The Talent

Lindsey Coral Harper's Interiors Have Plenty of Southern Flair

The Georgia native goes all in with color and pattern when creating her cheerful, charming spaces.

New York–based designer Lindsey Coral Harper’s Southern roots are apparent in her bold designs (portrait by Kelly Stuart). Top: For a home in Charlotte, North Carolina’s Myers Park neighborhood, Harper outfitted the family room with a vintage brass coffee table and a Biedermeier​​ bench. A pair of antique foo dogs sit atop the mantel (photo by Ngoc​​ Minh​​ Ngo).

It is not uncommon for an interior designer to strike out on her own only after working under a mentor for a few years, learning everything about the business and artistic side of the industry while honing her own style. Lindsey Coral Harper followed that well-trodden path, first interning with Ralph Lauren in London and then working at the Carlton V showroom in New York’s Decoration & Design Building before spending nearly a decade honing her skills in the studio of design maestro Richard Keith Langham.

Her skills were fully formed when Harper happily opened her own firm, but her timing turned out to be less than ideal. The year was 2007, and within weeks, she had to contend with the effects of the financial crash. “It’s always a leap of faith to start your own company, but when I did it, the bottom fell out,” she says. “It was suddenly gauche to spend any money if you hadn’t lost it, and many people weren’t doing big projects. Fortunately, I had one really good client, and we built a house together that first year. It kept me in business — and fed.”

Harper, a native of Cartersville, Georgia, around 40 miles outside Atlanta, successfully navigated that challenging first year to build a thriving design business that now employs a staff of three. She has an abundance of Southern charm and innate style, making her a favorite with shelter magazines like House Beautiful and Elle Décor. Harper is known for her confident use of large-scale patterns and cheerful palettes, as well as her knack for finding exceptional furniture, art and accessories. She takes a layered approach to design that she credits to her roots in the South, with its structures steeped in history and pieces handed down from one generation to the next.

A Liza Sherman chandelier hangs over a lacquered table and custom chairs in the Myers Park dining room, which also includes a vintage Oushak rug. Photo by Ngoc​​ Minh​​ Ngo

Growing up in a small town, Harper was introduced to the power of design by her mother, who constantly refurbished the family house, sewing her own curtains, bedskirts and pillows and even reupholstering pieces herself. Rearranging the furniture was a favorite household pastime. As a teen, Harper scouted textiles with her mother and frequently changed the layout of her bedroom. She decorated her own tree at Christmas and created elaborate schemes for her dorm room when she entered the University of Georgia, where she initially majored in journalism. Despite her passion for design, however, Harper didn’t realize she could turn it into a career. “I was just doing everything intuitively. I didn’t know interior design was a major or even offered at school,” she recalls. “My room was always on the sorority house tour, and I had a friend pull me aside and say, ‘You really need to make this your major.’ Sometimes, you don’t see the thing that is in front of you.”

Once she had decided on a career in the design world, Harper set her sights on moving to New York. “Every magazine I ever opened featured decorators, furniture companies and fabric houses that were all based there,” she notes. “Everything pointed me to the city.” But not everyone. “My parents wanted me to come live with them and work in Atlanta,” she says. “New York was an entirely different world. I literally came here with two bags and initially stayed on a friend’s couch.”

 

Before Lindsey Coral Harper tackled this Montreal bedroom, she says it was “very Flowers in the Attic.” She freshened up the space by painting the walls a pale lavender and adding a pale green custom glaze wash to the ceiling beams. The room features a custom headboard, an English armchair and vintage pressed flowers in frames. Photo by David Giral

Left: A nook in the bedroom contains an ottoman upholstered with the same floral fabric as the window shades. Right: In another of the house’s bedrooms, a pair of quirky white lamps with red-bordered shades are an unexpected touch. Photos by David Giral

The white cabinets and subway tile backsplash in this Charlotte, North Carolina, kitchen form a bold contrast with the black counter stools, which are upholstered in a bright ikat print. Photo by Francesco Langanese

In the living room, a pair of corner chairs flank the fireplace. The space also contains a Carole Gratale cocktail table, an antique bachelor’s chest and a Christopher Spitzmiller Aurora lamp in gold luster. Photo by Francesco Langanese

A pair of glass lanterns by Vaughan Designs hangs over an antique dining table surrounded by shield-back chairs painted in a coral lacquer. Photo by Francesco Langanese

Left: This window seat serves as both a storage space, with drawers underneath, and a reading nook, topped with a tufted cushion and a set of pillows that complement the ikat shade. Right: A sunburst-style mirror pops against the vibrant blue walls in this bathroom. Photos by Francesco Langanese

The master bedroom includes a custom headboard and nightstands, plus a vintage scroll-arm chair and a pair of tufted x-benches with nail-head trim and Lucite bases. Photo by Francesco Langanese

Left: The cheery kitchen of the home in Charlotte, North Carolina’s Myers Park neighborhood features a bright yellow Ming-style table with a custom banquette and a set of coated metal stools. Artworks by Hugo​​ Guinness hang on the walls. Right: In the entryway, the walls are papered with Phillip​​ Jeffries​​ printed ​​grasscloth, and a pair of vintage​​ blue ​​lamps top the faux bamboo pine table. A Coleen & Company tole lantern hangs over the space, which includes a vintage area rug. Photo by Francesco Langanese

 

Lacking connections, Harper mailed 20 copies of her résumé to design firms she admired in magazines. Suzanne Varney, of Carlton V., responded and hired her to do a 10-week internship for credit during her last semester of college. It worked out so well that the firm hired her full-time as soon as her internship was finished. Harper flew to Georgia for graduation weekend and was back in New York for work on Monday. She worked the showroom for a year but knew she ultimately wanted to be an interior designer. “It was wonderful to have that behind-the-scenes experience. Being on the sales side, I got to see which designers were nice, which were organized and which ones might be scary to work for,” she says with a laugh. It was while working at the showroom that she met Langham, who was looking for an assistant. Harper took the job and stayed for eight years.

