Natural Fiber Serveware, Ceramics, Silver and Glass

A chopping board designed by Carl Auböck, manufactured by Carl Auböck workshop in midcentury, Vienna, circa 1950. The board is made of walnut. The knife is made of wicker and stainle...

Gorgeous serving tray, in the shape of a shell, made of lucite, rattan and brass. Made in Italy in the 1970s. Braided rattan is cast within the Lucite acrylic material. Beautiful workmanship. The brass part is kept in original vintage version, with the patina from that time. Since the shape is as a shell, the tray inside...

A beautiful glass pitcher with cane wrapped handle designed by Carl Auböck. Form meets function with this lovely and unique pitcher circa 1950's. Would work well as a stand alone dec...

Serving Tray Cloche Plate Bell for Cheese or Fruit in Rattan and Glass Italy Dimensions of the bell with the rattan base Diameter 36cm High 27 cm

Vintage rattan tray with brass trim and handles in the style of Gabriella Crespi (circa 1970s). An iconic piece from 1970s, made from hand woven rattan and brass trim (and brass hand...

Just Andersen Denmark 1940s Pewter and Wicker Pitcher.

The brown rattan flower vase stands at 13.5 inches tall, and a perfect balance between being a statement piece and a complementary accent to any setting. Its versatile size allows yo...

Introduce a touch of bohemian elegance to your hosting with the Boho Chic Bamboo Rattan and Glass Two-Tier Bar Cart. This piece melds natural bamboo and rattan's organic warmth with ...

Serving Tray Cloche Plate Bell in Rattan and Glass Italy, 1970s

Rattan Retreat: The Vintage Boho Woven Rattan Bar Set of 2 offers a quintessential slice of American style, blending nostalgia with contemporary flair. Crafted with meticulous weavin...

A very cool MCM taverneau wood and wicker handle oblong tray by Arthur Umanoff, circa 1960s. The tray is in good vintage condition and measures 21.25"W x 6"D x 1"H. The piece is m...

Vassoio in plexiglass e paglia di Vienna Ottime condizioni

Bottle Holder vienna around 1950s Original condition The bottle is not includet it is only for the photoshooting

MDM Basket Centerpiece Tray in Rattan with Faux Bamboo Rim Eye-catching Mid-Century Modern decorative rattan faux bamboo brass centerpiece / tray. Handcrafted in Italy, 1970s. Round ...

Antique E.G. Webster & Son (c 1886-1928) Silver Plate Creamer Jug or Individual Tea Pot. International Silver Company Handle that is wrapped in rattan. Stamped EGW&S 6 h x 4 diameter...

Tommaso Barbi crafted this lovely Mid-Century modernist barware set of two coasters in Italy in the 1970s. The rounded shape boasts a chromed metal stepped framing complemented by br...

Silvered Bottle Holder by Auböck Around 1950s The bottle is not included, it is only for the photoshooting.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

This elegant barware serving tray was crafted in Italy in the 1970s. The platter or decorative bowl boasts a square shape with a raised gilded brass all-around gallery and genuine ra...

Early teak and cane/bamboo pepper mill by Jens Quistgaard. Metal grinding mechanisms produced by Peugeot Freres. The mill was produced by Dansk in Denmark. Marked DANMARK.

Set of 6 Bohemian Chic Mid-Century Modern Round Handwoven Rattan, Wicker, Cane with Brass Detail Place Sets, Dinner Plates, Serveware. Cane detail in the center. Brass has aged to a ...

D & S Personal Tea Kettle Pot Stainless Steel. Bauhaus clean Modern Design style of Peter Behrens Handle with cane wrap Very clean vintage gently used condition. Stamped at the bo...

Gunnar Ander Water Pitcher by Ystad Metall, Sweden 1960's.

Drink glass carrier, Austria, 1950s Original condition.

Smoking Set, ashtray, table lighter and cigars box Italy 1970 Lucite, Vienna stray & brass Ashtray: H 16 x 16 x 1.5 cm Table Lighter: H 7.5 x 8 x 8 cm Cigars box: H 6 x 18 x 11...

This bottles rack is made of rattan, black lacquered metal and faux-leather. This is a French work. Circa 1970

Champagne and Ice Bucket from the 1970s. Made with braided raffia and gold metal. The inside is made of white plastic. Manufacturer is Kraftware Company NY City. Beautiful patina...

