18th Century and Earlier Figurative Drawings and Watercolors
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Period: 18th Century and Earlier
Figure of Woman - Original Ink Drawing - 18th Century
Located in Roma, IT
Figure is an original drawing in china ink on paper.
Good Conditions.
Applied on a Passepartout.
The artwork represents a figure of a woman through deft and smooth strokes, delica...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink
La Femme Muse /// Allegorical Symbolism Romantic Old Masters European Drawing
Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century)
Title: "La Femme Muse"
*No signature found
Circa: 1780
Medium: Original Pastel Drawing on heavy laid paper
Frami...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pastel, Laid Paper
Theatre Scene, Opera, Old Master Drawing, Griselidis, Mallet, French Art
Located in Greven, DE
Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone.
Old Master Drawing
Category
Romantic 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Cardboard
FINE 18th CENTURY OLD MASTER CHALK DRAWING - ROMANESQUE FIGURES INTERIOR SCENE
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century
Title: Classical figures within an interior.
Medium: chalk on paper, mounted.
Size: drawing: 11.5 x 13.5 inches
Provenance:...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Chalk
A Mother and Child, Two Children, and a Dog
Located in New York, NY
Provenance:
Elsie de Woolfe, Lady Mendl, Paris; by whom given in 1950 to:
Arlene Dahl, New York (until 2021)
Inventive, whimsical, and fantastic; delightful, imaginative, and maca...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Pen, Ink
Landscape - Rome - China Ink and Watercolor - 18th Century
Located in Roma, IT
"Landscape - Rome" is an original China ink and watercolor drawing on ivory-colorated paper by Anonymous Artist of 18th Century, in 1700s.
In excellent conditions: As good as new.
...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Ink
French 18th Century Pastel Portrait
Located in Cotignac, FR
Late 18th Century French pastel portrait on paper of a young lady in period dress in a 'feigned oval'. In gilt wood frame presented under glass.
Very much of its period and similar ...
Category
French School 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pastel, Paper, Crayon
Study for « The Chinese Masquerade » by Jean-Baptiste Pierre (1714 - 1789)
By Jean-Baptiste Pierre
Located in PARIS, FR
Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Graphite
The Assumption of the Virgin
Located in New York, NY
Provenance:
Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b)
Wilhelm Suida (1877–1959), New York; by descent to:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Paper, Pen
A Young Lady and Two Beaux - 18th Century British Wash Drawing by Paul Sandby
By Paul Sandby
Located in London, GB
PAUL SANDBY
(1731-1809)
A Young Lady with Two Beaux
Pencil and brown wash
Framed
11 by 13.5 cm., 4 ¼ by 5 ¼ in.
(frame size 27.5 by 30 cm., 10 ¾ by 11 ¾ in.)
Provenance:
R F Pearce;
Agnew, London;
Private collection.
Sandby was born in Nottingham and moved to London in 1745. He and his brother Thomas first worked in the military drawing department at the Tower of London, later working on a military survey of new roads and bridges in the Highlands. On leaving this post in 1751 he spent some time living with his brother who had been appointed Deputy Ranger of Windsor Great Park. There he assisted his brother, and made a series of drawings of the castle, town and neighbourhood. In 1760 he settled in London where he contributed to the first exhibition of the Society of Artists where he regularly exhibited until the foundation of the Royal Academy in 1768, becoming one of its founder members. In same year he was appointed chief drawing...
Category
Realist 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor
The Rape of the Sabine Woman, ink and pencil. After Nicolas Poussin
By (Circle of) Nicolas Poussin
Located in Brooklyn, NY
Poussin’s subject is the abduction of the Sabine women. Historically, this subject was known as The Rape of the Sabines (rape being derived fro...
Category
Baroque 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Paper, Pencil
Flemish School, Portrait Young Boy, Old Master Drawing, Baroque, 17th Century
Located in Greven, DE
Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos.
Category
Baroque 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Crayon
Francesco Furini Sanguine Drawing before 1642
Located in Florence, IT
Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...
Category
Baroque 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Color Pencil, Paper
Sanguine drawing "Shepherdess on a Donkey" by Nicolaes Berchem
By Nicolaes Berchem
Located in Brooklyn, NY
Provenance: Mercedes von Dietrichtein, Buenos Aires. Alexander von Dietrichstein. By descendants Morritz von Diestrichstein.
Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...
Category
Dutch School 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Chalk
Study of a girl sitting and reading a book
By William Hoare
Located in Bath, Somerset
A study in red chalk of a girl sitting and reading a book. Red chalk on paper under glass in a giltwood and gesso frame. This small drawing has a sense of intimacy in the capturing of a moment where the sitter is seemingly unaware of being observed, unlike the feeling of formailty and self-awareness in a staged portrait sitting
Provenance:
Private collection, Somerset
With J. Davey & Sons Ltd, Liverpool
William Hoare...
Category
English School 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Chalk, Glass
Drawing of a captive woman
By Henry Fuseli
Located in London, GB
Collections:
Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio;
Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate;
Susan, Baroness North (1797-1884), daughter of the above;
Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016.
Black chalks, on buff-coloured paper
Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’
Framed dimensions: 26.38 x 20.63 inches
This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812.
Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers.
The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment.
Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies.
The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Chalk
Landscape - Drawing by Jan Peter Verdussen - 1745 ca
Located in Roma, IT
Landscape is a beautiful drawing in pencil and watercolor on paper realized by Jan Peter Verdussen in 1745 ca.
In good condition, excpet for some foxing on the right.
The artwork r...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Pencil
Attributed to Francesco Casanova (1727-1803), A Mamluk fighting , watercolor
Located in Paris, FR
Attributed to Francesco Casanova (1727-1803),
A Mamluk fighting on his horse,
watercolor and ink on paper
35 x 26 cm
In quite good condition : yellowed by time as visible on the photographs.
Vintage frame with little damages (see photographs please), the mat and the back have been recently changed. 54 x 44 cm
The first indication about attribution was given by the name indicated on the vintage frame with what could look as a mistake about the date of death of the artist, if the exact date of Francesco Casanova'death was not known with certainty. It's estimated he died at the beginning of the 19th century, Maybe in 1803, 1805 or as late as 1807.
The style and execution are really close to the artist's known compositions, the way he draws the horse for example.
Francesco Giuseppe Casanova was an Italian painter who specialised in battle scenes. His older brother was Giacomo Casanova, the famous adventurer, and his younger brother was Giovanni Casanova; also a well-known painter.
He was born in London, and returned to Venice when he was still young,upon his brother Giovanni's advice, he went to Paris and became an apprentice of Charles Parrocel.
As a result of favourable criticism from Denis Diderot, he began to receive commissions from the aristocracy. His fame soon spread eastward and he received commissions from Catherine the Great for the Hermitage, beginning in 1768. Two years later, he produced his four famous "disaster paintings...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor
Consecration of a Church 15th Century English School Illuminated Manuscript
Located in London, GB
English School
15th Century
The Consecration of a Church
Illuminated manuscript on Vellum
Image size: 5 ½ x 5 inches (14 x 12.7 cm)
18th century ornate Tabernacle frame
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Vellum, Ink
Eighteenth century Old Master drawing - Apollo destroying Niobe's children
Located in London, GB
Pen, ink and wash
Framed dimensions: 13 x 11 ¼ inches
Drawn c.1765
Verso: a study of a hanged man
Mortimer has filled this small sheet with action, depicting in the top right, Apollo and Artemis...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pen, Ink
Study for a Frieze - Original Pen Drawing - 18th Century
Located in Roma, IT
Study for a Frieze is an original drawing in pen realized by an anonymous artist in the 18th Cent.
Good conditions but aged.
The artwork is depicted through perfect hatching in a w...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pen
St. Gregory in Rome - Original Ink and Watercolor by J. P. Verdussen - 1741
Located in Roma, IT
St. Gregory in Rome is a beautiful artwork realized by Jan Peter Verdussen in 1741.
Ink and watercolour on brown paper. In very good codition. Dated on the lower margin. The origin...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Ink
Landscape - Pencil and Watercolor by Jan Pieter Verdussen - 1750
Located in Roma, IT
Landscape is a beautiful drawing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen.
In good condition; only a smallspots at the edges of the drawing an...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Portrait of an Old Woman - Pencil Drawing - Late 18th Century
Located in Roma, IT
Portrait of an old woman is an original drawing realized in the late 18th Century.
The artwork is a black and white pencil and pastel drawing depicting an old woman.
