Vancouver

Round 14.26 Chandelier lamp by Bocci Dimensions: Diameter 60 x Height 300 cm Materials: Brushed Nickel, Cast glass, blown borosilicate glass, braided metal coaxial cable, electric...

21.37 Cluster Porcelain Chandelier lamp by Bocci Dimensions: D 60 x H 300 cm Materials: Porcelain, borosilicate glass, braided metal coaxial cable, electrical components, brushed ...

Take your table tennis game to a new level with this modern outdoor ping pong table. The Column Ping Pong Table puts a minimalist spin on a cl...

The artwork images you see above - Title: "Let's Go". It is a giclee limited edition print from one of my original digital drawings, prin...

The artwork images you see above - Title: "Fusion-08". It is a giclee limited edition print from one of my original digital drawings, pri...

The iconic Knotted Chair is a brilliant adult interpretation of the tiny chairs used to decorate a doll’s house, a visionary creation by designer Marcel Wan...

The artwork images you see above - Title: "Pro-1945". It is a giclee limited edition print from one of my original digital drawings, prin...

Head outside to have some fun with friends and family around the Column outdoor shuffleboard table. Made to order in Vancouver, Canada, outdoor gam...

Head outside to have some fun with friends and family around the Column outdoor shuffleboard table. Made to order in Vancouver, Canada, outdoor gam...

A fine Regency giltwood and composition triple plate overmantel mirror, each mirror being beveled. The frieze is decorated with ebonized balls above alternating acanthus and anthemio...

This three piece early 19 Century salon set features finely carved gold leaf gilded frames accented by rosettes palmettes and acanthus characterizing most French Empire furnitur...

The circular top with striking geometric inlay in three different woods creating an almost optical illusion of depth. The top rests on a turned inlaid column terminating in three spl...

A beautifully carved stained wood open armchair in the American Queen Anne style.

A fine pair of relatively large Empire style rectangular mirrors; the frames having a gilded bronze molding around the glass, and gilt rosettes on the top two sides; the mirrors are ...

A heavy silver-plated jewellery box with overall scroll work raised on the top and four sides. The overall design includes flowers, scrolls, etc. and the top features a shaped medall...

A late French Empire mantle clock in gilded bronze depicting a standing classical lady on the left side of the clock plinth with her left ar...

A rare and important Russian late 18th Century twelve candle crystal chandelier attributed to the renowned firm of Johann Zekh. Crafted in Saint Petersburg of mercury-gilded bronze, ...

A fine quality chased and gilded French Empire mantle clock depicting a standing winged cupid to the right of the clock plinth playing a lute. He looks to his right reading his sheet music and other elements including a torch, flambeau, wreath etc. On the left side of the clock plinth is a three legged...

84 SERIES A white glass moil is captured inside a fine copper mesh basket and then plunged into hot clear glass. Air is blown into the matrix to gently push the white glass through ...

The translucent alabaster planes of the median shapes are intersected by a fluted brass form, referencing traditional Middle Easter Jewellery while push...

A rare standing globe manufactured by the Franklin Mint, to a designed as was issued by the Royal Geographic Society. The globe is mounted on a tripod mahogany base accented by gi...

21 results from a fabrication process in which thin porcelain sheets are draped over an inverted diffuser made of sandblasted borosilicate glass. The thin porcelain skin is allowed t...

An early 1900s Waterman 'Ideal' fountain pen in 14 karat gold pierced and engraved filigree design, with a lever filling system. Missing its original bladder but otherwise intact. No...

Finest quality period French Empire clock depicting a seated winged cupid holding a rose; the case in gilt and patinated bronze. The clock show a gilt cupid sitting cross legged on t...

Specially designed by Studio Piet Boon to celebrate the close cooperation with Linteloo, the bold and refined solid cast bronze HERO is a true sculptu...

A pair of carved alabaster lamps representing ancient ‘Roman’ architecture; each having three tall fluted columns with Corinthian capitals supporting a stepped top and resting on a r...

A very large and impressive blue and white Chinese porcelain Charger depicting the Taoist concept of Good Fortune (Fu) Good Stable Income (Lu) and Long Life (Shou). Fu is on the righ...

Our modern wooden shuffleboard gives an updated look to a classic game. The beautiful oak playing surface is protected by a durable polyurethane coating. A solid wood playing surface...

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

Beautiful Art Deco style mid century clock -made in the 50's by the famous German maker Palmtag factory. The clock movement and dial are...

The chandelier embodies some of the best design features of early 19th century Russian/Baltic chandeliers, featuring cobalt blue glass around the central stem; a top spray of curved ...

A 19th century engraving of a young Mozart playing the harpsichord in the court of Hapsburg Emperor Francis I featuring the Emperor and a number of courtesans and members of the Haps...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibi...

A classic early French Empire semainier in Mahogany, each of the seven drawers (intended to be used one for each day of the week), has ebony inlay aro...

