Paintings

Acrylic

‘On the Ribble, Summertime’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in Lancashire – is signed by th...

This is a painting from my series of architecural paintings. In this particular painting I have played with colour by adding a striking cinematic pink sky which contrasts against a t...

Adolph Kronengold was born in New Orleans in 1900. He studied locally at Tulane, before moving on to New York and Philadelphia. There he studied at the Art Students League and the P...

Jennie Augusta Brownscombe was born in a log cabin in Honesdale, Pa in 1850. She went past her modest roots to attend Cooper Union and the National Academy in New York. By 1890, ...

Hunt Slonem "Pink View" Butterflies on Metallic Pink and orange butterflies on a metallic gold and silver etched background in a vintage frame. Unframed: 10 x 8 inches Framed: 14.5 ...

OLD FINE Original Antique 19th Century British OLD MASTER OIL PAINTING Very Good Condition Canvas , a little crazing due to age . Professional Cleaned & Re-vanished , Re-lined Ready to hang. " Beautiful frame is in Very Good condition , this work alone would cost £700 alone (See Pictures) Fine Original Antique 19th Century British OLD MASTER OIL PAINTING Romantic Scene GOLD GILT FRAME By The Reverend Robert Woodley-Brown 1798 - 1869 Similar $4,000 Premier Collection This Piece is Exceptional good for its age , nice piece of British history Description ( 19th century ) Title: Romantic Scene 1845 Artist: The Reverend Robert Woodley-Brown 1798 - 1869 Signed : maybe under the frame edge Provenance: john Castagno art signature directory Medium : Oil painting on Canvas Condition: Very Good Country: British school Frame size : 23 in x 19 in ( 58 cm x 48 cm) Canvas size : 16" x 12" With an estimate of £3000 - £4000 in a London west End Gallery Description : The Reverend Robert Woodley-Brown was one of those early English landscape painters whose style is so distinct that it is nearly impossible not to be able to instantly recognize his work. This one is no exception.; His paintings remind me of the old movie, “Shangri-La,” where the travelers found a magical place while crossing the Himalayas. The Reverend’s paintings have that kind of magic in them; perhaps it’s his rich color palette or his slightly provincial, yet very Georgian style. It seems there are always pretty skies along with mountains in the background and rivers or lochs somewhere in his compositions. In any case, the result is still pure magic.; This is an accomplished yet charming painting by an artist thought to be actively painting from around 1810 to 1850 and specializing in the stunning scenery of England’s Lake District. Unfortunately, little is known about Reverend Brown’s personal life, and he did not sign most of his works. I have handled several of his paintings in the course of my career and he always has been among my favorite artists.; This gorgeous landscape delivers all of Reverend Woodley-Brown’s quintessential style, color and romantic feel for which his work is admired. His figures, though seemingly entranced themselves by the beauty around them, are there primarily to give scale and a focal point. The trees are in deep, rich greens, while the pink-tinged sky further show off his talent in the realm of color. We are immediately pulled into the artist’s world. The serenity of the scene, as in all of his works, is overwhelming, making the viewer a willing partner in the artist’s interpretation of it. The very Woodley-Brownish romantic folly only adds to the scene’s charm.; In the world of Reverend Brown, his cottages often became follies shrouded in greenery. The background mountains rose...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is signed and dated 1876, in which year it was exhibited at the Royal Society of British Artists in London. Henry Garland entered the Royal Academy Schools in 1853, winning medals for 'Best Drawing from the Life' in both 1854 and 1857. From 1854 he exhibited at the most prominent London venues having 30 paintings shown at the Royal Academy, 67 at the Royal Society of British Artists, and 12 at the British Institution. Today one of Henry Garland’s paintings hangs in the famous Long Room at Lords Cricket...

Bright, small abstract expressionist painting of train and town at night by Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 8"H x 6"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

Impressionist Nude, Atmospheric Colour, Oil Painting By French artist Garnvault, 20th Century Signed by the artist verso Oil painting on canvas, unframed Canvas size: 15 x 21.5 inche...

