Fabric Paintings

Artist: Jack Graves III (American, 1988-) Title: "Old July Barn" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium:...

Step into the enchanting world of "Gardens of Resilience" with our latest artwork, "Journey Home." This heartwarming piece captures the tender bond between a mother and her young da...

"Wandering the Planet" is a new addition to the "Gardens of Resilience" series, distinguished by its unique symbolism and philosophical depth. In this painting, the figure of a woman...

Portrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...

This is a painting from my series of architecural paintings. In this particular painting I have played with colour by adding a striking cinematic pink sky which contrasts against a t...

"Berehynia" is the latest addition to the "Gardens of Resilience" series, embodying profound philosophical and artistic principles. In this painting, art meets nature, and symbolism...

Hannes Grosse Wave Form II (Wellenform) Oil and Acrylic on Canvas Year: 1971 Size: 33.46 x 33.46 x 31.49 inches (85,5 x 85,5 x 80 cm) Framed (simply wood frame) - ready to hang COA ...

This work, painted in delicate summery pastel shades depicts a traditional wildflower meadow putting on its full summer show. Here are the colours of soft green grasses and the prett...

In this painting from the "Gardens of Freedom" series, a woodland garden unfolds before the viewer's eyes. Through the foliage, the face of Mavka emerges, with a fairy seated on her...

This abstract painting by Sofie Swann features a warm palette, layering circular shapes in red and orange tones over top of one another to create an abstract composition with depth. ...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Adoration of the Madonna & Christ Child German Baroque artist, late 19th century oil painting on canvas framed within highly ornate gilt frame overall size: 68 x 50 inches in total c...

"In creating this piece, I poured my heart into capturing the sublime dance between light and shadow, using oil to meld expressionism with a touch of impressionistic flair. The soft ...

Mary Chaplin, Impending summer storm, diptych (2x100x81cm) acrylic on linen canvas. Poppy fields are a real source of inspiration for me. Rather than just painting a wild flower fiel...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Still life with ribbons is a modern artwork realized by Gianni Cacciarini. Mixed colored oil on board.  Hand signed on the lower margin. Includes an elegant frame (with some loss).

Body in the Field #7, 2023 oil on canvas 55 1/8 H x 39 3/8 W in. 140 H x 100 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Mohamad Khayata’s original figurative artworks are the result of five years of displacement and deal with themes of migration, memory, and identity. Mohamad’s paintings exhibit an array of emotions, ranging from bliss and comfort to tension and uncertainty. Many of his artworks portray a sense of transience, which is all the more palpable when considering that Khayata's intimate work is a tribute to displaced people and to their daily life stories that, far from familiar surroundings, are filled with effort and hope. Khayata created this original painting with acrylic paint on canvas. It measures 46 inches high by 39 inches wide. This artwork was created in the artist's new studio after his previous studio was destroyed in the 2020 blast in Beirut. It is signed by the artist on the back of the canvas. This painting is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included with this original work. This artwork is part of a new series of imagery by the artist, in which Khayata's illustrative paintings are strategically placed to mingle with people and the environment. These paintings amass a memorial narrative; connecting the artist and the viewer to the rich cultural heritage of Syria and the larger narrative of what it means to be home. Born in Damascus, Syria, artist Mohamad Khayata was forced to flee his home country due to ongoing political conflict. Khayata has been living in Beirut, Lebanon since 2012. His work is a resounding call for transformation and unity within his home country. His photography project "Stitching my Syria back" was chosen to be part of Journeys Festival International 2016 as a landmark for the “Look up” project in Leicester, where his photographs were installed on ten buildings. During this public exhibition coordinated with the Royal Institute of British Architects, his photographs were installed on ten buildings, fostering a deeper connection between art and the public, highlighting empowerment and enriching a younger generation’s aspirations for the future. In the last few years, Khayata has participated in an increasing number of collective exhibitions across Europe and the Middle East, where his distinctive style and original approach have captivated audiences, leading to sold-out exhibitions each time, cementing his status as a sought-after artist in the global art scene. Holding his BA in Fine Arts obtained at Damascus University, Khayata is a bastion of Syrian legacy, memory, home, and happiness. REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2020-23 Artplex Gallery, Los Angeles 2019 “Nota Bene,” Artplex Gallery Los Angeles, California 2018 “Takhalli,” 4th edition of the Laboratory of Arts Programme, partnership with The Goethe Institute, City of Beirut, Lebanon Beirut Art Fair, 392RMEIL393 Gallery, Beirut, Lebanon “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon “Aegean Sea,” 392RMEIL393 Gallery, Beirut, Lebanon 2017 “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon Beirut Art Fair, Beirut, Lebanon Sharjah Art Bienalle, SAFIR “Stitching My Syria Back Together,” The Alexandria Library, Manchester, UK 2016 “Revealing,” Beirut Art Fair, Gallery One Palestine, Beirut, Lebanon Journeys Festival International 2016 TA’AROF workshop, Sharjah Art Bienalle, SAFIR “Look Up,” Project in Leicester Inside Beirut, The Gallerist, Beirut, Lebanon “The Third Space,” British Council in London and Brussels, UK 2015 “Walking on Thread...

