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Nordic Know-How

One of the first Scandinavian getaways included in the book, the Juniper House in Sweden, was designed by the Murman Architects to mirror its natural surroundings, and it features iconic Wegner Y-Wishbone chairs and a small courtyard that seems a part of the interior (photo © Swedish Freelance Legion / GERBER GMC). Top: Designer Catherine Hultgren’s house on the island of Yxlan in the archipelago of Stockholm is a serene idyll (photo © Anne Nyblæus / GERBER GMC, styling by Anette Mörner).

It’s safe to say that the influence of Scandinavian style is felt around the world. People from Australia to Arizona covet and collect Finn Juhl Chieftain chairs, Eero Saarinen Tulip tables, Swedish ceramics and Finnish glass.

Yet even if you are familiar with the types of objects and names of designers that define Scandinavian style, can you define its essence? And beyond acquiring its totems, how can you capture this essence in your own home, regardless of where you live?

At first, my new book Living in Style Scandinavia (TeNeues) — in whose pages I include homes ranging from an urban warehouse in Copenhagen to a tiny austere lake cabin in Finland — may not provide immediate or obvious answers to these questions, especially if you thought that all Scandinavians lived with white walls, wooden floors, Jacobsen Egg chairs and Poul Henningsen PH lamps.

According to design expert Magnus Englund, one of the founders of Skandium, a group of shops selling Scandinavian furniture in London, the unifying factor of Scandinavian design is about the reduction of objects to pure form and function, the opposite of, say, the Italian or French approach. Out of this reduction comes a formal beauty and focus on quality that is not hidden away behind layers of shapes and colors.

Indeed, this unfussy simplicity is a quality shared by all the homes in the book — and not just by the objects that they contain. Swedish interior designer Catherine Hultgren deploys white-painted wooden furniture, white walls and floral-patterned fabrics and wallpaper in her charming seaside house on the island of Yxland. Meanwhile, a modern loft-style apartment in a futuristic Copenhagen building designed by renowned architect Bjarke Ingels also features white furniture and walls, these punctuated by colorful art and Lego block installations. While the guiding design principals of both homes are similar, the results are very different. And yes, for as varied as these spaces may seem, they ask the same fundamental question: Why have three or four of something, when you can have one really good thing.”

In this waterfront home owned by a Swedish couple, the retro playfulness of the living area — equipped with steel-blue chairs, a curry-yellow rug and a surfboard hung on the wall — balances the classic lines of Poul Kjaerholms PK 22 chairs in another room. Photo © Swedish Freelance Legion / GERBER GMC

Left: Eames chairs bring a sleek modern look to this dining room (photo © Mark Roskams / GERBER GMC, styling by Inson Wood). Right: Built in the 1940s, this seaside cottage in Norway retains the flavor of its original owner — the current tenant’s grandmother. To keep the past alive, it is furnished with an old wooden chair and coffee table that once belonged to an Italian ambassador (photo © Elisabeth Aarhus / Mainstream Images).

Left: In the Norway home of color-loving Dagny Thurmann-Hoelseth, former creative director of home decor store Fargerike, the kitchen is the only white room — though even it is livened up with brightly patterned cushions, rose chandeliers and vibrant red chairs. Right: The femininity of the floral wallpaper and flirty pink bedspread in the bedroom is offset by an edgy mustard-yellow chair. Photos © Elisabeth Aarhus / Mainstream Images

The kitchen of this circa-1905 cottage, built in a national park on the Norwegian island of Asmaloy, embodies the Scandinavian preference for clean simplicity of texture and form. Photo © Darren Chung / Mainstream Images

“For anybody born or who has grown up in Scandinavia, understated luxury and focus on sustainability is kind of yesterday’s news,” says journalist Karin Gråbæk Helledie, the book’s author, who was born in Denmark and lives in London. Photo by Lars H

The essence of the style reflects a certain lifestyle, mindset and set of values that also help to explain why Nordic citizens are among the happiest in the world. They tend to appreciate quality, whether it pertains to homemade bread or the curved leg of an oak Wegner chair. Scandinavians are brought up surrounded by ergonomic, functional, sustainable and, often, inspirational public design, ranging from school chairs to library buildings. These social-democratic countries have used design as a tool to improve quality of life since the 1930s, when the Swedish government made quality and humane housing available to the poor.