Modern abstract painting by Margaret Balzer Cantieni (1914-2002). Tempera on wood board. Signed in lower right corner "Balzer '46". Painting measures 1 1" x 14" with frame 16 1/2" x 19 1/2". Margaret Balzer studied at the Art Institute of Chicago with Lyonel Feininger, Josef Albers and William Stanley Hayter...

An original cubist pointillist nude signed illegibly and dates 1962. The artist uses sporadic texture and vibrant color to create a captivating scene.

signed with initials ‘M.J.’ (lower right) oil on canvas 14 x 12 in. (35.6 x 30.5 cm.) with frame 20 x 18 in. (50.8 x 45.7 cm.) In the artist's original Watts-style frame. Born in E...

'Reclining Nude' is a captivating 28" x 65" oil on wood creation by artist Kristy Chettle, embodying the abstract figurative realm with a masterful interplay of color and form. Throu...

Nude drawing by Joseph Steiner on paper in pencil and chalk. Monogrammed lower left. Gallery frame and estate stamp. Image size: 30 x 20 cm

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk...

Painting: Acrylic on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feelings calm down...

Artist: Jozza Title: Green Bag Year: 2023 Media: Original acrylic on canvas Size: 24" x 30" Inches Hand signed on the recto and signed "Jozza", Titled, and ID numbered on the verso. ...

This is an oil on Belgian linen painting by a Ukrainian-American artist, Valeriy Skrypka. Numbered by the artist 1156. A label from Joan Perkes Fine Art gallery on the back. Skrypka ...

Woman in Cafe Interior French school, mid 20th century indistinctly signed oil on board, unframed board: 20 x 16 inches provenance: private collection, Paris condition: very good and...

In this masterly painting, Francesco de Mura presents the meeting of Herminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered...

Antique American modernist abstract landscape signed oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

Frame size 56x64 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fontdevila and pensioner in Madrid. He exhibited individually in the Laietana gallerie...

"Imagination" Abstract Oil Painting 39" x 78" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in th...

"Il re dello zucchero filato" Painting 31" x 24" inch by Emanuele Tozzoli Mixed media on wood ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very fir...

"Bill Collect" Oil Painting (FRAMED) 48" x 36" inch by Isaac Pelayo Full name: Fuck the Bill Collector, My Rent is Due Medium: Oil, oil stick, and aerosol on wood Comes in antique...

"Passage IV" Abstract Painting 51" x 35" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters who trained ...

Dogon (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 55 x 46 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds more...

"DESTINATION" Abstract Oil Painting 64" x 64" inch by Carlos Delgado ABOUT: Carlos Delgado is a Colombian artist with international recognition livin...

"Abuse 2" Acrylic on Paper Painting 24" x 18" inch by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations. Graduated from the L’viv National Academy of Art and Shanghai's East China Normal University. She decided to devote herself to the world of art in 2015 after seeing the exhibition "In Love With Art" which motivated her to begin developing her art and ideas and to travel across the world. Tetiana's debut project installation, "Peace," was shown in several Ukrainian cities. The installation “Peace”. Her work materialized spectacular shapes of Chinese hieroglyphs that mean "Peace". In 2016, Tetiana presented her first collection, "Warm inside", in Shanghai. At the same time, she worked as an art teacher for children and adults in a private school...

Antique 19th century English fishing vessels In the English Channel William Henry Williamson was a gifted, London painter of coastal scenes, ...

"One More Day in Swarga" Oil Painting 35.5" x 31.5" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, femi...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptur...

Part of the history of Modern Art in India, this striking painting 'Couple' is by noted seminal artist R B Bhaskaran. The artist’s work plays with the ge...

"Untitled 1" Abstract Painting 39" x 51" inch by Zelimkhan Saidzhanov

"Seated Model" Oil Painting 49" x 45" inch by Zelimkhan Saidzhanov

"Hollywood Hills Love Story" Oil Painting (FRAMED) 40" x 30" in by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood...

"Sunday Service Mood Swing" Oil Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (woo...

"Respect The Fucking Crown" Oil Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (woo...

