Vancouver - Furniture

The iconic Hermès “Pippa” folding writing desk is a superb expression of understated luxury and intelligent design. Inspired by the Maison’s equestrian heritage, it folds into a rema...

A Fine French 19th Century Empire Style Day or Alcove Bed known in French as "lit en Bateau" The bed is made of fine Cuban Mahogany and is embellished with a ormolu mounts all alo...

A magnificent early 20th Century French Louis XVI Style Mahogany and Gilt Bronze armoire in the manner of Francois Linke. The arched top is centred by...

An exceptional modern antique looking crystal and beaded chandelier on a Pagoda Shaped silvered metal frame evoking the French Louis XV "Chinoisserie" manner.

A fully restored and working Swiss cylinder music box enclosed in a box of polished fruitwood featuring a central floral inlaid medallion on the hinged lid which opens up to reveal ...

A beautifully carved and giltwood 18th century Louis XVI wall barometer having its original mercury tube and mechanism but presently with the mercury missing.    

An exceptional and extremely rare set of a combination of silver and vermeil (gilded silver) flatware designed and crafted in St Petersburg Russia by Andrei Stepanovich Bragin d...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

A walnut, burr-walnut and inlaid Dutch longcase clock by W.V Dadelbeek, Utrecht. The case of typical form, trunk door with feather banding, bombe ...

An exceptional and rare Milanese late 19 Century Renaissance Revival ebony framed bed profusely inlaid and encrusted with scrolling arabesques of entwined scrolled foliage, honeysuck...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A late 19thC French Empire style candelabra converted into a lamp and featuring a finely chased patinated bronze statue of Nike or Winged Victory holding aloft five gilt bronze ca...

An imposing Louis XVI style roll top desk in beautifully figured mahogany and having finely chased and gilded bronze mounts; the green marble top with a bronze gallery above three lo...

A small single hanging ceiling light fixture featuring a gilt bronze "Flying Putto" holding a gilt bronze and frosted glass flower shaded light .

A life-Size pair of finely cast 19th century Italian terracotta eagles standing on an oval terracotta base, each facing the other with their wings par...

The finest quality Louis XV/XVI transitional style gilt bronze mounted tulipwood and amaranth cylinder desk by L. Cueunieres after models by Jean-Francois Oeben (French 1721-1763). T...

An English sterling silver five-piece ladies vanity dresser set consisting of a hand mirror, two hand brushes and two brushes each piece hallmarked ...

A Louis XVI mantle clock depicting “L’Etude et La Philosophie” (Learning and Philosophy). The clock is comprised of a circular white-enamelled dial wi...

Never in the 35+ years that we’ve been in business have we ever had anything like these rare matched chests. From Paris, this incredible pair of early 19th Century (C.1800) are in ex...

A palatial scale multi-tiered 18th century neoclassical crystal chandelier sourced from the renowned Royal Crystal Manufacturer of La Granja in Spain. This chandelier comes with an incredible story and provenance and was one of about twelve identical chandeliers that originally hung in an early baroque church called the Basilica of Our Lady of Mount Carmel...

A Period Louis XV Boulle mantle clock The case is inlaid with brass and is further decorated with Rococo scrollwork and gilded bronze mounts. The det...

A heavy silver-plated jewellery box with overall scroll work raised on the top and four sides. The overall design includes flowers, scrolls, etc. and the top features a shaped medall...

A Swedish Empire three-drawer commode chest veneered in burled bird's-eye elm emblematic of Baltic furniture in the 18th-19th centuries, the rectangular side columns mounted with brass Egyptian...

A rare late 18th century Russian or possible Prussian neo-classical chandelier, having twelve arms around a central gilded bronze corona pierced with round cut crystals; the corona s...

21.3 Pendant by Bocci Dimensions: D15.2 x H300 cm Materials:brushed nickel,round canopy. Weight: 1.8 kg Also available in different dimensions. All our lamps can be wired acco...

