Small Gemälde

Antikes italienisches Gemälde aus dem 16. Jahrhundert. Kunstwerk in Öl auf Platte, das eine Madonna mit Kind und dem jungen Johannes darstellt, von außergewöhnlicher malerischer Qual...

Kathleen Keifers Originalkunstwerke sind eine der bedeutendsten Ausdrucksformen des New California Realism. Keifer bringt eine neue Perspektive in ihre farbenfrohen Szenen des täglic...

Boote in der Landschaft weiteres Bild auf der Rückseite von Jean Fourie (1927-2015), unterzeichnet Französischer Künstler, der in der Champagne malt Ölgemälde auf Karton, ungerahmt B...

Von der Künstlerin: "Das Symbol des Apfels hat für die Menschen im Laufe der Geschichte eine große Bedeutung. In der Bibel steht er für das Verbotene. Sie wurde von Newton zur Erklär...

"Das Modell" von Jean Marc (Französisch 1949-2019) gouachefarbe gemälde: 18.25 x 15 Zoll herkunft: Privatsammlung, Südfrankreich Hervorragendes Originalgemälde des weithin ausgeste...

Unten links paraphiert "H.S." für Henrik Schouboe (Däne, 1876-1949) und gemalt um 1915. Henrik Schouboe studierte zunächst von 1894 bis 1901 an der Königlichen Akademie der Schönen ...

Ricardo Diaz Lila Berge rosa Himmel. Saguaro-Kaktus (1912-1981) El Paso Künstler Bildgröße: 11 x 17 Rahmengröße: 15 x 21 Medium: Öl Datiert 1933 "Wüste von El Paso" Biografie Rica...

Schneewittchen und die sieben Zwerge in einer Landschaft, Öl auf Holzplatte, Mitte des Jahrhunderts. Dieses lebendige und charmante Gemälde zeigt eine skurrile Waldszene mit Schneew...

5029 Impressionistisches Gemälde Stadtbild Gerahmt, Bildgröße 12x16" Unterzeichnet L.M.O'Connell

Roger Delapierre wurde 1935 in Genf geboren. ... Die Malerei von Roger Delapierre hat ihre volle Reife erreicht und der Erfolg seiner Ausstellungen beweist dies. Im Alter von 81 Jahr...

Öl auf Leinwand, realisiert von Pino Romanò (1934) im Jahr 2000. Handsigniert. Rückseitig betitelt. Sehr guter Zustand.

Landschaft Unterzeichnet von Édouard Righetti (1924-2001) Beschriftet Verso auf der Rückseite Öl-/Gouache-Gemälde auf Künstlerpapier, wunderschön gemalt. Sehr guter Zustand Größe: 1...

Titel: Interieur mit Früchten und Porträt Künstler: Signiert als J. Guinovart Zuschreibung: Möglicherweise ein sehr frühes Werk von Josep Guinovart (1927-2007) Technik: Öl auf Leinwa...

Ausdrucksformen in Blüte: Porträts aus dem 20. Jahrhundert IV", Öl auf Leinwand, auf Karton aufgezogen, Florentiner Schule (ca. 1980-90er Jahre). Diese Galerie hat durch die Vermittl...

"Wasser und Veilchen" ist das neueste Werk in meiner Serie von abstrakten Wasserfallbildern, die dem ewigen Geist des Wassers in der Natur gewidmet sind. Mit einer verträumten Farbpa...

Dieses 20" x 24" große Ölgemälde auf Leinwand von David Crown stammt aus dem Jahr 1985. Im Mittelpunkt dieses Gemäldes stehen drei Tierfiguren im Vordergrund, die ungegenständlich da...

Öl auf Leinwand von Paul Collomb (1921-2010), Frankreich, 1960er Jahre. Die schöne Aussicht. Maße: mit Rahmen: 54.5x41.2 cm - 21.5x16.2 inches, ohne Rahmen: 46x33 cm - 18.1x13 inches...

Ein Künstler sitzt am Bach, Tonalistische Landschaft aus der Mitte des 19. Jahrhunderts von William Keith Wunderschönes Landschaftsgemälde aus der Mitte des 19. Jahrhunderts von Wil...

Addison Thomas Millar (Amerikaner, 1860-1913) Scheunenszene, 1892 Öl auf Karton Signiert und datiert unten links 10,25 x 13,5 Zoll 15 x 18,5 Zoll, gerahmt Addison Thomas Millar war ...

