Fotografie Gemälde

Öl auf Leinwand

Dieses zeitgenössische Ölgemälde von Toni Hamel zeigt eine Elvis-Statue in einer surrealen Umgebung. Toni Hamel erschafft Welten, die - ganz im Sinne des surrealistischen Genres - e...

Jean-Gabriel Domergue 1889-1962 Französisch Josianna, jeune femme au ruban (Josianna, Junge Frau mit Schleife) Signiert "Jean Gabriel Domergue" (unten links) Öl auf Platte Eine j...

"Entre o Afeto I" von Ritchelly Oliveira, 2025 Holzkohle und Acryl auf Leinwand - 100 x 70 cm (39,3 x 27,6 in) Entre o Afeto I" der brasilianischen Künstlerin Ritchelly Oliveira is...

„Astral“ Hyperrealismus Ölgemälde 47" x 39" Zoll von Dmitriy Krestniy ACHTUNG: Der Anstrich wird in einer Rolle geliefert. Ein Blick auf Dmitriys Entwürfe offenbart einen glamourö...

André Gill (1840 - 1885) Porträt von Daubray (1837 - 1892) Öl auf Platte 55 x 37 cm (74 x 55 cm mit Rahmen) Signiert oben rechts. Michel René Thibaut, genannt Daubray, war ein führe...

Ivan Chai, Russland,Grün,Rosa LEONIDISCHE VAICHLIEN (St. Petersburg, 1922) Werke von Leonid Vaichlia befinden sich in verschiedenen Privatsammlungen in Europa, Japan und den Verei...

"Self-Portrait" (2015) von Michael DeVore ist ein originales handgefertigtes Ölporträtgemälde des Künstlers, das 12 x 10 Zoll misst, gerahmt ist und aufgehängt werden kann.

Über den Künstler Ich stamme aus Rhode Island und habe an der Rhode Island School of Design einen BFA-Abschluss erworben. Seitdem arbeite ich als freischaffende Künstlerin, Dekorati...

Öl auf Leinwand Bildgröße: 10 x 7 1/2 Zoll (25,5 x 19 cm) Zeitgenössischer vergoldeter Rahmen Dieses Gemälde ist eine Kopie von Thomas Lawrence' Porträt von Armand Emmanuel du Pless...

Ein charmantes kleines realistisches Gemälde von Murmeln in einem Eisbecher. In unserem Bestand aufgetaucht, neu und noch nie besessen. Individuell gerahmt und zum Aufhängen bereit. ...

PREIS GILT FÜR JEDEN GERAHMTEN DRUCK "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nürnberg 1770-1773. Herausgegeben von Johann Michael Seligmann (1749 -1776): Stiche mit...

Ã-l (Michael Harding, Williamson und Rublev) auf mit Gesso grundierter Baumwollleinwand. 43â€

David van der Linden Zuversicht 60 x 60 cm (Gerahmt in schwarzem Holzrahmen, im Preis inbegriffen, 70 x 70 cm) Öl auf Leinwand 2024 Dem Künstler David van der Linden fällt es schw...

Die Magie von Rudolf Kosow ist ein beeindruckendes zeitgenössisches surrealistisches Gemälde, das das Mystische mit dem Beunruhigenden verbindet. Ein förmlich gekleideter Mann steht ...

Die Dryaden... Uralte Wesen aus alten Wäldern, mit der Weisheit längst vergessener Zeitalter, die vieles von dem wissen, was wir geschäftigen Menschen vergessen haben. Der Wald von ...

J Louis ist sowohl Erbe als auch Ketzer; er führt eine reiche künstlerische Tradition fort und stellt deren Konventionen auf subtile Weise in Frage. Louis' Formen, die an die üppige ...

Das Ölgemälde auf Leinwand ist signiert und datiert unten rechts Ed.Cohen 1866 Weimer. Die Figuren im Vordergrund, die in ein Bocciaspiel verwickelt sind, mischen sich unter andere F...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Porträt eines Mädchens, 19. Jahrhundert von William M. HAY (1820-c.1900) Verkauf bis $20.000 Schönes großes englisches Porträt eines Mädchens mit blauen Bändern und einem Rosenstra...

"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nürnberg 1770-1773. Herausgegeben von Johann Michael Seligmann (1749 -1776): Stiche mit Original-Handkolorierung nach den Zei...