A large and beautiful three quarter length portrait of a partly seated lady her hat over one arm holding a bouquet of flowers, the other arm held upward holding a branch of a tree. This original oil on canvas by the British artist Laurence Koe, (1863-1913), is signed on the lower right and dated 1905. Lawrence E. Koe was a portrait painter and sculptor. He is listed as living in Brighton when he first exhibited at The Royal Academy in 1891, but by 1894 he had moved to London where he appears to have settled for the remainder of his life. Koe exhibited widely; over twenty times at The Royal Academy, but also at the R.O.I, The Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. Most of his exhibited works were portraits, and among his sitters were the wives of fellow artists Harold Speed RP (1872-1957) and Harold Piffard (fl. 1895-1899). In 1896 Koe exhibited “Venus and Tännhauser” at the Royal Academy, now in the permanent collection in the Brighton Museum and Art and he showed a painting of Sappho two years later. He clearly shows the influence of other artists working at the same time, notably Singer Sargent, Arthur Hacker RA (1858-1919) and Herbert James Draper...

73.1 pendant by Bocci. Dimensions: D 11.6 x H 300 cm. Materials: brushed nickel round canopy Weight: 2.7 kg White canopy also available. Due to the handcrafted nature of the 73 ...

The circular top with striking geometric inlay in three different woods creating an almost optical illusion of depth. The top rests on a turned inlaid column terminating in three spl...

A museum worthy large painting depicting travellers before the falls of Tivoli outside of Rome, with the Temple of Vesta in the background, after the 18thC French artist Claude Joseph Vernet...

A well executed and extremely rare portrait of what appears to be a 3 year old Imperial Aristocratic Russian boy dressed in an iconic sailor suit worn over a vest bearing the emb...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. I...

A World Heritage landmark, this SUMO-sized publication presents the most precious surviving murals of Tibetan Buddhist culture. For the first time, these astonishing and intricate ma...

A beautifully carved gilt wood framed oval mirror French, circa 1840, gilt frame carved with an egg and dart design alternating with convex fillets and an inner gilded beaded loop. A...

A classic pair of French Empire period open armchairs in well figured and carved mahogany; each with a square back topped by a bow shaped carved frieze featuring folliate rosettes and downscrolled arms. Where the arms join the chair rail there are carved anthemians and palmettes. These two chairs are presented in the green Empire fabric...

A traditional Austrian Biedermeier wall clock featuring a rectangular carved and gilded wood frame clock face; surmounted by a gilt bronze winged eagle. The decorations on the frame ...

A rare collection of about 130 pieces of Staffordshire-England - Crown Fine Bone China - Birds of Paradise Pattern - #592627 - white and very light blue grey background with purple...

A rare oil on canvas from Maltese artist Vincenzo D’Esposito (1866-1946) depicting a group of fishermen in southern Italian or Maltese folkloristic garb ...

28sp wall lamp by Bocci Dimensions: Diameter 16.5 x H 11.5 cm Materials: blown glass, electrical components, metal mounting plate Lamping: : 1.5w LED or 20w xenon. Non-dimmable. ...

14.1 Single pendant by Bocci Dimensions: D 11.6 x H 300 cm Materials: brushed nickel Weight: 2 kg Adjustable lengths, Other materials and dimensions can be ordered. All our la...

A dark purple glass chandelier from Murano, Italy featuring eight hand blown arms and ‘shades’ connected to a central blown glass stem, the wiring concealed by a gilded metal interna...

This classic planter is carved from a single piece of Carrara marble. The wasted shaped pot sits on four large lions paw feet each of which are topped...

The Composition series includes a floor lamp consists of sculptural, elementary forms stacked to create a simple, balanced composition. The Floor Composition is formed of two cylindr...

