Acrylic Paintings

Purvis Young (1943 - 2010) Drawing from the 1990's #457 Acrylic Paint on Paper / Found Object 10 x 8.75 in

Acrylic paint on canvas.

Silvia Martínez Jiménez was born in 1975 in Gandia, a province in Valencia, Spain. When she was young, she was attracted to the works of classic Valencian painters and the Valencia ...

Fields of Blues, Greens, Violet - highlighted with gold & silver - Abstract Garden on Paper / Fresh - Harmony - Beauty - Tranquil / Frame or Mount to your decor - Large Size - High Q...

Purvis Young (1943 - 2010) Drawing from the 1990's #337 acrylic paint on paper 9.75 x 10 in

On the wave, 120 x100 cm

Marina Arias, contemporary artist, was born in the vibrant country of Argentina in 1987. Hailing from the picturesque city of Salta, nestled at the foothills of the majestic Andes Mo...

Poisoned by Your Love Series #3 is an eye-catching piece from Russian-Canadian painter Elena Henderson. Elena Henderson was born in 1965, in city of Tula, which is located near Mosc...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. In this case, the painting is a profile por...

David Hare Cronus Hunting, 1967 Acrylic and paper collage on linen 68 x 53 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and wha...

David Hare Cronus Elephant, 1975 Acrylic on linen 82 x 60 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afr...

"Obras" Painting 39" x 28" inch by Vladislav Chenchik ATT: ships rolled in a tube Vladislav Chenchik is a contemporary artist from Ukraine. His artwork combines abstract and reali...

In this circular work, I embraced the harmony of line and color. I chose acrylics for their boldness and durability, capturing the essence of minimalism and geometric balance. My aim...

Purvis Young (1943 - 2010) Drawing from the 1990's #459 Acrylic Paint on Paper / Found Object 11 x 8.50 in

This artwork makes part of my small collection of abstract paintings created in various vivid tones. This collection was created for contemporary interior decoration to bring a to...

Midnight Metropolis - Head In The Clouds Using a monochromatic palette, Lucy has created an abstract cityscape splattered with life's unpredictability, invites contemplation, while t...

The latest collection by contemporary artist Ed Warner delves into the lives and deaths of biblical saints, offering a nuanced interpretation through his unique artistic lens. Throug...

Purvis Young (1943 - 2010) Drawing from the 1970's - 1990's #449 Acrylic Paint on Paper / Found Object 8.75 x 13.50 in

120x100см

Emile Wegelin: Capturing the Essence of Nature.  Painting on Hardboard   Size-Width Size-Height: 32'' x 25'' Signed in Ink Emile Wegelin (1875-1962) devoted his life to paintin...

The paintings are drawn with acrylic on the hardboard (back side made of the double cardboard). Acrylic paints are used to create the painting on canvas animals and ecology. A cruci...

David Hare Cronus Dining (Night), 1971 Acrylic, ink, paper collage on paper on board 39 1/2 x 29 5/8 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he ...

Horizontal stripes of color in gradient shades starting with hot pink in the center transitioning to dark navy cobalt blue and golden orange and luminous yellow at the edges. Signed ...

Horizontal stripes of color in gradient shades starting with bright, luminous orange in the center to burgundy red and golden yellow. Signed and titled on verso. Audrey Stone has sp...

Thank you for looking at my artwork. This one of a kind painting is done in acrylic with gold accents . I try my best to represent the true colors of the paintings in the photos, but...

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

In this piece, acrylic embraces raw wood, giving life to an abstract dance. I poured my fascination with nature's inherent beauty into each stroke, crafting minimalistic forms that a...

Purvis Young (1943 - 2010) Drawing from the 1990's #456 Acrylic Paint on Paper 11 x 8.50 in

This golden light-filled contemporary painting is by Sasha Rogers. The Canadian artist is captivated by the effect of creating what appears to be a ‘horizon’ line in her work that di...

David Hare Cronus Asleep in the Cave, 1971 Acrylic on linen 55 x 67 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

ANN MARIE AURICCHIO is a painter and installation artist living and working in New Orleans, Louisiana. After receiving her BFA from the Maryland Institute College of Art where she do...

Purvis Young (1943 - 2010) Drawing from the 1990's #463 Acrylic Paint on Paper 10.50 x 8 in

One of a kind acrylic expressionist canvas painting by Linda Coppola.

Purvis Young (1943 - 2010) Drawing from the 1990's #404 acrylic paint on paper 17 x 11 in

Purvis Young (1943 - 2010) Drawing from the 1990's #364 Acrylic paint on paper 11 x 8.50 in

Artist: Slonem, Hunt Title: Pink Diamonds Date: 2024 Medium: Oil & Acrylic w/ Diamond Dust on Wood Unframed Dimensions: 20" x 15.5" Framed Dimensions: 24" x 19.5" Signature: Si...

Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...

This one of a kind painting is done in acrylic on paper. The photos show the painting in different light conditions.Gold drips on the top and lightly throughout the painting , hard t...

This one of a kind painting is done in acrylic on paper. This painting is painted in many subtle layers built one on the top of the other, a union between complexity of technique and...

Elegant original floral painting, varnished in semi-gloss finish, sides painted black, wired and ready to hang or may still be framed if desired. :: Painting :: Contemporary :: This ...

This one of a kind painting is done in acrylic on paper. The photos show the painting in different light conditions. Gold drips on the top and lightly throughout the painting , hard ...

ANN MARIE AURICCHIO is a painter and installation artist living and working in New Orleans, Louisiana. After receiving her BFA from the Maryland Institute College of Art where she do...

This one of a kind painting is done in acrylic on paper. The photos show the painting in different light conditions. Silver drips throughout the painting , hard to capture on photo. ...

ANN MARIE AURICCHIO is a painter and installation artist living and working in New Orleans, Louisiana. After receiving her BFA from the Maryland Institute College of Art where she do...

ANN MARIE AURICCHIO is a painter and installation artist living and working in New Orleans, Louisiana. After receiving her BFA from the Maryland Institute College of Art where she do...

Amanda Joy Brown is a visual artist and educator based in Nashville, TN. Brown earned her MFA in the painting program at the Savannah College of Art and Design. During her time there...

Amanda Joy Brown is a visual artist and educator based in Nashville, TN. Brown earned her MFA in the painting program at the Savannah College of Art and Design. During her time there...

ANN MARIE AURICCHIO is a painter and installation artist living and working in New Orleans, Louisiana. After receiving her BFA from the Maryland Institute College of Art where she do...

Interior Landscapes - Abstract Acrylic on paper Painting.. framed Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’...

Escritura y Barcos original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts...

Acrylic and Flashe on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is o...

Original artwork by Spanish artist Rafael Ruz. Acrylic on paper in perfect condition. virtual frame RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inc...

In creating this piece, I channeled the vibrancy of life into bold, colorful stripes that dance across the canvas in a joyous rhythm. Each stroke of acrylic was a deliberate act of f...

Silvia Martínez Jiménez was born in 1975 in Gandia, a province in Valencia, Spain. When she was young, she was attracted to the works of classic Valencian painters and the Valencia ...

colors- original abstract acrylic paper painting . framed Original paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality ...

The latest collection by contemporary artist Ed Warner delves into the lives and deaths of biblical saints, offering a nuanced interpretation through his unique artistic lens. Throug...

sea and stone- original abstract acrylic canvas painting Artwork by Spanish artist ISIDRO CAHUE.