Devorah Jacoby

Reflexion

2024

Oil paint and pastel on paper Signed and dated by the artist lower right

Figuratives Interieur des französischen Malers Robert Vernet-Bonfort (1934-2017) mit dem Titel "L'armoire de la ménagère". Dazwischen Einflüsse: postimpressionistisches Stillleben un...

Zeitgenössische Pop Art, Feministisches Porträt, Öl auf Leinwand. "Caught Red-Handed" der litauischen Künstlerin Laisvyde Salciute ist ein scharfer feministischer Kommentar in einer ...

Öl und Blattgold auf Leinwand Seit Jahrhunderten nutzen Kunsthandwerker und Künstler Blattgold, um ihren Kreationen Glanz und Schimmer zu verleihen. Auch viele zeitgenössische Künst...

Françoise Nielly hat ihr ganzes Leben lang die verschiedenen Facetten des Bildes erforscht, durch Malerei, Fotografie, Roughs, Illustrationen und virtuelle computergenerierte animier...

Öl, Acryl und Blattgold auf Leinwand Seit Jahrhunderten nutzen Kunsthandwerker und Künstler Blattgold, um ihre Kreationen schimmern und glänzen zu lassen. Auch viele zeitgenössische...

Françoise Nielly hat ihr ganzes Leben lang die verschiedenen Facetten des Bildes erforscht, durch Malerei, Fotografie, Roughs, Illustrationen und virtuelle computergenerierte animier...

Tania Rivilis Einige zweideutige Wörter 63 x 45 cm Öl auf Holzplatte Zuerst können wir einige wunderbare Neuigkeiten verkünden! 3. Mai 2022 Tania Rivilis hat den ersten Preis der R...

Tania Rivilis (geb. 1986) Tania Rivilis begann im Alter von 27 Jahren zu malen, nachdem sie 2012 von Russland nach Deutschland gezogen war. Sie arbeitete hart an ihrer Technik und e...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art Master Paintings...