, and rice bowl templates were painted and then produced in Nagoya. With speed and virtuosity, Haring began painting the interior of the shop on January 27, 1988 and finished the next day. The paint was still tacky on January 29 when he oversaw the installation of the displays in time for a press preview that evening. On Saturday, January 30, Pop Shop Tokyo opened to the public. However, sales were disappointing, and Haring noted “there are just too many Haring fakes available all over Tokyo and, this time, they’re really well done.” The shop closed in the summer of 1988. (source: New York Historical Society. Related Categories Keith Haring pop shop. Keith haring Japan. Keith Haring catalog...

The composition is written under the influence of mood and the desire to produce something that comes out of the subconscious. :: Digital :: Abstract :: This piece comes with an offi...

"Homage to the Square - Portfolio 2, Folder 33, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Ukraine, aggression, war, abstraction, fire, murder :: Digital :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No ...

memory, tree of childhood, field, flowering, mountains, color, :: Digital :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13.5 x 21 inches framed This piece is featured in Bruckner’s 2024 solo exhibiti...

Collaboration print with BD White & JPO Hand Finished with acrylic paint Archival Pigment print 24 x 14.5 inches Printers Proof (1/1) Signed by BD White & JPO

Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

"Homage to the Square - Portfolio 2, Folder 32, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...

"Homage to the Square - Portfolio 2, Folder 19, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press Hand finished with Metal Leaf 23.5 x 44 inches framed This piece is featured in ...

With the blind stamp of California printer Lynton Kistler, at the lower left. An impression of this subject is in the National Gallery of Art, Washington, DC.

Francis Bacon Triptych, March 1974 (center panel), 1974 offset lithograph, edition of 150 31 1/2 x 23 3/4 in. (80 x 60.3 cm)

Czwiklitzer #30. Mourlot, Picasso Lithographe, Vol IV, No. 313; and Bloch, Picasso, No. 1280 Slight water stain top right border.

MICHAEL CHILDERS Andy Warhol in his New York studio, 1976 Photographic print Printed in 2007 Signed boldly on the front in black felt tip pen by photographer Michael Childers Frame included: in the original frame as donated by the photographer to the Palm Springs Art Museum This is one of a series of portraits of Andy Warhol by Michael Childers, founding photographer of Warhol's Interview and After Dark magazines, taken in his New York studio and Paris from 1976-1980. This work is signed on the front and framed. It was acquired from the Palm Springs Art Museum, where it was donated by the artist. The verso of the frame bears the works title, original year in felt tip marker, and the artist's studio stamp with copyright of 2007 (year printed) Another example of this work was exhibited at the Palm Springs Art Museum and a different example is part of the Michael Childers collection at the Las Vegas Art Museum Measurements: Artwork (visible): 7 x 9 7/8 inches Frame: 12 x 15 x .4 inches Michael Childers Biography: Since the 1960s, Michael Childers has been photographing famous people...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features David Hockney’s signature palm trees on either side of the composition, and geometric clouds float in the dark sky. Based on Hockney’s 1980 drawing “Cubistic Bar.” This vintage poster was designed by the artist in our studio and comes directly from our Petersburg Press...

"Homage to the Square - Portfolio 2, Folder 32, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Collaboration print with BD White & JPO Hand Finished with acrylic paint Archival Pigment print 24 x 14.5 inches Printers Proof 1/1 Each print is unique Signed by BD White & JPO

Keith Haring Stedelijk Museum, Amsterdam, Netherlands, March 15th – 12th May, 1986: The rare, much sought-after catalog to Keith Haring'...

In a style similar to Modigliani, Boulanger depicts a saint holding a baby and crossing the water on the back of a ram (Belier in French). This poster was printed as a reproduction o...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...