Bei Escat Gallery sind wir bestrebt, die höchsten Standards des Vertrauens und der Professionalität für unsere Sammler zu wahren. Jedes Kunstwerk in unserer Collection'S wird mit ein...

Rosa Blumen Künstler: Pierre Neveu (Franzose, geb. 1929) signiert unten rechts Medium: Öl auf Leinwand, gerahmt Gerahmt: 22 x 22 Zoll Leinwand: 19,5 x 19,5 Zoll verso beschriftet un...

Blick auf Notre Dame und die Île de la Cité", Seine, Paris, Thieme Becker, Budapest Signiert unten links: "Frid. J. Bende" für Friderika Bendéné Kovacsev (Ungarin, 1891-1975), mit d...

Öl auf Leinwand von Alberto Gallerati (geb. 1945) aus den 1970er Jahren. Handsigniert. Sehr guter Zustand.

Josef Zenisek (1855-1944) Porträt einer jungen Frau mit rotem Schal, um 1900 Öl auf Leinwand Signiert unten links Dieses wunderschön gestaltete Porträt von Josef Zenisek fängt die ...

Paul Prosper TILLIER Le Boupère (Vendée), 1834 - Paris, 1915 Öl auf Leinwand 46 x 29 cm (53 x 36 cm mit Rahmen) Signiert unten rechts "Paul Tillier". Der in der Vendée geborene Pau...

Josep Puigdengolas Barella (1906-1987) - Mittelmeer - Öl auf Tafel Das Öl misst 33x46 cm. Rahmenlos. Josep Puigdengolas Barrella (Barcelona (1906 - 1987), war ein spanischer Landsch...

Ricky Hunts minimalistische Mixed-Media-Wandkunst ist von seiner turbulenten Vergangenheit beeinflusst, die zu einem Paradigmenwechsel in Sachen Kreativität und Leben führte. Er über...

Von der Künstlerin: "Dieses Stillleben soll zunächst auf zwei Ebenen gelesen werden, nämlich auf der ästhetischen Qualität der fotorealistischen Nüsse und dem Humor des Titels, der s...

Charley Snow lebt derzeit in Helper, Utah, einer kleinen Kohlebergbaustadt etwa 100 Meilen südlich von Salt Lake City. Seinen BFA-Abschluss machte er 1998 an der University of Utah. ...

Künstler/Schule: Französische Schule, ca. 2007, undeutlich signiert und datiert Titel: Schloss von Sceaux Medium: Ölgemälde auf Leinwand, ungerahmt, signiert leinwand: 19.75 x 24 ...

Barbara Mauldin Fredericksburg Künstler Größe: 16 x 12 Rahmen: 22 x 18 Medium: Öl "Solitaire" Barbara und ihr Mann Chuck zogen 2005 nach Fredericksburg, nachdem sie viele Jahre in Lo...

Titel: Southwold Harbour Fischmarkt-Szene mit Figuren und Schuppen Original-Aquarell Von Tony Herbert (1927-2024) Unterschrieben: Unten rechts Medium: Aquarell auf Papier, montiert G...

Ein modernistisches Landschaftsgemälde mit Figuren des bedeutenden Chicagoer Künstlers (William) Davenport Griffen aus dem Jahr 1936. Seine Gemälde sind eher selten. Bildgröße: 18...

Margaret Putnam (Amerikanerin 1913-1989), Christus in die Wildnis, Batikmalerei. In gutem Zustand. Maße 21x16

Thelma Corbin Moody Blaue Berge c. 1960's Gouache auf Arches-Papier 19 1/4" x 24 3/4", ungerahmt Vorzeichenlos Hübsches Gouache-Gemälde aus der Mitte des Jahrhunderts von der Künst...

Armen Ges fängt die Bewegung in Acryl und Sprühfarbe ein und experimentiert mit optischen Täuschungen und Perspektive in seinen originellen abstrakten Kunstwerken. Um diese faszinier...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

John Bakers "Time Passes #2" ist ein Acrylgemälde auf Leinwand mit Collage im Format 20 x 16 Zoll in Grau- und Schwarztönen mit Rot und Fleisch. Das Gemälde aus der Serie "Das Leben ...

Künstler/Designer; Hersteller: Maqbool Fida Husain (Inder, 1915-2011) Markierung(en); Anmerkungen: unterzeichnet; 1983 MATERIALIEN: Öl auf Leinwand Abmessungen (H, B, T): 24 "h, 24 "...

