Sculptures on Sale

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock II (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 6x4.25x0.5in Signed by hand COA provided Ref.: 924802-1331 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

"The Gate" is a contemporary modern art polished bronze sculpture. This playfull and harmonious composition is a mix of geometrical and organic forms and stands well inside or outsid...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Alabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...

Yayoi Kusama plush Pumpkins (set of 2 works): An iconic, vibrantly colored pop art set - these highly decorative plush Kusama pumpkins feature the u...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized architectural and classic...

A limited edition, black powder coated mild steel sculpture on a white steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depictin...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Patricia Corredor's modern sculptures evolve from her drawings into three-dimensional metal shapes created with precision laser cutting. She finishes the artworks with layers of elec...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

Knight Emerged 641 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Large Cloisonné Eggs Set of 2 Blue & Red with Birds & Flowers are a lovely set of sculptural beauty. Purchased directly from the Chinese manufacturing fa...

Heroic Vision 561 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kni...

Roby Dwi Antono Kira (Black), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75

Knight of Healing 614 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's...

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible black KAWS SEPARATED figure is derived from the Br...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

THE BEE The sculpture by Marcos Romero, representing an bee made of recycled industrial iron and blown glass, is a fascinating work of contemporary art. Romero has created a piece t...

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

Jun Kaneko Untitled Glazed Slab (Oval) Ceramic, Glaze 1990 Approx. 26 x 22 x 4 in Signed and dated (verso) COA provided Ref.: 90-9-41 Ref.: 924802-1007 "Scale in nature presents a ...

Beautifull Mexican Modernist Madonna and Child ; Maternity Midcentury wood sculpture. Probably caribbean rosewood characteristic of the ext...

Artwork made with spray acrylic on poplar with gloss clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated co...

Inderjeet Sahdev (Canadian, b.1938) #9, 1974. Wood and polymer paint. Signed, dated, titled and numbered on base. Minor paint loss in various areas as depicted in detail photos. Al...

The blue whale is the largest being on planet earth. In many cultures is said that they are the embodiment of very advanced souls, older brothers who in service to humanity, raise the vibration and harmonize planet earth for millions of years. Their song is a call of love to preserve life. Azul is a hymn to life, an interactive sculpture we're both children's and adults can let themselves be carried away by the magic of emotions and imagination. In September 2018, the construction of this majestic 2 ton 20 meter long and 5 meter wide sculpture...

KAWS Black Holiday Companion (KAWS Taipei): This figure features KAWS' signature character COMPANION in a resting seated position. KAWS Holiday Taipei was published in 2019 to commem...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano edizione ex (LIMITED EDITIONS OF 50) Misure: alto...

Creuar la Porta Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

KAWS WHAT PARTY Black: This KAWS Companion vinyl sculpture features KAWS' signature CHUM character in a sloping position. Published to commemora...

Artwork made with spray acrylic on poplar with gloss clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated co...

Village Knight 674 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Knight of the Lock 554 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of wood, metal, stone ...

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the configuration of maps or cartograp...

The Ant, Dark Brown The sculpture by Marcos Romero, representing an ant made of recycled industrial iron and blown glass, is a fascinating work of contemporary art. Romero has creat...

Artwork made with spray acrylic on solid walnut satin finish Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated colo...

Equilibre architectural I is the second of two free standing contemporary modern abstract wall sculptures from the Architectural-series by French-Dutch artist Olivier Julia. This scu...

Ritual Canoe Transfer, movement. Germán Consetti proposes works of art as elements for self-knowledge. He unites the formal and aesthetic search in sc...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Artwork made with acrylic on solid maple with satin clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated col...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Artwork made with spray acrylic on poplar with matte clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated co...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic. Stein's works are in more tha...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

Maarten Stuer (born in 1965) 2020-12-20, 2020 Stoneware and engobe architectural sculpture. Signed with the monogram and dated as the title Created both for indoors and outdoors. ...

Heroic Vision 568 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze and is from an ed...

Tombem-ho Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies ...

Peter Voulkos Large Tea Bowl (brown glaze) Stoneware and wood fired Circa mid-1990s 4.5 x 6 x 6 in Signed (bottom) COA provided Ref.: 924802-1004 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

Artwork made with spray acrylic on poplar with gloss clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated co...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

Artwork made with Spray acrylic on maple with satin clearcoat Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated col...

Artwork made with spray acrylic on solid poplar Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated colors. The piece...

KAWS WHAT PARTY (pink): KAWS pink WHAT PARTY Companion featuring KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS...

Knight Spirit 555 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of wood, metal, stone and m...

Assegut a les Altes 3 Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” An...

Per Una Paret Llisa Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...