Scottish Impressionist 20th century oil, figures inside a clothing market. He exhibited at the Royal Academy; Royal Society of British Artists; Royal Hibernian Academy; Royal Glasgow Institute of Fine Arts; Royal Institute of Painters in Water Colours. Murray Urquhart was the son of Dr. Andrew Urquhart, Oakley, Kirkcudbright.  His mother, who died two weeks after Murray’s birth, was the daughter of Alexander McNeel Caird, Procurator Fiscal for Wigtownshire. This is a very unusual subject and market scenes like this are quite rare, I guess due to the complex nature of the subject and the difficulty in balancing the composition. The artist has done a wonderful job of painting this subject, it is a wonderful example of Scottish Impressionist painting...

This portrait depicts us the trusted confidant of the Conflans d'Armentières family. More precisely, Julien Prieur was the fiscal procurator of the Marquisate of Armentières, playing the role of representative of the "public ministry", safeguarding the interests of his lord. His role, one can imagine, was crucial at the death of Michel de Conflans (in 1717) since the latter left an heir, Louis, aged only 6, and a widow, Diane Gabrielle de Jussac, whom some memoirs describe as "a very clever grande dame" . Prieur ensured the smooth running of the family's affairs and it is probably to thank him for his services that Diane Gabrielle had his portrait painted, most probably by a painter close to Jean-Baptiste Oudry. Julien Prieur appears as he is, middle-aged, with a benevolent look, in his hunting suit. Only his knotted wig links him to the nobility. Above all, he is depicted as a hunter, a passion that he shared with the Marquis of Armentières. His very young master, Louis, became a first-rate hunter, hunting in the King's entourage, in whose cabinet he died of apoplexy in January 1774. As for the his son, he was one of Louis XVI's closest hunting companions, as numerous souvenirs attest . 1. Some biographical information about the model and the commissioner While the identity of many 18th century portraits is uncertain, an old label stuck on the reverse of the canvas gives us some precise information on the identity of the model: "Mr. Julien Prieur, homme d’affaires de Mr. le Marquis d'Armentières - Commune of Brécy - Aisne". The label also suggests that it could be his son Louis Prieur living in Rocourt (probably Rocourt-Saint-Martin, a neighbouring municipality of Brécy), born on 30 September 1745, who died on 8 July 1826, but this hypothesis must be rejected in view of the model's clothing. This label probably gives us an indication on the previous owner the owner of this painting; we will see later why it seems likely that this label was affixed between 1826 and 1832. Brécy is now a municipality in the Aisne County (Hauts-de-France) located between Soissons and Château-Thierry, slightly north of the Paris-Reims axis. It borders the municipalities of Armentières-sur-Ourcq and Rocourt-Saint-Martin. According to Louis Prieur's death certificate, he was in fact born in 1743 and not in 1745 . The age of the model in the painting and the dating of this painting would indicate that Julien Prieur, was probably born at the very end of the 17th century. In Louise-Marthe de Conflans-Coigny, chatelaine de Brécy , we read that "the Conflans were a family of ancient nobility, which genealogists trace back to the 12th century, when it was said to have come from the house of Brienne. In the 16th and 17th centuries, this family had several illustrations in the profession of arms. [...] Michel de Conflans, [...] belonged to a younger branch of the family, of which Saint-Simon wrote, with his acid soaked pen, that "poor and obscure, they had never left their village, where their house resembled a hut" and elsewhere that they "lived on their rifles and cabbages". Fortunately for Michel de Conflans, the last representative of the elder branch, Henriette d'Armentières, made him her heir on her death in 1712. It was through her that the land of Armentières and its 14th century castle became part of the estate of this branch, as well as, not far from there, the land of Brécy and the castle of Le Buisson, where the family lived. In the early years of the 18th century, Michel de Conflans was able to push himself into the entourage of the Duke of Orleans, becoming his first gentleman of the chamber. However it was above all his son Louis who restored the family status through his military career. Born on 23 February 1711, Louis de Conflans, Marquis d'Armentières died of apoplexy on 18 January 1774, in the King's cabinet at Versailles. Appointed lieutenant general in 1746, he received his Marshal of France’s stick in 1768. The Dictionary of French Biography writes of him that "without ever achieving a high command, he appeared with honour in all the wars of his time". The estates of Armentières and Le Buisson were sequestered during the French Revolution, declared national property and sold at auction (in 1794 and 1795 respectively) after the Marquise d'Armentières, the Marshal's second wife, was beheaded in 1794. The Château du Buisson (where Michel de Conflans died in 1717) was bought by a granddaughter of the Marshal de Conflans, the Marquise de Coigny, in 1816 and remained in her family after her death in 1832 until the sale of the 1,054 hectares estate in 1866. The bayonet blows that probably pierced the canvas in three places may well have a revolutionary origin and it is conceivable that the painting, acquired by the Marquise de Coigny from Louis Prieur, Julien's son, after the latter's death, was then restored and given the label specifying the name of the model. 