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Imaginative Design on the Thames and Beyond

This month’s London Design Festival (LDF) will celebrate the best of contemporary creativity at venues across the British capital, including the Victoria and Albert Museum, which unveiled Laetitia de Allegri and Matteo Fogale’s Mise-en-abyme (above) during last year’s festival. Top: Visitors will be able to walk through the Smile, architect Alison Brooks’s curving, cantilevered tulipwood pavilion in the courtyard of Chelsea College of Arts. All photos courtesy of LDF, unless otherwise noted

With a panoply of exhibitions, site-specific installations and special projects, together with events, hosted in seven different districts, that showcase the best in contemporary creations, the London Design Festival is now firmly established on the cultural calendar of the British capital.

The year’s edition of the 13-year-old event, also known as the LDF, runs from September 17 through 25. It includes fairs aimed squarely at the industry, such as Design Junction and Decorex International, the U.K.’s longest-running design show, which focuses firmly on luxury and is participating in LDF for the first time. These events combine with countless public projects geared toward the “civilian” design lover. Many of these happenings center on the Victoria and Albert Museum, although you’ll find points of interest at many other venerable institutions, including the Wallace Collection and the Royal College of Art, as well as at designers’ studios, high-street retailers, hotels and London’s commercial art and design galleries. Adding a further dimension, this year the LDF overlaps with London’s first-ever Design Biennale (September 7 through 27), which occupies the entirety of Somerset House on the Thames.

“The festival has become one of the leading design events in the world,” says Ben Evans, who co-founded LDF with Sir John Sorrell in 2003. “We have benefited from London’s mature design scene, as well as an army of designers, both domestic and international, who live and work here.”

For Evans, part of the appeal of running LDF is showcasing the unexpected — whether it’s 2014’s pop-up exhibition in Trafalgar Square about the nature of home, or flashy fabric sails for London’s only inner city windmill, which you’ll find this year in Brixton, 2016’s new design district. “There’s always something for every design lover to discover,” Evans says. Here, we highlight a handful of the hundreds of events awaiting discovery this year.

During last year’s festival, London’s Design Museum — which in November moves into a new John Pawson–designed space — hosted “Like Me: Our Bond with Brands,” an exhibition that examined society’s connection with consumer culture.

 

Design lovers gathered for a party under the Dale Chihuly chandelier in the entrance hall of the Victoria and Albert Museum, in the Knightsbridge district, to celebrate the festival’s 2015 edition.

 

 

As part of this year’s festival, the V&A will display several installations and serve as a venue for events, talks and workshops. Photo by © Victoria and Albert Museum, London

 

Together with Design Junction, Decorex International — the U.K.’s longest-running design show — forms the most industry-focused section of the festivities.

London architecture firm Squire and Partners created a public outdoor street gallery installation as part of a design trail in the on-the-rise neighborhood of Brixton.

For the 2015 festival, design duo mischer’traxler collaborated with Champagne house Perrier-Jouët on the V&A installation Curiosity Cloud.

Mexican architect Frida Escobedo installed her You Know You Cannot See Yourself So Well as by Reflection in the V&A’s John Madejski Garden last year.


London Design Biennale
September 7 through 27

Featuring leading designers, innovators and cultural organizations from 35 countries — ranging from Albania and Chile to South Africa and China — London’s inaugural design biennial takes over Covent Garden’s historic Somerset House. The U.K. is represented by a wind-powered kinetic sculpture called Forecast, created by Edward Barber and Jay Osgerby, while the U.S. is represented by the Immersion Room of New York’s Cooper Hewitt museum, an interactive space featuring digitized wallpaper. Each country’s exhibition responds to a unifying theme: the 500th anniversary of the publication of Utopia, Sir Thomas More’s imaginings of an ideal society. “The biennial gives the global community a platform to present their best in response to what we think is a provocative and timely theme – Utopia by Design — engaging with some fundamental issues facing humanity such as sustainability, migration, pollution, energy, cities and social equality,” explains biennial director Christopher Turner. “We were fascinated to see how different countries would interpret this idea and what kind of installations and exhibits would result.”

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London’s inaugural design biennial will include a submission from the U.S. — the interactive Immersion Room, which the Cooper Hewitt museum is bringing over from New York. Photo by Matt Flynn © 2014 Cooper Hewitt Smithsonian Design Museum


 David Gill Gallery: “Masters of Design
September 18 through 25

Dealer David Gill has long championed innovation, and his gallery’s exhibition “Masters of Design” is no exception, spotlighting five designers who push the boundaries of material and structure. “We wanted not only to celebrate the best of British designers but also to embrace our international designers and artists,” says Francis Sultana — a director at the gallery and a noted interior designer to boot — of the decision to feature works by London-based Fredrikson Stallard and Sir David Chipperfield alongside those by Jorge Pardo (Los Angeles), Gaetano Pesce (New York) and Mattia Bonetti (Paris). “Events such as the LDF are now, more than ever, essential to show that London is still a strong and vibrant center in Europe and will continue to look beyond its own shores for inspiration.”

