Landscape Drawings and Watercolors

Landscape is an Original China Ink and Watercolour realized by Edouard Dufeu (1836-1900). Good condition included a cream colored cardboard passpartout ...

Surreal Scene is a drawing in Pencil realized by he french painter Albert Decaris in the mid-20th Century. Good Conditions. The artwork is depicted through soft strokes in a well-b...

BERNARD SLEIGH (1872-1954) Moored Boats Pastel Framed 24 by 22 cm., 9 ½ by 8 ½ in. (frame size ) At the age of 14 Sleigh was apprenticed to a wood e...

A charming rural scene with a heartwarming moment between mother and child. The early 19th Century watercolor shows a picturesque landscape with rolling hills, a harvested wheat field in the distance with stooks standing in a group. Birds wheel in the blue sky overhead as a mother and her young daughter cross a wide river using stepping stones...

Remains (Body in the Field 10), 2022 oil on paper (signed on reverse) 16 17/32 H x 11 13/16 W in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human bod...

Remains (Body in the Field 16), 2022 oil on paper (signed on reverse) 16 17/32 H x 11 13/16 W in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human bod...

To see our other views and maps of England, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Chessell Buckler (1793 - 1894) Horham Hall, Essex (1830) Watercolour 25 x 34 cm Signed and dated lower right; titled below. Horham Hall was built in Thaxted, Essex by Sir John Cutte in the early sixteenth century. The original hall was a timber-framed moated manor house built circa 1470, but it was largely demolished by Cutte, who built the present house between 1510 and 1515. Cutte was under-treasurer in the households of Henry VII and Henry VIII. The mansion was built in brick in two storeys in a quadrilateral layout with a gatehouse and incorporated some elements of the former building. The house was visited three times by Elizabeth I as the guest of Sir John Cutte. It is believed that the Tower was built for her to watch the local hunt. It was while staying at Horham in 1578 that the Queen received the envoy of the Duke of Alençon proposing marriage. John Chessell Buckler was a British architect, the eldest son of the architect John Buckler. His work included restorations of country houses and at the University of Oxford. Buckler received art lessons from the painter Francis Nicholson...

An accomplished watercolour painting by the artist David Cox Jnr. The scene depicts a lonely set of ruins in the quiet woodlands. Signed to the lower right. On wove.

A charming watercolour and graphite scene of Loch Marie in Scotland amongst the mountains, well presented in a card mount and wooden frame. The artist has signed to the lower left co...

Nude is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988...

Landscape is an original drawing in watercolor realize by Armin Guther in 1991. Hand signed. Good conditions. The artwork is represented through soft pencil strokes.

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

Watercolour, Acrylic Painting on archival paper. Work Title : "Vu d'ici" (EN : Seen from here) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Uniq...

Oil Painting of Glaramara and Combe Ghyll in the English Lake District by Modern British Landscape Artist Arthur Terry Blamires (b. 1930) Art measures 20 x 16 inches Frame measure 2...

An atmospheric watercolour landscape showing a rural creek frozen over, reflecting the stark trees above and the soft, watery sunset. The artist has signed to the lower left and the ...

A charming watercolour scene of Le Drochon river flowing through Houlgate, France. We can see a lone house sitting along the river bank and shrouded in trees. The artist has signed t...

A charming study of an abandoned mill in a forest setting. Completed in pastel, gouache and charcoal. Titled and dated to the lower right. On paper laid to card .

Spring in the Mountains by Friedlander 1920s Expressive gouache painting of possibly the Swiss Alps by Friedlander On paper in a period rustic frame. I...

View of the City of Vienna is an original modern artwork realized by Viennese Artist in 1900 ca. Mixed colored Watercolor on paper. Signed bottom right by the artist. Includes fra...

Landscape is a drawing in watercolor realized in 1971 by Louttre Bissière. Hand signed lower right. Good conditions. The artwork is represented through soft pencil strokes.

This charming study depicts a country lane with farm cottages. A mother and child feed gees and ducks on the cobblestones before vast countryside. Unsigned. Presented in a glazed gil...