Carl Auböck fish shaped bottle opener, Vienna, 1950s Bottle opener model no. 4687 Carl Auböck II.

Holmegaard ice bucket in glass with cane handle. Made by Holmegaard in the 1960s.

Hand-crafted from 100% natural rattan, featuring fixed handles and a beautifully braided, scalloped edge, the Hadley tray is the chicest way to serve breakfast in bed, cocktails at s...

A three-piece brass coffee service with cane-wrapped handles, designed by Carl Auböck II during the 1950s. The contrast of cane wrapped handles with smooth brass is typical of the ...

DECORATIVE TRAY 60s Inlay scheme: 60s Colour scheme: Terracotta, Beige, Brown Available in individuals colors MATERIALS: MDF, painted rye straw, brass. DIMENSIONS (cm): 33х45x3,5. ...

Eye-catching set of 4 small fish shaped bowls on a rattan serving tray, Spain, 1950s The set is comprised by: 4 colorful hand-painted ceramic fish dishes 1 hand-woven rattan basket ...

Classic Mid Century Design with Toned Wood, BrassToned Hardware and Rattan Detailing. Spherical Wooden Handles to the Lid. No Makers Mark. Vintage Condition Consistent with Age as Pi...

Tree "Bonsai" made up of natural plant and leaves in white ceramic. Twisted ceramic flower box.

Midcentury beautiful floor ashtray in bamboo and brass. Made in Italy in the 1970s.

Wedgwood Etruria Porcelain Container Slops Bucket with Cane Handle, England, 1930s. A Victorian Wedgwood Chinoiserie patterned porcelain slops bucket with an original swinging cane h...

Fantastic rectangular serving tray fully made in bamboo canes, curved rattan and hand-woven wicker. This lovely French Riviera style tray was made in Italy during the 1970s. The tra...

Article: bowl element Origin: Italy Design: In style of Franco Albini and Gabriella Crespi Age: 1970s Description: This original vintage bowl element was designed and pr...

A set of two oval serving trays. The smaller is an antique pine needle tray, hand woven and decorated with hand knotted “sun” medallions at each end. The larger tray is a hand woven ...

A beautiful set of eleven (11) ceramic red onions on natural rope trompe l'oeil style, circa mid to late-20th century. Each bulb with root depicting a real red onion. Hang in a kitch...

An English Sheffield pewter pitcher with flip-black lid and wicker handle, circa early-20th century, England. With markers' mark and origin on...

Midcentury beautiful rectangular with handles, serving tray in lucite and rattan with brass border in the style of Christian Dior. Made in Italy in the 1970s. Great accessory for...

Mid Century Italian rattan and brass bowl in the style of Gabriella Crespi Coiled rattan vessel with natural color variations Aged brass rim Patina from ...

Mid Century Italian rattan and brass bowl in the style of Gabriella Crespi Coiled rattan vessel with natural color variations Aged brass rim Patina from ...

A set of six woven raffia drink coasters. This vintage set will be a great addition to your barware. Woven from light raffia, each coaster has a woven center in a brown, green, and p...

Mid Century Italian rattan and brass bowl in the style of Gabriella Crespi Coiled rattan vessel with natural color variations Aged brass rim Patina from age and use Perfect storage o...

Vintage French rattan wine bottle holder, circa 1960s.

French bamboo fruit basket France, circa 1950s Sculptural lines with curved bamboo handle and accents This artisanal piece will brighten any kitche...

Bentwood Teak & Cane Tray, Japan, 1960's.

Rope and Cork Fruits Basket Audoux Minet. 15.3 inches.

Blown glass tumbler set of two with applied cane decoration. Handmade in USA by Lisa Stover. Exclusive to Casa Shop. Please note: Due to the handmade nature of these tumblers, subtl...

Exquisite modernist coffee carafe designed by Kenji Fujita for Freeman Lederman. Beverage pitcher in rare green glaze with glossy white interior. Marked with the FL logo. Excellent ...

Georges Jouve 'Patte d’Ours' ashtray in rare crackled white glaze on a Mathieu Matégot black lacquered metal and woven rattan stand. France c. 1951. Und...

Vintage French organic shaped rattan wine bottle holder, circa 1960s

Beautiful High Quality Chrome tray with its Handles in Rope. It is Silver in color and dates from the 1970s. It is a Platter that was made in Italy with very good manufacturing quali...