Working for Langham was an invaluable experience for Harper, who appreciated the designer’s approach to glamour. “Richard is incredibly creative. He really wanted us to push the envelope, and he had larger-than-life ideas,” she explains. “It was 2000. We had fabulous clients all over the country, and we didn’t have budgets. Whatever we dreamed up, we could create. We worked with teams of artisans. We would tent people’s dining rooms. We would create custom-dyed fabrics and trims. We would make custom rugs in India.” Harper credits Langham with teaching her about color combinations and the power of a strong, unique piece of furniture. “You can’t phone it in with Richard. He wanted me to find the most amazing piece of furniture I had ever seen for every single project. I still try to take that approach.”

 

Hand-painted floors by Jay​​ C.​​ Lohmann boost the visual interest of this black-and-white kitchen in Montreal. Photo by David​​ Giral

Many of Harper’s clients are young families just starting out, so unlike for her pre–Great Recession projects, there are financial limits and other practical concerns. She prides herself on creating vibrant spaces that are also family friendly. “I bring something different to the table, because I try to make everything very practical,” she says. “When I arrived in New York, I had to buy all of my furniture from thrift stores or even find pieces on the street and rehab them. I really look at what people are spending, and I am creative about where to source. Most of my clients really live in their homes. I often use durable fabrics on sofas, relying on indoor-outdoor fabrics sometimes. We understand that kids are going to spill.”

Currently, Harper’s small firm is bustling with projects. She is working on a house in Montreal for a French-Canadian family, the clients’ third project with her; a new build in Manhasset, on New York’s Long Island; a Hamptons-inspired Cape Cod in Riverside, Connecticut; and Federal- and Georgian-style homes in Charlotte, North Carolina. She just finished the Southern Living 2017 Idea House on Bald Head Island, off the coast of North Carolina, which was featured in the magazine’s August issue. If that weren’t enough, this summer she completed a 1978 kit house renovation in Harbor Springs, Michigan, and a weekend house in Bedford, New York.

Harper is excited to keep her firm growing. “I love that I have the freedom to work for myself. However, it is a big undertaking. It isn’t the easiest career path. People see the glitzy side, with the beautiful magazine spreads and covers, and think that we just make things pretty,” she says. “The reality is more complex. You have to have a business mind to create and maintain budgets, work with multiple vendors and manage artisans, workmen and your staff, not to mention your clients’ expectations. It is all a labor of love, however, because making clients happy and seeing ideas you created from scratch come to life are extremely gratifying.”

The library of this home in Charlotte, North Carolina’s Eastover neighborhood features a custom velvet sectional sofa and an antique Chippendale chair. Photo by Francesco Langanese

 

Early Inspiration

My grandparents had a beautiful sense of style. They always set out fresh flowers and used their good silver — that was just how they lived. I loved how those little details made everything feel special. At my parents’ house, we certainly didn’t live in rooms done by a designer, but we lived with special pieces that were passed down. Almost everything had history, a story to tell.

Big Break

My first national publication was House Beautiful, and it was the cover. It was a total shock and surprise. At the time, I had been working on my own for four years. It featured a 1940s house I did in Charlotte, North Carolina, and the cover shot was of a kitchen dining area with yellow walls, a citron table and hand-painted floors. I do think that getting press attracts more press, so it definitely got my name out there.

Striped linen curtains frame the windows of this Charlotte sitting room, which includes a mosaic-style area rug and a sofa topped with ikat pillows. Photos by Francesco Langanese

On the Nightstand

I go between beach reads and psychological thrillers. Right now, I am reading Into the Water, the book Paula Hawkins published after The Girl on the Train. I go to Nantucket every summer, and I always bring Elin Hilderbrand’s latest. Her newest is The Identicals.

Design Hotel

JK Place, in Capri, designed by Michele Bönan, feels very fresh and very now. It’s clean but colorful. The scale is right, and the color is right. In the living space for guests, I love the intense blue against crisp white furniture and trim with the pop of a striped carpet.

Drink of Choice

It’s fall and I’m Southern, so that means bourbon (and football). My fall cocktail is peaches and bourbon. We are serving this at my wedding this month. It’s one and a half ounces of bourbon, three ounces of lemonade and three ounces of peach cider. Garnish with a thin strip of lemon peel.

 

 


Shop 1stdibs with Lindsey Coral Harper

“I just finished a new beach house on an island down south, and I filled it with vintage bamboo and rattan pieces to add a little more soul. I love bedside tables like these, which don’t look as if they came from a furniture store or from a set. Mixing vintage and new always gives a little more life to a project.”

“Anything by Karl Springer is brilliant, and I would take any piece designed by him. Here, I love the unexpected combination of rattan and brass.”

“I adore this encrusted and bejeweled larger-than-life shell mirror. It is as if a giant brooch came to life and is living on your wall.”

“French chandeliers never seem to take themselves too seriously. Case in point: this fun palm chandelier.”

“I cannot get enough of Slim Aarons photography! I just used several of his images for a cottage on the lake in Harbor Springs. The images are the perfect punch for a vintage feel.”

“I absolutely adore the Frances Elkins loop-back chairs. We recently acquired a set from David Duncan Antiques for a client in Pittsburgh. We put them in the breakfast room. I love that they manage to be whimsical and classic at once.”

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