This work comprises a pair of paintings of a meadow called Long Mead, which create a diptych. Although the paintings could be available separately, they compliment one another when h...

In "You Are Not Alone Anymore," Andreas Claussen's oil on canvas from 2023, measuring 35.43 x 47.24 x 1.18 inches, the artist masterfully intertwines surrealism with realism, challen...

A scene of a Welsh woodland with wild daffodils dancing in the breeze in early spring sunshine. The composition is made up of soft pastel greens and blue-greens of the foliage agains...

Art pieces of Giorgi Vepkhvadze are Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New Yor...

The Holy family with St. Joseph and St. Anna. Tuscan school. Late mannerist period, Circa 1610. Oil on canvas. Size 102cm x 77cm Painting by an unknown Tuscan painter from the lat...

Giorgi Vepkhvadze’s art is an Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New York Apartments and Houses. Artist graduated Academy of art in Tbilisi in 2005 .Today Giorgi is selling painting, sculpture and jewelry in all over the world. Artist participates in world famous actions such as Bonham’s, Sotheby and etc. His works are in private collection in Europe and USA. Giorgi Vepkhvadze's works reminds synergy of two famous artists Turner and Rothko. Giorgi currently lives in New York, he owns company for Mural art, faux finishes and art for interiors. He works with famous interior designers in New York. His sense of esthetics will not leave anyone indifferent. Giorgi's parents are also artists, whose art we are planning to sell in our Saferi Gallery...

Acrylic and organza on Yupo, mounted on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each pain...

A very interesting 1960's French oil on canvas portrait of a black man wearing a hat. The work is superbly painted and in very good original condition. Indistinctly signed lower righ...

In this oil painting, I captured the ephemeral moment of release and liberation. It's a dance between reality and interpretation, where feathered grace meets the human desire for fre...

Buffalo, New York native John Folinsbee received his artistic training at the Art Student League in New York City with John F. Carlson, Birge Harrison, Frank DuMond, and Jonas Lie. A...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Original Painting Elephant, lion, leopard zebras and rhinoceros flowers in a lush tropical jungle setting. Titled "Elephant's Memory". Hand signed recto and signed, titled and dated ...

Flirting, 160x130cm

This is a painting from my series of sunny architectural pool paintings. As a swimmer I love to paint swimming pools in the sun and dream about actually being in one of my paintings....

Provenance: Alexander Gallery, NYC 1985 Manoogian Collection, Detroit, MI Private Collection, Great Neck, NY Exhibitions: Alexander Gallery, NYC "Hudson River Masters" 1986 Rau Ant...