2. Description of the portrait The painting presents a man in his thirties in his hunting costume. Pictured at mid-body, his face is marked by his life in the open air and characterised by a look of great bonhomie. Holding a rifle under his elbow, he is soberly dressed in a large caramel-coloured jacket, decorated with silver buttons. Presented in a three-quarter view, the model holds a partridge in his right hand. The jacket opens onto a vermilion waistcoat. A green shoulder strap probably holds a powder flask hidden under his arm while a satchel is visible on his belt. The model is wearing a grey wig, tied at the back with a black ribbon that seems to fly in the wind. This ornament anchors Julien Prieur in his time. "The new King of France, Louis XV, [imposed] a style of smaller wigs for men and the rigorous white or preferably greyish powdering. From the middle of the century men also used a ponytail on the back of the neck, tied with a ribbon, a style that became very popular in all courts." He stands out against a dark, purplish sky at the end of an autumn day in a soberly sketched forest landscape. The treatment of the sky recalls the influence of Largillière, Oudry's first master. 3. Jean-Baptiste Oudry Jean-Baptiste Oudry was born on 17 March 1686 in Paris, rue de la Ferronnerie. He began his apprenticeship around 1705-1707 with Nicolas de Largillière, with whom he stayed for five years. In 1713 Oudry established his "livre de raison" in which he reproduced all his early works in wash drawings up until 1718. During this first period which lasted about 7 years, Oudry produced works of great diversity, both in the genres that the artist tackled and in the artists which influenced him. It has been estimated that he painted about 150 pictures during this period: mainly portraits, but also still lifes and some religious paintings and landscapes. Of the hundred or so portraits that Oudry is said to have painted during this period, only fifteen have been identified today. A number of those lost portraits are probably still confused with works by Largillière. First admitted to the Académie de Saint-Luc in 1708, he was then allowed to join the Académie Royale in 1717, and subsequently admitted as a history painter in 1719. This year marks a turning point from which Oudry will assert himself as an animal painter. In 1723 he met Louis Fagon, Intendant of Finances, and the Marquis de Beringhen, the King's first equerry, who became both friends and patrons of the artist, giving him access to royal commissions and enabling him to be appointed as painter of the Royal Tapestry Factory of Beauvais in 1726. From 1728 onwards, the creation of tapestries became the core of his work, even though at the same time Oudry developed his skill as an illustrator, first for Scarron's Roman Comique and then for La Fontaine’s Fables. Between 1726 and 1731, Oudry created the decoration of a large drawing room at the château de Condé-en-Brie, about twenty kilometres from Brécy, which has remained in place to this day. This important commission, about which few details are known, is said to have originated with the Countess de Verrüe, a great lady of the French Regency who often stayed at Condé with her friend Jean-François Leriget, Marquis de la Faye, then owner of Condé. A prolific artist, Oudry fulfilled numerous commissions in parallel with his regular contributions to the Salons, to which he regularly took part until 1753. He suffered a stroke in 1754 and died the following year. It seems almost certain, in view of the importance of his work, that Oudry supervised a workshop in which several artists were involved, but this point is very poorly documented. Given the geographical proximity of Brécy and Condé-en-Brie, the links between the Armentières family and the Condé patrons, and finally based upon the quality of our portrait, we propose the hypothesis that it was painted by one of the painters who worked with Oudry at Condé. 4. Related artworks: comparison with some other portraits of hunters by Jean-Baptiste Oudry While Oudry gradually abandoned portraiture from 1720 onwards to devote himself to animal paintings, he seems to have made an exception for hunter portraits, which were often depicted in the company of their hunting dogs. Two examples seem particularly evocative and suggest a dating for our painting around 1730. We will see in a second part why this dating proposal seems relevant. The first portrait worth mentioning is the presumed portrait of Lieutenant Claude-André Courtin de Crouey, lord of Quatre Fils and Cormeilles-en-Parisis made in 1723, reproduced below. Also presented in a very tight frame, it is interesting for the similarities in the representation of the rifle, and in particular the two metal rivets that are almost identical in our painting. The painting that seems closest to ours is the presumed portrait of Monsieur...