In ihrer Serie 'Prayers' verwendet Shizico Dahlien, die im Spätsommer blühen und den Garten bis in die kalten Wintermonate hinein beleben. Die Unschuld der Katze ist ein Symbol für d...

Dieses eindrucksvolle surrealistische Meeresbild von Sula Repani zeigt eine dynamische weibliche Figur, die vor einem lebhaften Küstenhorizont taucht. In leuchtende Töne von Himmelbl...

Das Werk "Evening Prelude" des Künstlers Dennis Sheehan ist ein 14x18 großes Ölgemälde auf Leinwand, das eine grüne Sumpflandschaft in der Abenddämmerung zeigt. Dieses stimmungsvolle...

Zamy Steynovitz wurde 1951 in Liegnitz in Polen geboren. Er wanderte 1957 nach Israel ein. Der Wunsch, Maler zu werden, stammt aus seiner Kindheit, und bevor er Polen verließ, gewann...

Dieses 19,625" x 15,625" große Ölgemälde auf Leinwand ist ein Werk des amerikanischen Künstlers Jim Riley. Das Gemälde zeigt ein frontales Porträt in halber Länge einer Figur mit gew...

* Keine US-Zölle oder Steuern auf diesen Artikel zu zahlen. Ein schönes postimpressionistisches Öl auf Karton aus der Mitte des 20. Jahrhunderts, das eine Straßenszene, wahrscheinli...

Diese abstrakte Landschaft fängt den ruhigen Moment ein, wenn die Jahreszeit wechselt und der Himmel ein sanftes Herbstlicht auszustrahlen scheint. Schichten aus dichtem, strukturier...

Künstler/Schule: von Henri Van Der Beck (französisch 1886-1956), rechts unten signiert Titel: Porträt einer Dame, die auf einem goldgelben Stuhl in einem Interieur sitzt. Gemalt in ...

Porträt eines Mannes mit Hut, der eine Pfeife hält Französische Schule, signiert und datiert 1903 Öl auf Leinwand, ungerahmt Leinwand: 21,75 x 18 Zoll Provenienz: Privatsammlung, Fra...

Ray Richardson ist ein zeitgenössischer britischer Künstler, der für seine cineastischen Gemälde bekannt ist. Der Künstler verwendet Ikonen der Londoner Arbeiterklasse, darunter Bull...

Zeitgenössisches abstraktes expressionistisches Acryl auf Leinwand des französischen Künstlers Christian Manoury. Auf der Rückseite signiert und datiert 2019. Ein wunderschönes, äth...

Das Provence Cottage Französische Schule, Mitte des 20. Jahrhunderts schwache Signatur Ölgemälde auf Karton, gerahmt in einem Originalrahmen im Montparnasse-Stil. Gerahmt: 18,5 x 15...

Philippe Marie Picard (1915-1997) Franzose Französische Landschaft Öl auf Leinwand unterzeichnet Ph m Picard vom tergo 16.4 -46 Leinwandgröße 12,99 x 22,04 Zoll (33 x 56 cm ) Rahme...

In diesem Werk geht es um den unsichtbaren Bruch, der nicht aus einem Mangel an Liebe entsteht, sondern aus der Schieflage des Erwachens. Man sieht schon. Der andere schläft noch. Un...

Paul Riba (Amerikaner, 1912-1977) Die Sonne Öl auf Masonit Signiert unten rechts, verso betitelt 14 x 21,5 Zoll 20,75 x 28,25 Zoll, gerahmt Paul Riba war ein Maler des magischen Rea...

Original-Ölgemälde von P. Valetti (Französisch, zweite Hälfte 20. Jahrhundert) Öl auf Leinwand, ungerahmt Größe: 24 x 19,75 Zoll Zustand: sehr gut Herkunft: aus dem Nachlass des Küns...

Dan Hughes huldigt den klassischen Maltechniken mit einer lockeren Hand. Kräftige, modulierte Farbpinselstriche lassen die formale Komposition in einem neuen und erfrischenden Licht ...

Craig Pursley ist ein Künstler, der hauptsächlich in Kalifornien und New England arbeitet. Er wurde 1954 geboren und ist offensichtlich ein unglaublich talentierter Künstler. Das Det...

Hafen von New York von John Chapman LEWIS (Amerikaner, 1920-1994) signiert & datiert 1948 Öl auf Leinwand, ungerahmt Leinwand: 14 x 22,5 Zoll Provenienz: Privatsammlung Zustand: insg...