This doesn’t mean that all Scandinavians live in spaces as stylish as the ones depicted in the book. A lot of people in the Nordic countries, however, do take a great interest in their homes for all the reasons above, plus another very logical one: It’s cold up there. Staying inside and being cozy are essential for getting through long winters. And when summer comes, Scandinavians make the most of the famously long, bright days by turning the gardens and terraces of their country houses (many people have them, even if they’re small and simple cabins) into stylish outdoor entertaining spaces with colorful pillows, a bohemian mix of flea-market finds and classic garden furniture and lots of lanterns.

Replicating Scandinavian style is like emulating those French ladies who rock the tussled, laid-back-chic look du jour. It seems so easy, effortless. But don’t be fooled. Achieving Nordic nonchalance in your home requires a lot of time and work.

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In this charming farmhouse in Gilleleje, on the coast north of Copenhagen, designers Klaus Bischoff and his partner, Erik Nielsen, of Choff design, transformed a run-down building into a spacious home with chunky wooden furniture and sleek design by Philippe Starck. Photo © Edgar Tapan / Home Journal / GERBER GMC, Styling Bridget Snelgar


Karin Gråbæk Helledie’s Six Picks from 1stdibs

When my mother was in her early 20s she persuaded my father to invest in classic design furniture. They had to pay in installments to afford it, but it proved to be a very smart investment. These pieces, now highly valued, were part of my everyday life when I was a young girl growing up in Denmark. Today, some have been re-upholstered, some swapped among relatives, some sold and some simply given away. These six pieces from 1stdibs evoke memories of my childhood and embody what I think of as Scandi style.

Hans Wegner Papa Bear Chair, 1950s, offered by The Modern Warehouse
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Hans Wegner Papa Bear Chair, 1950s, offered by The Modern Warehouse

If I had the money, I would click “buy” in a heartbeat. My childhood friend’s parents had Wegner’s Papa Bear, and I remember thinking it was a bit old fashioned. Today it’s a perfect mix of cozy, comfortable and timeless design.

Mogens Lassen Stool, 1940s, offered by Helga Horner Inc.
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Mogens Lassen Stool, 1940s, offered by Helga Horner Inc.

Quality material, simplicity and smooth finishing details. Nothing sums up the Scandinavia design philosophy better than an architect-designed stool. Lassen is one of the most recent of the great architects to come into high demand. Just a few years ago, his stools were sold for a few hundred dollars. I wish I had paid more attention when browsing the flea markets.

Bjørn Wiinblad <i>A Midsummer Night's Dream</i> Platter, 1960, offered by Metropolis Modern
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Bjørn Wiinblad A Midsummer Night's Dream Platter, 1960, offered by Metropolis Modern

Scandinavian style also has its more artsy and whimsical touches. The artist Wiinblad’s mermaids, magical figures and drawings, which cover platters, porcelain and pictures, add a stylish touch of quirkiness, especially when mixed with good design pieces and flea market finds.

Børge Mogensen Sofa or Day Bed, 1955, offered by Jimmy Beyens
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Børge Mogensen Sofa or Day Bed, 1955, offered by Jimmy Beyens

Everyone in my family has used this Børge Mogensen day bed over the past 45 years. I’m not exaggerating. It has taught me the most important Scandi-style lesson: It pays to invest in high-quality design.

Louis Poulson Verner Panton Panthella Floor Lamp, 1960–70, offered by Fleur de Lis
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Louis Poulson Verner Panton Panthella Floor Lamp, 1960–70, offered by Fleur de Lis

I used to hate these as a child, but I later managed to get my hands on two from my grandmother and mother-in-law. The Panton lamps and other quality lights underline one of the top rules of the Scandinavian look and ambience: Without good light, don’t even bother with the rest.

Kaare Klint Safari Chairs for Rud. Rasmussen, 1933, offered by Galleri Feldt
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Kaare Klint Safari Chairs for Rud. Rasmussen, 1933, offered by Galleri Feldt

Klint’s elegant Safari chair is a prime example of clean and simple architecture, making use of natural materials like wood and leather.


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