1990er Gemälde

Chopin original abstraktes Gemälde in Mischtechnik Pau Alemany Mascareñas estudió la carrera de arquitectura, pero destacó sobre todo en el campo de la pintura. Formado con artistas ...

"Taming Wold Horses" von Henni de Korte misst 23x27 und ist für $9500 erhältlich. Ein Mann in Grün reitet voller Stolz, während er zwei braune Wildpferde zähmt. Mit abgehackten Pinse...

Signiert unten rechts. Albert Nemethy Jr. fängt in seinen Pastellbildern das Wesen der Natur auf wunderbare Weise ein und zeigt dabei seine Meisterschaft in Bezug auf Licht, Textur ...

LANDSCAPE Original impressionistisches Acrylgemälde. SOLÁ malt auf eine natürliche Art und Weise, die die alten Meister widerspiegelt, indem er die Farben, die Luft, den Geruch und ...

Joan Vives Maristany (XX) - Picknick am Strand - Öl auf Platte Das Öl misst 15,5x32 cm. Rahmenlos.

Gahn Portrait # 121, Darren Vigil Gray, Pastell auf Papier, schwarz, rot, Apache malerei auf Papier vom Künstler auf der Vorderseite signiert und betitelt

Angel Bertran Montserrat (1928-1994) - Spanische Küste - Öl auf Leinwand Das Öl misst 46x55 cm. Rahmenlos. Frühreifer Künstler, der bereits im Alter von 15 Jahren seine Bilder in se...

Sonnige und leuchtende Aquarell- und Tuschemalerei einer nackten weiblichen Figur in kniender Pose vor einem leuchtend gelben Hintergrund von Kei Mitsuuchi, 1994. Signiert und datier...

4092 Überdimensioniertes strukturiertes Öl Impasto auf aufgespannter Leinwand Unterzeichnet G.Roads

Theresa Bernstein Ohne Titel, ca. 1990 Signiert unten rechts Öl auf Leinwand 16 x 20 Zoll Theresa F. Bernstein wurde 1895 in Philadelphia als Tochter kultivierter Einwanderer der M...

M.F. Husain - Unbetitelt Auflage - 92/150 39,5 x 27,5 Zoll (ungerahmtes Format) Serigrafie auf Papier, 1998 (Ungerahmt & Geliefert) MF Husain, weltbekannter Künstler, ist für versch...

Verso vom Künstler handsigniert. Handgemaltes Unikat im Siebdruckverfahren auf Leinwand. Das Kunstwerk ist in ausgezeichnetem Zustand. Die Leinwand ist nicht aufgespannt. Mit Echthe...

Schöne Zeichnung von Ben Black (Amerikaner, 1922-2003) mit doppelten Hibiskus und Schmetterlingen, die um einen Baumstamm tanzen. Signiert und datiert "Ben Black '95" unten rechts. U...

Annabell MARRNGAMARRNGA (1968) Aborigine-Malerei auf Eukalyptusrinde. Labels auf der Rückseite. Platte leicht verformt, sehr leichte Risse. 90 x 45 cm

Signiert unten rechts, "Guillermo" für Erwin Guillermo (Guatemalteke, geboren 1951) und datiert 1998. Ein substanzielles und elegantes, dimensionales abstraktes Werk mit linearen Ko...

Ellis Jacobson (San Diego, 1925 - Palma de Mallorca, 23. August 2013) war ein amerikanischer Karikaturist und Maler, der die meiste Zeit seines Lebens in Palma de Mallorca (Spanien) ...

Melvyn Goode ist ein englischer Landschaftsmaler des Impressionismus. Seine Werke werden in der ganzen Welt gesammelt, und er hatte viele Einzelausstellungen seiner Werke in versch...

Das Öl misst 55x46 cm. Rahmenlos.

Purvis Young (1943 - 2010) Engel in der Stadt, 1992 Mixed Media Hausfarbe auf Platte 48.50 x 17 in

Ausdrucksstarke Winterlandschaft von Joan Graber (Amerikanerin, geb. 1934). Puffige Wolken hängen in einem gelben Himmel über einem verschneiten Feld. Am Horizont überragen große imm...

Gilbert Pauli wurde 1944 im Kanton Freiburg geboren und lebt heute in Genf, wo er sich der Malerei und Bildhauerei widmet, einer Leidenschaft, die er seit seiner Kindheit pflegt. Sei...