A mid century impressionist style oil on canvas showing Le Pont Marie one of many bridges across the Seine in Paris during the fall or winter by an un documented artist who simply si...

This is a classic three door 1930's French Art Deco sideboard or buffet in matched burl walnut veneered finish. The two side doors open to reveal a shelved interior and a top drawer....

An small but exquisitely cast and highly detailed bronze statue of St Joan of Arc in full body battle armour including the horse with one hand holding ...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

A rare and highly unusual carved wood, gesso and gilded mirror frame in the full French Napoleon III style. The gilded frame itself is totally decorated with cartouches and is furthe...

An Italian midcentury Murano art glass four light chandelier designed by Mazzega, chromed metal rod base radiating chrome arms and holding four hand blown mottled frosted amber and s...

Portrait of a woman with her face split between shadow and light titled Chilanga #1 done in encaustic and mixed media on canvas laid down on board. Signed and dated 07. Titled on a verso sticker Mark Gaskin is a Postmodern painter born in 1956 in Winnipeg Canada who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of Prehistoric cave painting, ancient Roman painting, and Renaissance fresco...

A well cast bronze bust in profile of an African woman on a rectangular brass base. It is unsigned and has no marks. Origin could be Africa itself or France Art Deco Period.

A dramatic patinated bronze statue depicting a mounted crusader on his rearing horse ready to strike a mortal blow to a fallen Saracen lying beneath him on a rocky landscape. In a desperate attempt to defend himself the Saracen is shown thrusting his sword into the chest of the the crusader's horse. The bronze grouping is mounted on a green scagllola painted marble base with gilt bronze trim. While the bronze is not signed it had to be cast after a hugely famous bronze very similar statue by Jean-François-Théodore Gechter (1795, Paris - 1844, Paris) titled "The Combat of Charles Martel...

A decorative pair of Louis XV style side chairs, the well carved frames are finished in gold leaf and have recently been upholstered in a turquoise/gilt damask.

A mahogany cabinet decorated with gilded metal mounts constructed in two sections, the upper section with two glazed doors flanked by mahogany columns opens to reveal a fabric lined ...

A mid to late 19thC French Empire style candelabra that at one time was electrified. A finely chased patinated winged Nike or Winged Victory stands on a gi...

A late 19 century tapering square column made of a white flourite marble called 'Lilac'. It is heavily veined in brown and black on a white background with touches of light red/lilac...

Shown as the main image is the 28.19 Cluster with color pendants. The price listed reflects pricing for the fixture with clear pendants. Bocci offers highly customizable configuratio...

A decorative pair of contemporary Venetian beveled glass mirrors of almost rectangular shape with domed tops.

A striking pair of late French Empire mahogany armchairs, highly decorated with gilded bronze mounts on the upper back rail and all round the bottom of the seat as well. The curved open front arms terminate in carved dolphins. The chairs have been re-upholsterd in a cream and dark green striped antique silk fabric...

The Column Ping Pong Table is our modern take on a classic game. The table’s matte wood top is supported on two metal columns that can be powder coated in matte black, white or paint...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

Our modern wooden shuffleboard gives an updated look to a classic game. The beautiful oak playing surface is protected by a durable polyurethane coating. A solid wood playing surface...

The frames of these Classic Art Deco dining chairs are of stained beech to resemble palisander or macassar ebony. The rectangular shaped seats and backs are upholstered in red leathe...

73 SERIES The 73 is formed by blowing liquid glass into a folded and highly heat-resistant ceramic fabric vessel. The resulting shape has a formal and textural expression intuitivel...

Shown as the main image is the 28.19 Semi Rigid with color pendants. The price listed reflects pricing for the fixture with clear pendants. Bocci offers highly customizable configura...

The Radius meeting table is a signature solid wood table that will anchor a meeting room with purpose. This modern meeting table has all the character of a handmade piece of furniture but with a refinement only found with skilled craftsmanship. The price listed is for a solid wood top, wood base, table shape and base shape of your choice. Examples for the options can be seen in the product images. Please specify your selection when ordering your meeting table. Solid Wood Top: Natural Ash, Whitewashed Ash...

A fine quality late 18thC Adam period demi-lune console table; the entire table is painted a cream colour, the four shaped and tapered legs decorated with gilded wood fillets; the frieze is fluted all round with large gilded patterae above each leg. The painted top has an outer green banding decorated with garlands of flowers and gilding, the back of the painted top has a neoclassical fresco; depicting a classically draped winged Goddess surrounded by cherubs, flowers and scrolling, in the manner of Angelica Kaufmann...

A traditional Austrian Biedermeier wall clock featuring a rectangular carved and gilded wood frame clock face; surmounted by a gilt bronze winged eagle. The decorations on the frame ...

The Break Ping Pong table gives a modern look to the classic parlour game. The frame of the table is hand-welded from durable steel and can be finished in one of our three metal opt...