Mint condition...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Pencil
Pair of 18th Century watercolour drawings by Old Master Carle Vernet
Located in Petworth, West Sussex
Carle Vernet (French, 1758 – 1836)
‘La Marchande de Coco’; and ‘La Tour de Babbe d’un Charbonnier’
Ink, watercolour on paper
Both signed C Vernet and Carle Vernet (lower left and lower right respectively)
12.1/4 x 9 in. (31 x 22.8 cm.) A pair
Vernet was born in Bordeaux. At the age of five, he showed an extraordinary passion for drawing horses, but went through the regular academical course as a pupil of his father and of Nicolas-Bernard Lépicié. Strangely, after winning the grand prix (1782), he seemed to lose interest in the profession, and his father had to recall him back from Rome to France to prevent him from entering a monastery.
In his Triumph of Aemilius Paulus, he broke with tradition and drew the horse with the forms he had learnt from nature in stables and riding-schools. His hunting-pieces, races, landscapes, and work as a lithographer were also very popular.
Carle's sister was executed by the guillotine during the Revolution. After this, he gave up art.
When he again began to produce under the French Directory (1795–1799), his style had changed radically. He started drawing in minute detail battles and campaigns to glorify Napoleon. His drawings of Napoleon...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Paper, Watercolor
Portrait - Original Ink and Watercolor on Paper - 18th Century
Located in Roma, IT
Portrait is an original Modern artwork realized in the half of the 18th Century in France.
Original watercolor on ivory paper.
The work is surrounded by a colored frame.
The sig...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Ink
Study in the Antique Style, a neoclassical drawing by Augustin Pajou
Located in PARIS, FR
In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink
Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engraving. Aloe in a Decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT.
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parce...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED ITEM. MORE EXAMPLES AVAILABLE
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, present...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Mezzotint, Watercolor
The Camp - Ink and Watercolor by J. P. Verdussen - 18th Century
Located in Roma, IT
Landscape is a beautiful drawing in pen and watercolor on paper realized by Jan Peter Verdussen.
In aged condition, except for some repaired cut and folding line at the middle.
The...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Ink
Boy with Mask - Pencil and Watercolor by Antonio Visentini - 18th Century
By Antonio Visentini
Located in Roma, IT
Boy with Mask is a Modern Artwork realized by Antonio Visentini (Venice, 1688 - Venice, 1782) in the first half of the XVIII Century.
Original watercolor on watermarked ivory paper....
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Pencil
Orpheus and the Animals, A Study after an Ancient Bas-Relief
Located in New York, NY
Inscribed “55” and “218” in the lower right
Watermark: Heawood 1351
Laid down on historic Cassiano Del Pozzo mount
(Mount Type A, 531 x 402 mm)
Provenance:
Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome
Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son:
Gabriele dal Pozzo (d. 1695); by descent to his wife:
Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son:
Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to:
Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew:
Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to:
James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791)
King George III of England, Buckingham House
Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by:
John MacGowan...
Category
Baroque 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Ink, Pen
The Great Duel 18th Century
Located in Wiscasett, ME
A truly rare and remarkable scene of hundreds of swordsmen meeting in a towns square. The circle is closed around the two in the duel, each of whom have drawn blood. German school 18...
Category
Folk Art 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor
On the road to Lanciano - China Ink - 18th Century
Located in Roma, IT
Paese di Lanciano sulla Strada is an original china ink drawing on ivory paper by Anonymous Artist of XVIII Century.
In excellent conditions: As good as new.
Not signed.
Image Di...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Paper
Study after Michelangelo’s “The Last Judgment”
By Michelangelo Buonarroti
Located in New York, NY
Italian School, 16th Century
Provenance:
Private Collection, New York
This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Gouache, Paper
Lamp - Original China Ink and Watercolor - Late 19th Century
Located in Roma, IT
"Lamp" is an original china ink and watercolor drawing on ivory-colorated paper by Anonymous Artist of XIX Century.
In very good conditions.
Not signed.
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Ink
The Fish - Pencil on Paper by J. P. Verdussen - 1775 ca.
Located in Roma, IT
The Fish is a beautiful drawing in pencil on paper realized by Jan Peter Verdussen in 1755 ca.
Hand-signed and dated on the lower in pencil.
In good condition, and aged.
The artwo...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pencil
Studies for Portraits - China Ink - Late 19th Century
Located in Roma, IT
Studies for portrais is an original china ink drawing on ivory-colorated paper realized by an Anonymous Artist of the late 19th Century.