Suong Yangchareon (Thai American, 1952-) Acrylic on Canvas Los Angeles Street Scene with yellow taxi cab and cars. Hand signed with Initials. Dimensions: Overall Size: 25 1/4 x 49 1/4 in. Sight Size: 23 5/8 x 47 5/8 in. Yangchareon came to Los Angeles, California from Lampang, Thailand, Southeast Asia where he studied Fine Arts at the Arts & Crafts College (Poh Chang), Bangkok, Thailand and Sculpture and Graphic Arts, Silpakorn University, Bangkok, Thailand. In California he continued his studies at Woodbury University, receiving a degree in Advertising Design. He is a contemporary figurative realist artist. He painted the urban landscape of California, which have been exhibited in solo and group shows. His work is represented by prominent galleries nationally. Yangchareon spent much of his childhood at his father’s movie theater where he became fascinated with the world of American Westerns. The nostalgia for this idyllic film Americana can be garnered through his subject matter. Abandoned theaters, factories and businesses of an almost extinct era of architecture are carefully rendered in the soft morning light. Working from his own photography, shot during the early hours of the day, Yangchareon’s acrylic and oil paintings are largely devoid of human figures, but deeply imbued with their past presence. Recently, the artist has broadened his focus to include imagery of the city at night––rendering glistening rain-soaked sidewalks bathed in the artificial light of street lamps and movie marquees against an inky black sky. Yet, Yangchareon’s motivation remains the same; to find the hidden beauty in varying industrial landscapes and seeing splendor where most would argue it does not exist. Reminiscent of Edward Hopper, a sense of melancholy pervades his compositions in a quiet, detached manner. The influence of Richard Diebenkorn and Wayne Thiebaud can also be detected in the artist’s sense of color and in his interpretation of light. Moody LA auto culture artwork dealing with themes of isolation and alienation. Select Exhibitions 2017 Golden Dreams, The Hilbert Museum of California Art at Chapman University, Orange, CA 2016 In the Land of Sunshine: Imaging the California Coast Culture, Pasadena Museum of California Art 2016 Recent Paintings & Works on Paper, Paul Thiebaud Gallery, San Francisco, CA 2013–2014 Suong Yangchareon: Places Out of Time, St. Supéry Estate, Vineyards & Winery, Rutherford, CA 2012 Palm Springs Fine Art Fair, Palm Springs Convention Center LA Art Show, Los Angeles Convention Center Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) Texas Contemporary Art Fair, George R. Brown Convention Center, artMRKT San Francisco, Concourse Exhibition Center Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 San Francisco Fall Antiques Show, Fort Mason, San Francisco, CA San Francisco Fine Art Fair, Fort Mason, San Francisco, CA Art Chicago 2010, Merchandise Mart, Chicago IL 2009 Recent Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) 2008 Twenty-Five Treasures, Paul Thiebaud Gallery, San Francisco, CA Robert Arneson, Joan Brown, Fred Dalkey, Eileen David, Roy De Forest, Richard Diebenkorn, David Fertig, John Graham, Robert Hudson, Ed Musante, Manuel Neri, Arthur Okamura, John Santoro, Richard Shaw, Pam Sheehan...

Lady in the Harem is a modern artwork realized by Unknown Orientalist Painter in the 1st half 19th Century.  Oil on Canvas.  Includes Frame: 61 x...

Edgard Pillet (French, 1912-1996). Modern Abstract oil painting on canvas. Titled "Olifant". A vibrant work featuring colors of purple, pinks and blues...

Andreas Claussen's 2023 masterpiece "There Is No Paradise Without Food," a significant work from his acclaimed 'FLOOD' series, is a compelling oil on canvas that stretches over dimen...

This contemporary abstract landscape painting by Ken Elliott is made with oil paint on canvas. It captures a scene with cool blue and violet trees in front of rolling hills under a p...

Discover the warmth and depth of "Strangelove," an oil painting on linen by Alessandro Tomassetti. This artwork shows a person not facing the art...

This is a one off artwork created for the English country side drawing room. Growing up in Middle Asia I was greatly influenced by the Eastern aesthetics. As I lived and traveled acr...