"Self with Atlanta Shirt" ist ein postmodernes Ölgemälde auf Leinwand. Es ist ein Selbstporträt von Nick Weber. Nick Weber (geb. 1971) lebt und malt in Springs, NY (etwa einen Bloc...

Alphonse PELLET (1853-1926) Die kleine Ballerina Öl auf Holzplatte signiert unten rechts Alter Rahmen mit Blättern neu vergoldet Größe Tafel: 30 X 43 cm - Größe Rahmen : 40 X 55 cm ...

"Hear No Evil" ist ein Ölgemälde. Es zeigt eine Frau, die Künstlerin Maryann Lucas, die sich mit den Fingern die Ohren zuhält. Die zweifarbige Komposition steht für das Zodiac des Kü...

HEILPFLANZEN, CANABIS SATIVA L. (MARIHUANA), 2013 Tempera auf Papier 49,5 x 38,5 cm Sie wurde 1967 in Trikala geboren und wuchs in Athen, Griechenland, auf, wo sie lebt und arbeitet...

Signiert und betitelt unten links

Gäbe es die Zeitschrift Vogue im späten 19. Jahrhundert, könnte dieser Porträtierte auf dem Titelblatt sein. Die Tiefe ihrer weiblichen Schönheit und Sanftheit ist faszinierend. ...

William Clarke Wontner 1857-1930 Britisch Porträt einer Schönheit Signiert und datiert "W. Wontner 1918" (links unten) Öl auf Leinwand Klassische Schönheit und technische Präzisi...

Einzigartiges Realismus Original Ölgemälde auf Leinwand von Gardani für Sie verfügbar. Handsigniert vom Künstler auf der Vorder- und Rückseite, mit offiziellem Gardani-Echtheitszerti...

Viktorianisches Stilleben mit Blumen und Fauna ein kleines Ölgemälde, eines von zwei Exemplaren. Schönes und sehr detailliertes kleines Öl auf Leinwand, auf Keilrahmen aufgezogen un...

Valley of the Fires" von Irwin Whitaker, Emaille auf Kupfer, links unten paraphiert. Emaille misst: 8" W x 6" H, Rahmen Maßnahmen: 12,75" W x 11" H. Irwin A. Whitaker war ein vielse...

Ein erstaunliches Gemälde des magischen Realismus des bekannten Künstlers Herbert Laurence Davidson (1930-2018). Dieses Gemälde zeigt die unschuldige Entdeckung einer Sandskulptur ei...

Zane York überredet und schmeichelt mit einer Prise Humor, hinter der sich eine tiefere Sensibilität verbirgt. Seine auffälligen Motive sorgen immer wieder für Aufsehen. In unserem Z...

Medium: Öl auf Karton Unterschrift: Signiert unten links Original-Titelillustration für The Saturday Evening Post, 28. Juli 1956. Die Post beschreibt: "Die Kühe wissen nicht, dass ...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist einzigartig, es handelt sich nicht um einen Druck oder eine andere Art von Kopie. Begleitet von ein...

Signiert unten links Paul Crosthwaite (1911 - 1981) Paul Crosthwaite war ein angesehenes Mitglied der Kunstgemeinde von New Hope. Er wurde in Pelham Manor, New York, geboren und en...

Der Junge und sein Hund, 19. Jahrhundert von Jules BRETON (1827-1906) Verkauf für $1.500.000 Großes französisches Landporträt eines Jungen und seines Hundes aus dem 19. Jahrhundert...

Amerikanischer Impressionist Skizze von Eine englische Landschaft mit Wildblumenhalsbaum Charles Bertie Hall malte in der Tradition des Impressionismus Szenen in ganz England, Euro...

"Evening Before Haircut--Self-Portrait" ist ein Originalgemälde in Acryl und Emaille auf Papier von Reginald K. Gee. Der Künstler hat das Werk unten rechts signiert. Es zeigt den Kün...

Acryl auf Leinwand, gerahmt von Guild of Framers Specialist in Exeter, nach höchstem Standard. Die Größe beträgt 12 "x14" plus Rahmengröße - fügen Sie hierfür einfach rundherum etwa ...

CELSO LAGAR Spanisch, 1891 - 1966 MESSEBESUCHER VOR DEN ROULOTTES signiert "Lagar" (unten rechts) Öl auf Leinwand 18-1/4 x 15 Zoll (46 x 38 cm.) Gerahmt: 29-1/4 x 26 Zoll (74 x 66 cm...