Harriet Gans, photographer who showed her work in New York galleries and museums A native of Manhattan, Ms. Gans was a graduate of the University of California, Berkeley, and held a master's in psychology from Columbia University. She was a professor of photography at Pace University. She had solo exhibitions at the Julie Saul and Pindar Galleries in New York. She contributed studies of flowers to the In Bloom Traveling Exhibit at the Museum of Modern Art in 1990. an exhibition, "In Celebration of Harriet Gans: Artists of the MacDowell Colony," consisting of 56 works by 16 painters and print makers In photography, she explored nature, mythology and spirituality, producing work that was shown in solo and group exhibitions; the Museum of Modern Art included her flower studies in its 1990 traveling show, "In Bloom." Ms. Gans also contributed to The New York Times and other publications, and taught in the art department of Pace University The photographer's later work was divided into three phases, each of which is represented in the Krasdale show. These include luminous arrangements of seed pods photographed against a black background, vivid abstractions of flowers in various stages of bloom and decay and the haunting "Longing" series, in which eternal mysteries are poignantly captured. The curators have underscored the themes in Ms. Gans's life and work with paintings and graphics by artists like Benny Andrews, Heidi Fasnacht, Clare Romano...

This artwork "Untitled III" 2001 is a graphite drawing on paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower left by the artist. The artwork size is 13.5 x 16.5 inches, framed size is 19.35 x 22.35 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...

This framed and matted 17" x 20.75" watercolor painting by Hubert John Williams depicts a stone bridge over a river. On the left side of the bridge is green foliage along the river's...

A delicately painted view of figures by a beached fishing vessel on the coast Follower of Richard Parkes Bonington, 19th Century Figures on the shore by a beached vessel Watercolour...

19th century tropical West Indies watercolor on paper depicting a moment in time on a quiet street complete with houses, palm trees, flowers and a woman carrying a bundle on her head...

Oil pastel on illustration board

Attributed to Antony Vandyke Copley Fielding (1787 - 1855) Dinan Tour de l’Horloge (Dinan Clock Tower) Watercolour 28 x 21 cm A spirited watercolour of Dinan, Brittany. Dinan's famo...

A charming watercolour of Kelston Lodge, the lodge has been framed by the Autumnal tree's and is set against a bright blue sky. Signed and dated to the lower...

Landscape is an Original Watercolour realized by Armin Guther in 1970s. Good condition, included a white cardboard passpartout (35x50 cm). Hand-signed and dated on the lower right ...

landscape OIl On Paper The painting is sold flat with frame, the total size of the artwork ready to hang is 69x49 cm 2019 he major creative focus of Marilina Marchica has always...

This is a great Judaica Israel landscape. The Old City of Jerusalem during the British Mandate in Palestine. 24.5 x 31 image 16 x 22.5 Isidor Ascheim (איזידור אשהיים; 1891-1968) was a German-born Israeli painter and printmaker. Isidor Ascheim was born in Margonin (present-day Poland) in 1891. He was raised in an Orthodox, Judaic, Jewish family and served during World War I. In 1919-23, Ascheim studied under the German Expressionist Otto Mueller in Breslau and was influenced by Erich Heckel of the Die Brücke (The Bridge) group. He immigrated to Mandate Palestine in 1940 and settled in Jerusalem. He was married to the Israeli painter Margot Lange-Ascheim. He taught at the Bezalel School of Art (amongst his students were David Palombo, David Rakia, Aharon Bezalel, Kopel Gurwin and more) and served as its director for several years. He also taught at the Avni Institute in Tel Aviv along with Moshe Mokadi. Marcel Janco and Aaron Giladi. Ascheim's art is based on a direct impression of nature, life and the human form. His oeuvre represents a continuous connection with nature and the human figure, usually executed with a dark palette, the legacy of his German Expressionist roots. He was a contemporary of Jacob Steinhardt, Mordecai Ardon, Josef Budko and Hermann Struck. Awards and recognition In 1953, Ascheim was a co-recipient of the Dizengoff Prize for Painting. In 1955, he received the Jerusalem Prize for Art. In 1956, he participated in the Venice Biennale, Italy Selected collections Fine Arts Museum of San Francisco Israel Museum, Jerusalem References Isidor Aschheim: Drawings & Prints [Izidor Ashhaim: rishumim ve-hedpesim] . Jerusalem: Israel Museum, 1966. Talpir, Gabriel. "100 Artists in Israel". Tel-Aviv: Gazith Art Publishing, 1971. Isidor Ascheim was born in Margonin, Germany (in what is now Poland) in 1891. His father was a prosperous merchant. In spite of his family’s devoutness, Ascheim had both religious training at home and an education in a German school. In 1903 the family moved to Breslau, where he studied in the gymnasium. When War War I broke out, he was drafted into the German army. In 1918, when the war ended, he began studying art in Breslau, and then in Cracow. In 1939 he made Aliyah to the Land of Israel under the auspices of the Aliyah Bet program. He was caught by the British government and sent to the Atlit detention camp for about seven months. After he was released he settled in Jerusalem and found employment as a lecturer at the “New Bezalel.” In 1946 he married the painter Margot Lange Ascheim. From 1960-1961 he served as director of the “New Bezalel.” Most of Ascheim’s work was in the field of prints. In the 1920s he also produced engravings. Later he specialized in stone printing (lithography), including Biblical subjects, landscapes, and expressionist subjects. In addition, he painted. Education 1919-1923 Art Academy, Breslau, Germany, (now Wroclaw, Poland) with Otto Mueller, an important expressionist painter. Art studies, Professor Pautsch, Academy of Fine Arts, Cracow, Poland Teaching 1943 Bezalel Academy of Art & Design, Jerusalem, was director for some time. 1961-1960 Director, New Bezalel, Jerusalem Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv1944 Artists: Hermann Struck,Moshe Ziffer...