In very good conditions. Image Dimensions: 8...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink
Rome/Tevere - Pencil and Watercolor Drawing - 1781
Located in Roma, IT
Rome is a beautiful artwork realized by Jan Peter Verdussen in 1741.
In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings.
...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Pencil
Ancient Persian Miniature: Men with Scimitar - Probably 18/19th Century
Located in Roma, IT
Image dimensions: 15 X 10 cm.
This Persian Miniature scene of men with scimitar is a unique precious original painting on the front with handwriting...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Tempera
Drinks Seller - Gouache by Michela De Vito - 18th Century
Located in Roma, IT
Drink Seller (Venditore di Bibite) is an original gouache drawing on paper realized by Michela De Vito, Naples.
Hand-signed on the lower center.
Titled on the lower center. The wor...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Gouache
Ceiling Decoration - Original Ink and Watercolor - 18th Century
Located in Roma, IT
"Ceiling Decoration" is an original drawing in ink and watercolor on ivory-colored paper, realized by Anonymous Artist of the XVIII Century.
The st...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Watercolor
Woman - Drawing on Paper - 18th Century
Located in Roma, IT
Woman is an original drawing, realized by Anonymous artists of the XVIII century.
The state of preservation of the artwork is good, but with extensive foxing.
The artwork represent...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pencil
Port - Pencil on Paper - 18th Century
Located in Roma, IT
Port is an original drawing in pencil on paper realized by an Anonymous artist of the XVIII century.
The State of preservation is good, except for some diffused foxing.
Sheet dime...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pencil
Garden's Flowers - Ink and Watercolor Drawing by Jan Pieter Verdussen - 1750s
Located in Roma, IT
Garden's Flowers is a beautiful artwork realized by Jan Peter Verdussen.
In good condition.
Not signed.
Passepartout included ( 48.8 x 33.8 cm).
The artwork represents a Garden's...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Landscape - Watercolor and Pencil by Jan Peter Verdussen - 18th Century
Located in Roma, IT
Landscape is a beautiful dranwing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen.
In good condition; only a sma...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Watercolor, Pencil
Roman Ruins - Original Pencil on Cardboard - 18th Century
Located in Roma, IT
"Roman Ruins" is an original pencil drawing on ivory-colorated cardboard by Anonymous Artist of XVIII Century.
In excellent conditions: As good as new.
This is an original drawing ...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pencil
Landscape - Ink and Watercolor by Verdussen - Mid 18th Century
Located in Roma, IT
Landscape is an original drawing in ink and watercolor artwork realized by Jan Peeter Verdussen.
Good conditions except some minor stains and folds.
Jan Peeter Verdussen (1700-1767...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Watercolor
“Portrait of a Head”
Located in Southampton, NY
Late 18th century mixed media portrait of the head of an old man, perhaps the biblical figure Moses. Italian school . Composed of graphite, colored chalk, watercolor and gouache on ...
Category
Academic 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Gouache, Paper, Chalk, Graphite, Watercolor
Venice Landscape - Ink and Watercolor - 18th Century
Located in Roma, IT
Venice Landscape is an original, splendid drawing in pen and watercolor realized by an Anonymous Venetian School, XVIII century. The state of preserva...
Category
Modern 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Watercolor
Two Angels - Ink and Watercolor Drawing by A. Brustolon - Early 1700
By Andrea Brustolon
Located in Roma, IT
Due Angeli is an original artwork realized by Andrea Brustolon.
Mixed media, ink and watercolor.
The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...
Category
Baroque 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Watercolor
Martyrdom of Saint Bartholomew - Drawing - 17th Century
Located in Roma, IT
Martyrdom of Saint Bartholomew is a precious original drawing (black and red chalk, pen and China ink on laid paper, laid down on canvas) realized by...
Category
Old Masters 18th Century and Earlier Figurative Drawings and Watercolors
Materials
Charcoal, Ink, Watercolor
Rat of the Sabines - Sanguine Drawing End of 18th Century
Located in Roma, IT
Rat of Sabinesis an original sanguine drawing on thick cream-colored paper, realized by an anonymous French artist of the end of XVIII century.
A superb original drawing with skille...
Category
18th Century and Earlier Figurative Drawings and Watercolors
Materials
Pastel
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