Y. Gonez (Französisch, Mitte des 20. Jahrhunderts) Pont Neuf, Paris, ca. 1950er Jahre Öl auf Leinwand, in einem Rahmen im Montparnasse-Stil In dieser stimmungsvollen Ansicht der Pon...

Dieses wunderschöne Originalkunstwerk mit dem Titel "Bowie Life" wurde 2018 von dem italienischen Künstler EMPHI realisiert. Ölfarbe auf Leinwand. Rechts unten handsigniert. Echth...

Gerahmt Abmessungen: 11.25h x 9.25w in Alexander Stolin, geboren und aufgewachsen in Kiew, Ukraine (in der ehemaligen Sozialistischen Sowjetrepublik), wo er eine intensive Ausbildun...

Dies ist ein Vintage-Stück, das von Williams Fine Art Dealers bezogen wurde. Der Künstler ist unbekannt, aber die Signatur scheint "De Marini" zu lauten. Wir wurden von dieser Szene ...

KÜNSTLER: John Speirs (1942-2022) Südafrikaner / Brite TITEL: "Swift Swift" MEDIUM: Öl auf Karton GRÖSSE: 68cm x 58cm mit Rahmen ANMERKUNGEN: Ausbildung in Kapstadt, Südafrika, wo e...

Ein englisches Karikatur-Aquarell, signiert mit dem Monogramm des Künstlers und datiert 1902. Ein wunderschönes Gemälde eines Stampfers, der an einem Wintertag Trompete spielt, vor ...

Napoleone Parisani (Camerino 1853 - Rom 1932), Porträt von Carlotta Parisani Öl auf Leinwand 35 x 24 cm mit Monogramm unten links und unten rechts, auf der Rückseite bezeichnet: "A ...

Die Seeschlacht von F. C. Fagan, Brite 20. Jahrhundert signiertes Öl auf Karton, gerahmt Künstler-Label verso Gerahmt: 35 x 23 Zoll Brett : 30 x 17 Zoll Provenienz: Privatsammlung, G...

Ashton Howard Originalgemälde auf Leinwand "sundown sails". In gutem Zustand misst 47x22 1/2

Gerahmtes Original-Ölgemälde der Sommerausstellung der Royal Academy mit dem in die Szene gemalten Bild. 60cm x 80cm Signiert von der Künstlerin

"Laura #1" von Rebecca Mason Adams ist ein wunderschönes originales fotorealistisches Gemälde in Acryl auf Leinwand, das eine Frau zeigt, die zufrieden im Bett liegt, in einem blasse...

AN DEN WEISSEN WÄNDEN Größe: 49 x 57 cm (einschließlich Rahmen) Öl auf Leinwand Ein einfaches, aber raffiniertes Gemälde im Stil der Moderne aus der Mitte des Jahrhunderts, ausgefüh...

Die Galerie Unterzeichnet von Tony Herbert (1927-2024) Medium: Aquarell auf Künstlerpapier auf Karton, gerahmt - mit Glas überzogen Gerahmt: 16 x 17 Zoll Aquarell: 8 x 10 Zoll Zusta...

Künstler sind oft isoliert, sehnen sich aber nach einer idealisierten goldenen Ära, "La Boheme". Oft ist die engste Begegnung eines Künstlers mit "La Bohe...

Italienische Schule, 18. Jahrhundert Dargestellt sind die Madonna und das Jesuskind. Die Jungfrau Maria hält das Jesuskind liebevoll in ihren Armen. Das Kind, auf einem Stoffbündel l...

Der Galerie zugewiesen, Pasadena, Kalifornien; Von einem privaten Sammler, Encino, Kalifornien, durch Abstammung; 1997 von einem privaten Sammler, Palo Alto, Kalifornien, erworben; V...

Porträt von General Henry Ireton (1611-1651), Schwiegersohn von Oliver Cromwell, 17. Jahrhundert zugeschrieben Robert WALKER (1607-1658) Großes Porträt von General Henry Ireton aus...

Ölgemälde auf Tafel mit bemaltem Holzrahmen, die Maße ohne Rahmen sind 41,5 x 22,5 cm. Die dargestellte Szene weckt mythologische Erinnerungen: Im Vordergrund steht eine nackte Figur...

Einlieferung in die Galerie, Pasadena, Kalifornien; Nachlass an einen Privatsammler, Encino, Kalifornien; Erwerb durch einen Privatsammler, Palo Alto, San Carlos und Oceanside, Kalif...