Oil painting on canvas measuring 50 x 99 cm without frame and 62 x 111 cm with coeval frame, depicting a still life of fruit by the painter Giovanni Paolo Castelli known as Spadino ( Rome 1659 - 1730 ). This magnificent canvas, hitherto unpublished to my knowledge, depicts a display of fruit set out in the open at the edge of a wood (apples, peaches, black and white pizzutella grapes, two split watermelons and a plum), and at the edge of a stream, with a hilly landscape opening up to the left. The fruit is placed in the foreground, very close to the viewer's point of view, and occupies, with its bright and festive colors, most of the field of vision. The painter does not seek a particular spatial geometry or constructive scheme, but indulges in a skilful and brilliant chromatic weaving of the surfaces, by means of a pictorial material applied with exceptional fluidity and vibration, if you like, even sensual in its luminous and 'tactile' corpulence in the taste of the full Baroque. The quality is excellent and the style appears surprisingly free and evocative, although it retains traces of the old Flemish naturalism typical of Roman Baroque still life painting, strongly influenced by the work of Abraham Brueghel, as evidenced, for example, by the tiny drops of visible dew, or the luminous reflections on grapes or the flesh of watermelons. These are all elements that undoubtedly indicate as its author one of the most important specialists of this pictorial genre in late Baroque Rome: Giovanni Paolo Castelli known as Lo Spadino. The painting in fact appears to be entirely typical of the painter's mature work, i.e. towards the end of the 17th or beginning of the 18th century (the chronological collocation is suggested by the similarities with the work of another great contemporary still life specialist, Pietro Navarra...

Snacks, 170x120cm

The Migration collection is intended to capture the subject of departure focusing on positive aspect of separation, leaving, breaking ties, closing the old chapter and starting anew. The paper airplane objects representing the dynamic force and a faceless portrait...

Puff Ball Potager, Oil on Two Canvases Painting by Ffiona Lewis B. 1964, 2020 Additional information: Medium: Oil on two canvases, diptych Dimensions: 152 x 152 cm 59 7/8 x 59 7/8 i...

STORY: The Migration collection is intended to capture the subject of departure focusing on positive aspect of separation, leaving, breaking ties, closing the old chapter and starting anew. The paper airplane objects representing the dynamic force and a faceless portrait...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Honey Jump, 100x130cm, Oil, Canvas

Escape from Eden, 140x120cm

In this piece, artist Paul Renard depicts his subject in a most romantic yet academic way. The artist was truly a master of capturing the magic and romance of the busy streets of Paris portraying the way of the times effortlessly. With much attention to detail and subtle brush strokes using a wide color pallet, a beautiful rendition of the street with figures is accomplished. We are reminded of the great impressionists of the early 20th Century such as Edouard Cortès in this piece. Paris in all of its glory in the "Roses in the Cart" is a pertinent example of how Renard achieves excellence in his work, leaving us with emotions of Paris in Autumn during dusk effortlessly. Signed lower right and comes housed in a wood carved museum quality...

The White Horse - Abstracted Landscape, In The Style Of Charles Heaney Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece. Presented in a distressed wooden frame. Frame: 21.5"H x 39"W Image: 15.5"H x 32.5"W Unsigned. Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada. From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion. Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler...

2 Original paintings by Philippa Anderson Untitled #16: Internalised / remembered imagery is brought to the surface as I work. Applying thin layers of paint allows the image to grow...

Midday nap, 130x100cm , oil\canvas

Contemporary acrylic on canvas figurative painting by Polish artist Barbara Hubert. Painting is in dark colors, it's mostly blue/navy blue. There is a little bit of texture. The Moon...

This is a 2022-2024 development on my signature collection, Migration - oversized clouds I started making in 2016. The subject has shifted towards more romantic development. It's a m...

Artist: Jack Graves III (American, 1988-) Title: "Lee Miller Icon II (Man Ray)" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2024 ...

Original oil painting ' Anandamath'. On canvas 60 x 100 cm. 2024 Certificate of authenticity by the Artist.

Mixed media painting on canvas. Ready to hang

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x...