A rare, unique and dramatic pair of Rococo style marble topped giltwood triangular shaped consoles and complimentary slightly elliptical giltwood mirrors. The four pieces are believed to be northern Italian most likely from the Venetian region. The design and carving of the superstructure presented with bunches of grapes, vine leaves, branches and twigs. A winged dragon is shown swirling around and down the central leg of each console. The three legs are joined with a lower stretcher are all presented as vine tree trunks from which germinate more grape leaves and branches. They both have shaped red/grey mottled marble tops. The consoles show more signs of early to mid-18th century Rococo chinoiserie influence. The mirrors were likely made slightly later in the 19th century but in the same Italian region, and appear to have a more Japanese influence in their design especially the hawk/eagle leaning over the top of the mirror. The giltwood frames of the mirrors are completely covered with gilded branches and leaves. On the left side of each mirror is a 'fantastical' dragon-bird, his huge wings spread out and his long tail clinging around the lower branches. He looks up into the eyes of the top hawk/eagle who appears ready to attack the dragon-bird. The whole is a real virtuoso display of carving and whimsical Rococo design. Chippendale in England and his contemporaries were some of the first cabinet makers to design furniture in the Rococo style, the term taken from the French 'Rocaille' (rockwork), as in fantasy constructions such as grottoes. The style originated in France early in the 18th century when there was a reaction against the weighty classicism of the Baroque style. The consequent taste was for something lighter representing an escape from the stifling, self-conscious grandeurs of the Louis XIV period. As pioneered by designers such as Jean Berain and Pierre Lepautre...

An extremely rare and important French Empire mantle clock signed by the master clock making dynasty of Jean-Andre Lepaute and his brother Jean-Baptiste Lepaute. The case, in the form of an antique portal...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibi...

38.3 Pendant by Bocci Dimensions: D20.3 x H300 cm Materials: brushed nickel round canopy Weight: 8.2 kg Also available in different dimensions and models. All our lamps can be...

A French Empire gilt bronze clock showing a Caesar (resembling Napoleon), seated on a classical throne. He is slightly leaning to one s...

A 19th century copy of a painting by Claude Lorrain titled, " Harbor with the Villa Medici". Early morning light filters over a wholly imaginary scene, an exquisite example of the ...

28.5 pendant by Bocci Dimensions: D 20.3 x H 300 cm Materials: white round canopy Weight: 7.5 kg Also available in different dimensions. All our lamps can be wired according to ...

A mid-19th century American richly finished armoire in bird’s-eye maple of neoclassic architectural shape and proportions; the cabinet is in three sections framed by ionic pilasters,...

A beautifully executed oil painting of a young lady awakening from her lavishly draped bed, her left arm partially covering her face possibly against the m...

A very large Majolica Grand Tour pedestal having dark green glazing; the circular top (detachable) supported by Trapezophorus tripod base after the Roman. original found in Hadrian...

An 18th century English George III Gainsborough library chair, the frame in carved mahogany of generous proportions with a serpentine back above shaped set back arms. The legs are sq...

The Mobile Chandeliers are delicate structures balanced in perfect equilibrium. Constructed following the principles of a mobile, these are arrangements of linear tubes, geometric li...

Very well cast models of classical maidens standing on decorated stepped rectangular black marble bases, the upper base mounted with an Etruscan style frieze; the bases have gilt bro...

An Art Deco patinated bronze sculpture of a baboon by acclaimed Italian early 20th century Florentine sculptor Sirio Tofanari, (1886-1969). The bronze i...

A set of eight English engravings of classical subjects titled: Bacchus Reeling; Apollo & Marsyas; Egyptian Symbols; Cupid Embracing Psyche; Mercury; D...

A rare bronze of a bare chested sinewy Native American Indian warrior/ archer in a crouching position with one leg out for support and the other in a kneeling position as he is in throes of shooting an arrow skywards presumably hunting for a bird. The Indian is dressed in full traditional garb with patterned cotton woven loin cloth, a head band with a single feather. Buckskin leather frilly pants and moccasins. Slung on his back is a leather sheath holding a quiver of arrows. A belt holds a feathered tomahawk on one side and a sheated hunting knife...

A pair of extraordinary portraits of a French aristocratic couple presented in their original giltwood Empire frames with oval windows executed by a a noted early 19th century por...

A period French Empire mahogany armchair with carved lion heads to the arms and lion's paw feet to the legs, upholstered in French Emp...