Oil & watercolour on paper

A delightful watercolour study of the view across a river bank towards a cottage. Well presented in a mount and black frame with gilt trim. Monogrammed and dated to the lower right. ...

A charming late 19th Century watercolour showing a picturesque Alpine village with an arched stone bridge over a ravine and imposing mountains in the distance. The artist has signed ...

Woman is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter...

'Grazing Cattle in Normandy', watercolour on paper, by Genevieve Gallibert (circa 1930s). The artists captures a tranquil scene in Vallée d'Auge, Norman...

Couple is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painte...

WILLIAM WALCOT (1874-1943) Piazza Trinita die Monti, the Spanish Steps, Rome Signed and dated l.r.: W Walcot 1922 Watercolour and bodycolour over traces of pencil Framed 54 by 84...

Francis Luis Mora was considered one of America's finest "sketchers". A collection of his Sketchbooks are at the Smithsonian and this work came out of one in the early 1990's from t...

A delightful depiction of a mountainous landscape with a small village placed by the edge of a lake. Painted in fine detail, this atmospheric scene captures the essence of a rural mo...

Elaine Kaufman Feiner (1922-2018) "Hawaii II" 1993 Oil pastel, paint on paper 30"x40" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse

Serene watercolor by California artist Edna Lewis (nee Sutherland) (1905-1975). The viewer looks our over an inlet to a lake or bay, with mountain ranges in the distance. Two trees with bright yellow leaves sit at the shore of the water. The sky is rendered with a flowing wet-on-wet style, creating flowing, puffy clouds. Signed and dated "Edna Lewis 61" in the lower left corner. Presented in a wood frame with a blue mat. Frame size: 29"H x 23"W Paper size: 21.75"H x 15"W Edna Evelyn Sutherland Lewis (American, 1905-1975) was born in Porterville, CA on April 17, 1905. She studied art at the University of California before going on to study with Kenneth Washburn and Dr. Raymond Brose (San Jose State). Lewis was a long-time resident of Redwood City...

Stefan Bleekrode b.1986 Dutch Winter Shadows, New York Black ink and watercolor on paper Signed and dated "S. Bleekrode '18-'20" (upper right) Thi...

A charming late 19th Century watercolour landscape showing a chain ferry crossing a river in a highland landscape. The artist has signed to the lower left and the painting has been p...

Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition with scattered areas of light brown discoloration, and un...

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Landscape is a Ink and Watercolour on Fabric realized by a Chinese Painter in early 20th century. Good condition, included a white cardboard passpartout (19x22 cm). No signature.

Charles De Wolf Brownell (American, 1822 - 1909) Watercolor on paper of maple leaves against the sky, Hand dated and inscribed "Papaw - E.H....

A charming watercolour scene of Deadman Hill in the New Forest, In it we can see a small lake surrounded by shrubbery along with some horses in the distance enjoying the time in the ...

Couple is an original drawing in pencil, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter, e...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the...

London Thames View is a modern artwork realized by Herbert John Finn (1860-1942). Mixed colored ink, pastel and watercolor on paper. Includes gileded frame Hand signed and dated o...

Estate stamped, lower left, 'Wm. A. Gaw' for William Alexander Gaw (American, 1891-1973) and painted circa 1935. William Alexander Gaw was born ...

A single bud vase, a willow tree seeming to grow inside a confined vessel, all appearing to float upon a sea of moving water are the subjects of Christ...

A view of river rapids with small waterfalls in a mountainous landscape. Presented glazed in a clean white mount and an oak frame with a gilt-effect slip. Signed to the lower-right c...

A river view of Exeter Cathedral, attributed to Claude Muncaster. Possibly painted from the north end of the canal precisely due west of the cathedral...

A charming study of colourful fishing boats beached on a pebbled shore. Painted using a subtle impasto technique, the artist contrasts the highly textured beach with the smooth, clea...