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As part of his eponymous gallery’s “Masters of Design” exhibition, London design dealer David Gill will show a Jorge Pardo cabinet from 2015 called Meretricious Untitled 1. Photo courtesy of David Gill Gallery


Sir John Soane’s Museum: “Below Stairs
September 13 through March 4, 2017

Housing the collection of 19th-century architect and art connoisseur Sir John Soane, the museum he founded seems a world away from the contemporary offerings of the LDF. However, the September opening of the building’s restored Regency kitchens has prompted a special exhibition titled “Below Stairs.” The show places within this historic, behind-the-scenes setting pieces by Barber and Osgerby, Jasper Morrison (whose work is currently on view at the new Tate Modern), Martino Gamper and Paul Cocksedge, together with an aromatic installation by Tasha Marks, founder of AVM Curiosities, which explores the relationship between art and food through edible art projects. “There is something rather haunting about this once-bustling and noisy place that is now, oddly, the quietest and calmest part of the museum,” explains exhibition co-curator Rachael Barraclough. “We’ve chosen these pieces because they evoke a ghostly reminder of what once was.”

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To celebrate the reopening of the restored Regency kitchens in its basement, Sir John Soane‘s Museum is mounting the show “Below Stairs,” which will strew the cooking and storage areas with pieces by the likes of Jasper Morrison, Martino Gamper and Paul Cocksedge. Photo © RCHME


Rose Uniacke: “Simply Chairs
September 17 through 24

In her Pimlico Road gallery, decorator and dealer Rose Uniacke hosts “Simply Chairs,” an exhibition showcasing new chairs from her own collection of furnishings, RU Editions, alongside a selection of seating by designers she admires, such as Joaquim Tenreiro, Hvidt & Mølgaard-Nielsen, Jorgen Kastholm and Preben Fabricius. “When I design a piece of furniture, I want it to provoke an emotional reaction, I want it to feel ‘right,’ ” Uniacke says of her elegant Simple chair, Stitched armchair and steel and leather Y chair. “It needs to be honest, to have great materials and artisanal construction and an atmosphere that is light and sculptural yet extremely comfortable and versatile.”
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In “Simply Chairs,” designer Rose Uniacke will display her latest seating creations for he RU Editions collection, including these steel and leather Y chairs. Photo courtesy of Rose Uniacke


The Smile
September 17 through 25

The Smile is one of the most eye-catching of this year’s Landmark Projects, the LDF’s annual program of special commissions and installations. In the courtyard of Chelsea College of Arts, architect Alison Brooks has designed a gravity-defying 112-foot-long pavilion crafted entirely from cross-laminated tulipwood, with two astonishing cantilevered sections that threaten to topple the entire structure. “I immediately thought the installation should be an object that you can go inside and should overturn any expectation you might have for a wooden building,” Brooks says of the structure, which visitors can explore and then peer through apertures at either end to see the world outside. “Normally structures, or beams, tend to sag in the middle. The Smile does the opposite. It’s a building that lifts at its two ends. It balances on a single point and creates a dynamic experience of space and light.”

Openings at either end of the Smile’s bowed form, rendered here, will let daylight in and allow visitors to look out.


Sies Marjan at Selfridges
September 4 through October 15

The Atrium within Selfridges, the London retail landmark on Oxford Street designed in 1909 by Chicago neoclassicist Daniel Burnham, is known for selling the best in current couture. Now the fashion brand Sies Marjan — whose fierce and feminine first collection was lavishly praised in the press and worn by the likes of Beyoncé — is presenting selections from its Spring/Summer 2016 collection at Selfridges, in a shop within a shop that is outfitted with furnishings from 1stdibs dealer Talisman. The furniture items, hand-selected by Sies Marjan creative director Sander Lak, a self-confessed vintage-furniture obsessive, range from a circa-1940 English Art Deco double pedestal table in veneer and brass to a pair of purple 1970s mirrors in the manner of Serge Roche. “For me, clothes and furniture are directly linked to each other,” says Lak, whose distinctive picks are also available in an online 1stdibs collection. “I love seeking out interesting things, whether it’s a fabric, a garment, a lamp or an amazing chair.”

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Some looks from the Fall/Winter 2016 collection of Sies Marjan. The up-and-coming fashion label’s latest collection is now on view at Selfridges in a shop within a shop that also features vintage furnishings selected by Sies Marjan’s creative director, Sander Lak, from the wares at London gallery Talisman.


Victoria and Albert Museum
September 17 through 25

For the past eight years, the Victoria and Albert Museum has acted as a focal point for the LDF. This year, in addition to events, talks and workshops, there will also be an assortment of installations within the museum’s permanent collection. These include Liquid Marble by Mathieu Lehanneur, a black marble sculpture polished to suggest reflective liquid; and The Green Room, a collaboration by design duo Glithero and watch company Panerai that emulates the movement of a timepiece using sheets of colored strings. Also on view, in the museum’s tapestry gallery, is a collaboration between Benjamin Hubert, founder of interactive design agency Layer, and the home electronics and appliance maker Braun. Titled Foil, the display features an undulating 66-foot-long metallic ribbon that reflects light from a series of LEDs.

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On view in the V&A’s British Galleries during the festival will be Mathieu Lehanneur’s Liquid Marble, a piece of black stone whose surface he carved into highly polished, undulating ripples, suggesting ocean waves.

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