Öl auf Holz verkauft mit Rahmen Gesamtgröße mit Rahmen 61x75 cm Jean Krillé ist ein Schweizer Künstler aus Genf, der für seine bedeutenden Beiträge zur zeitgenössischen Kunst bekann...

Luminations Serie Gallery wrap, oben links vom Künstler signiert, Rahmen unter Plexiglas. Frank Monaco. Studierte und arbeitete mit Marilyn Stiles vom Art Institute of Chicago/ Ku...

Landschaft original Aquarellmalerei gerahmt Original-Aquarell des spanischen Künstlers Joaquin Cabane. 1922/1993 Der Maler und Aquarellist Joaquim Cabané bereiste auf der Suche nach ...

Schönes Gemälde der berühmten zeitgenössischen italienischen Künstlerin Rossana Bartolozzi. In ihrem typischen modernen abstrakten Stil vergisst sie nie die Lektion des Klassizismus....

Emaille auf Leinwand "Untitled" Signatur auf der Rückseite. Eine Zertifizierung durch den Künstler liegt vor. Archiviert im Jahr 1997 Monte Titano Arte Allgemeines Archiv der Gemäl...

Die Stadt London am frühen Morgen Michael Quirke wurde 1946 geboren und studierte an der St Martin's School of Art in London. Nach seinem Umzug aus London wurde Michael Mitglied der...

Präsentation eines frühen, ausgestellten Mischtechnik-Gemäldes, "Der Fotograf", des französischen Künstlers Gravleur. "Der Fotograf stiehlt die Gesichter der Menschen, hat aber selbst keins" Gravleur Dieses Gemälde wurde 2006 in der weltweit ersten Ausstellung "Johnny Depp...

Zweifaches Porträt der menschlichen Verbindung russischer Künstler signiert und datiert 1999 Öl auf Leinwand, gerahmt Gerahmt: 28,5 x 36 Zoll Leinwand: 24 x 31,5 Zoll Provenienz: Pri...

Ein Öl- und Alkydgemälde auf Leinwand mit abstrakten geometrischen Formen in glänzendem Schwarz, Gelbgrün und Gelbrot von David Row. Verso signiert, "#400, 1996, Öl/Alkyd/Leinwand, e...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

"Le Verdon depuis le Belvédère de Rancoumas" - Provence, Frankreich "Der Verdon vom Belvedere von Rancoumas" - Provence, Frankreich Öl auf Leinwand signiert unten rechts, 81 x 100 x...

Rechts unten signiert "Goetz" für Jack Goetz (Amerikaner, geboren 1919). Jack Goetz hat viele Jahre lang mit Erfolg gemalt und ausgestellt und malt auch im Alter von 104 Jahren noch...

Jerzy Mazur wurde 1964 in Kołobrzeg geboren. Er schloss sein Studium an der Staatlichen Hochschule für Bildende Künste in Gdańsk im Fachbereich Bildhauerei unter der Leitung von Prof...

Signiert "Chwast" in Bleistift unten rechts "Jekyll wird zu Hyde". Originalillustration für eine deutsche Ausgabe von Robert Louis Stevensons Der seltsame Fall des Dr. Jekyll und Mr...

San Francisco Palace of Fine Arts, Öl auf Leinwand Palace of Fine Arts der aus San Francisco stammenden Leonida Louise (Bertone) Ivanetich (Amerikanerin, geb. 1941), Zugvögel fliegen...

Bit of Blue von Lu Haskew Ölgemälde Stillleben von Tulpen und Flieder in einer Vase mit zwei blauen Streifen. 26x26" Bildgröße 26x26" gerahmt Größe signiert unten links ÜBER DEN KÜ...

„ Om Away from Om“ Holztafel, Originalgemälde und Schnitzerei Aufwendige Collage, Malerei und geschnitzte Skulptur von Mickey "Kano" Kane (Amerikaner, 20. Jahrhundert). Dieses Stück...

Stellen Sie sich vor, Sie stehen in geringer Entfernung von zwei Rotfüchsen im weiß-blauen, flauschigen Schnee, während die Sonne aufzugehen beginnt. Der Schnee ist so sanft auf die ...

James Parfitt (Brite, geb. Mitte des 20. Jahrhunderts) Gewächshaus innen, ca. 1994 Öl auf Leinwand In dieser intimen und detailreichen Szene bietet James Parfitt eine stille Feier d...