The rising sun casts a reflective glow onto the puffy clouds hanging over a marshy landscape resulting in a sky that is awash in tones of blue and gold. This beautiful combination is reflected on the water below creating an enchanting romantic scene in Rose Freymuth Frazier's landscape painting entitled "Sunburst". Her technique of using loose brush strokes and layers of paint give this scene depth and dimension. The painting is framed with a decorative wooden frame measuring 17 x 21 inches. Rose Freymuth-Frazier Sunburst oil on panel 12h x 24w in 30.48h x 60.96w cm RFF051 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

"Pandora" Abstract Painting 39" x 27.5" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience, ...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Without Heaviness oil on panel 12h x 9w x 1.50d in 30.48h x 22.86w x 3.81d cm RIS040 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts. “It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.” “In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation." Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

"Harvest by the Nile" Oil painting 39" x 79" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and ha...

Artist: Thomas Hunt (English, 1854-1929) Title: "Unsold Cattle Returning from the Fair" *Signed and dated by Hunt lower right Year: 1883 Medium: Original O...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO DOLLS HAVE EMOTIONS? The artwork is sold framed. Dimensions of the framed ...

"Folkloric Musicians" Oil painting 59" x 87" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been pa...

"Sagittarius" Abstract Painting 31" x 31" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience...

"Dreamers" Abstract Painting 47" x 39" inch by Amal Nasr Acrylic on Wood “New Horizon” series There is a constant quest to restore the joy of discovery a...

Veranda, window, summer,flowers GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Revolution St. Petersburg, Russian State Museum St. Petersburg, History Museum Tblisi, Fine Arts Museum Tambov, Fine Arts Museum Irkutsk, Fine Arts Museum London, National Gallery Manchester, Fine Arts Museum Dresden, National Gallery Bratislava, National Gallery Tokyo, Contemporary Art Gallery Osaka, Soviet Art...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

Hunt Slonem "Julio" Green Bird on Pink Single green bird on a pink background, in a new gold-leafed frame Unframed: 10 x 8 inches Framed: 15.5 x 13.5 inches *Painting is framed - P...

"Humanity III" Painting 59" x 59" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, video art and installation in his artworks. He started since his childhood when he was 12 years old when he used to draw the billboards on cloths and walls in the streets; this increased his passion for the Arabic calligraphy which is been reflected in his work. Khatab held a couple of solo exhibitions, the first one called (The Box) at Gezira art center 2013, followed by (Selem El-Elizeh) at Art Lounge gallery 2015. He also participated in many group exhibitions in Egypt and abroad; starting with “The youth salon” in its 17th,19th,21st, 22nd, 23rd,25th and 26th events , Bamco biennale 2011 , artist book biennale 2008, Art fair supermarket in Sweden 2015, “What Happens Now” at Gallery Dai in Oman 2014, Arabian youth salon in Doha 2014, Cape Town...

"Abstract Calligraphy" Abstract Painting 59" x 57" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo Univers...

George Herbert Buckingham Holland was born in Northampton, the son of a grocer. He studied at Leicester School of Art. He made his living painting portraits of Northampton dignitarie...

"Foliage" Abstract Painting 47" x 59" inch by Amal Nasr Acrylic on Wood “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the fir...