Georgianischer Mahagoni-Sessel aus dem 18. Jahrhundert

Feines Paar Gainsborough-Stühle aus georgischem Mahagoni des frühen 19. Jahrhunderts. Kürzlich neu gepolstert.

Sehr guter geschnitzter georgianischer Sessel aus dem 18. und frühen 19.

Feine georgianische Serpentin Intarsien Mahagoni Server oder Anrichte des späten 18. Jahrhunderts stehen 40 "hoch. Die Anrichte hat ein stark gemasertes und mit Querstreifen versehen...

Feines georgianisches Mahagoni-Bücherregal aus dem 18. Jahrhundert mit Zinnenleisten, Sockel und 24 Scheiben oben.

Eine sehr attraktive George II Zeitraum, 18. Jahrhundert Elm Carver Sessel, Beibehaltung außergewöhnliche Farbe und Patina im gesamten, mit eleganten Band geschnitzt durchbohrt Splat...

Eine sehr gute Qualität 18. Jahrhundert, Georgian, Chippendale Periode, Mahagoni Carver Schreibtischsessel mit äußerst attraktiven durchbrochenen Splat mit knackig geschnitzten Dekor...

Eine gute Qualität 18. Jahrhundert, Chippendale Zeitraum, georgischen Mahagoni Schreibtischstuhl, oder Sessel, mit attraktiven durchbohrt und geformt Splat zurück, über Scrolling Arm...

A fine pair of mid-eighteenth century carved mahogany library armchairs attributed to Robert Manwaring, ca 1760. Crisply carved, of superb colour and patination throughout. Now covered in blue velvet and close nailed. 'Chinese’ pierced trellis back. Very good movement through the arm. And well carved with foliate detail. Incidentally we have never had a pair of these during the last 67 years. An almost identical chair is illustrated by Ralph Edwards C.B.E., F.S.A. in his seminal and comprehensive 'Shorter Dictionary of English Furniture from the Middle Ages to the Late Georgian Period’ (1969) p. 150, ill. 128: ''Mahogany chair, one of a set; back filled with 'Chinese Railings' c 1760.'' (The late Lt-Col. S. Goldschmidt). Robert Manwaring was a contemporary and imitator of Thomas Chippendale, and not the least considerable of his rivals. He prided himself upon work which he described as “genteel"; his speciality was chairs. He was in business in the mid- to late-18th century at The Haymarket in London, 1760-1765. During a portion of his career, Manwaring was a devotee of the Chinese taste; he likewise practised in the Gothic manner. Manwaring described certain products of his own work as "elegant and superb", and as possessing "grandeur and magnificence". He did not confine himself to furniture but produced many designs for rustic gates and railings; often very extravagant. Literature: Amongst Manwaring's writings were 'The Carpenters' Compleat Guide to Gothic Railing' (1765); and 'Chair-makers' Guide' (1766). Viz ''Chinese Chairs...