Abstrakte Komposition von Sally Vaughan (zeitgenössisch) Gouache-Malerei auf Karte, aufgeklebt auf grüne Karte Gemälde: 25,5 x 20,5 Zoll Karte: 24 x 19 Zoll Zustand: sehr gut Prove...

Artisten/Schule: Huguette Ginet-Lasnier (französisch 1927-2020), vorne unten signiert und verso bezeichnet Ginet-Lasnier, die Ehefrau des Malers Jean Lasnier, wurde in der Region Se...

Ray Richardson ist ein zeitgenössischer britischer Künstler, der für seine cineastischen Gemälde bekannt ist. Der Künstler verwendet Ikonen der Londoner Arbeiterklasse, darunter Bull...

Dina Recanati Kosmos-Serie (sie sehen aus wie das Weltall oder abstrakte Wüstenlandschaften) 2003 Metallische Farbe, Ätzung auf Aluminium, Holz Handsigniert und datiert auf der Seit...

Ein Mann blickt auf eine Party, während am Himmel eine schwache Gestalt zu sehen ist, vielleicht die unsichtbare Präsenz, auf die der Künstler Erik Freyman im Titel des Kunstwerks an...

Natalia Paschukowa (Russisch, geboren 1950) Absolvent des Moskauer Surikov-Kunstinstituts. Mitglied der Russischen Künstlervereinigung Lebt in Moskau Natalia absolvierte die Moskau...

„Forest Mist“ – Schwarz-Weiß-Stickerei Schwarz-Weiß-Stich mit dem Titel "Forest Mist" von Doug Forsythe (Kanadier, 1949). Der Betrachter blickt in den Wald, wo Bäume in Schwarz, Gra...

Waterline Fine Art, Austin, TX, freut sich, die folgenden Arbeiten zu präsentieren: Öl auf Leinwand. Verso signiert, betitelt und datiert. 36.25 x 42 in. 37,25 x 43,25 Zoll (gerahm...

Öl auf Platte

5193 Amerikanisches modernistisches Segelboot am vollen Mast Beschriftung auf der Rückseite Stolzer kleiner Achterbahnfahrer John Chancelor" Vergoldeter Rahmen Bildgröße 16.5x23" Unt...

Dieses Kunstwerk entspringt meiner Faszination für das dynamische Zusammenspiel von Form und Gefühl. Jeder Strich und jede Form ist wohlüberlegt und verwebt Expressionismus mit Pop-A...

konstellation original acryl papier gemälde .gerahmt Als Sohn von Josep Tharrats i Vilà zog er 1932 nach Béziers, bis er 1935 nach Barcelona zurückkehrte, um an der Massana-Schule zu...

Bemalter plastischer Karton Einzigartige Arbeit Aus dem Atelier des Künstlers

5006 Modernes Amerika Landschaft Öl auf Leinwand der vier Jahreszeiten Gerahmt signiert Al Ledesky auf der Rückseite

RAGINEL FERRET, André. Maler und Zeichner, geboren 1936 in Lyon (Frankreich). Er war ein Schüler des Lyoner Malers Commarmon und arbeitete später acht Jahre lang als Zeichenlehrer an...

M.F. Husain - Unbetitelt Auflage - 122/150 39,5 x 27,5 Zoll (ungerahmtes Format) Serigrafie auf Papier, 1998 (Ungerahmt & Geliefert) MF Husain, weltbekannter Künstler, ist für versc...

Referenznummer F162 Gerahmt mit einem natürlichen Eichenholzrahmen 26 x 30 cm inklusive Rahmen (21 x 25 cm ohne Rahmen) Dieses Werk ist mit Öl auf ein Papier gemalt, das auf eine Lei...

Diese fesselnde abstrakte Landschaft der britischen St. Ives School ist ein eindrucksvolles Beispiel für die künstlerische Innovation der Mitte des 20. Jahrhunderts, die geometrische...

Lebendiger und dynamischer Monodruck von David Stephens (Amerikaner, 20. Jahrhundert). Beim Pressen dieses Monodrucks wurde Sand (oder ein ähnliches Medium) verwendet, wodurch in meh...

Jean Vollet Trevoux La Saone Malerei Gerahmt Größe 35'' x 25.5'' in. Jean Vollet wurde am 29. Juni 1935 in Montayral, Frankreich, geboren. Er studierte Kunst an der Ecole d'Arts G...