Art by Medium: Monotype
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Medium: Monotype
'Flamenco', Paris, Louvre, Salon d'Automne, Academie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...
Category
1950s Post-Impressionist Art by Medium: Monotype
Materials
Paper, Monotype
Floral Triptych of Large Floral Bouquet, Botanical Cyanotype in Classic Blue
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category
2010s Baroque Art by Medium: Monotype
Materials
Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...
'Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA, Carmel
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Art by Medium: Monotype
Materials
Monotype, Paper
Apples and Leaves
Located in New York, NY
Monotype and watercolor on paper
30 x 22 inches
33 x 26 inches Framed
About the Artist:
Eunju Kang was born and raised in Daegu, Korea, and moved to Cali...
Category
2010s Art by Medium: Monotype
Materials
Paper, Watercolor, Monotype
City 14. 1964, paper, monotype, 47x62 cm
Located in Riga, LV
City 14. 1964, monotype, 47x62 cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
He was born at ...
Category
1960s Abstract Art by Medium: Monotype
Materials
Paper, Monotype
Summer Waters in Cannes, Abstract Nautical Cyanotype in Blue, Seascape Triptych
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This beautiful triptych is called "Summer Waters in Cannes" and it shows the water reflection of one of the most iconic ci...
Category
2010s Abstract Art by Medium: Monotype
Materials
Photographic Film, Photogram, Monotype, Lithograph, Color, C Print, Phot...
City 7. 1964, paper, monotype, 44x63 cm
Located in Riga, LV
City 7. 1964, paper, monotype, 44x63 cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
He was born a...
Category
1960s Abstract Art by Medium: Monotype
Materials
Paper, Monotype
Late autumn. 1972. Paper, monotype. 42x61.5 cm
Located in Riga, LV
Late autumn. 1972. Paper, monotype. 42x61.5 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different sea...
Category
1970s Impressionist Art by Medium: Monotype
Materials
Monotype, Paper
'Hostellerie des Chiens du Guet' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Art by Medium: Monotype
Materials
Monotype
Nautical Diptych of Smooth Bay in the Mediterranean, Zen Waters Cyanotype, Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Smooth Bay in the Mediterranean
+ Year: 2023
+ Edition Size: 20
+ Stamped and Certificate of Authentici...
Category
2010s Abstract Art by Medium: Monotype
Materials
Emulsion, Monotype, Photographic Film, Watercolor, C Print, Engraving, L...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Luis Miguel Valdes, ¨Untitled 2¨, 2015, Work on paper, 28.9x33.9 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Untitled', 2015
monotype on paper Guarro Biblos 250g.
29 x 33.9 in. (73.5 x 86 cm.)
ID: 1D201506
Hand-signed by author
______________________________...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Monotype, Paper
City 9. 1964, monotype, 44.5x64.5 cm
Located in Riga, LV
City 9. 1964, monotype, 44.5x64.4cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
He was born a...
Category
1960s Abstract Art by Medium: Monotype
Materials
Paper, Monotype
Luis Miguel Valdes, ¨Untitled 1¨, 2015, Work on paper, 28.9x33.9 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Untitled', 2015
monotype on paper Guarro Biblos 250g.
29 x 33.9 in. (73.5 x 86 cm.)
ID: 1D201505
Hand-signed by author
______________________________...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Monotype, Paper
Luis Miguel Valdes, ¨Untitled 3¨, 2015, Work on paper, 28.9x33.9 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Untitled', 2015
monotype on paper Guarro Biblos 250g.
29 x 33.9 in. (73.5 x 86 cm.)
ID: 1D201507
Hand-signed by author
______________________________...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Monotype, Paper
"365 Urns", Mixed technique on tissue white paper, Modern Art, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Minimalist Art by Medium: Monotype
Materials
Handmade Paper, Tissue Paper, Graphite, Monotype, Organic Material, Adhe...
Navigator XIII, Yellow, Red Vertical Abstract Monotype with Black Star, Circles
Located in Kent, CT
This is a monotype, a unique print with no other editions. This vertical geometric abstract monotype on paper layers shapes on a background that transitions from pale yellow to dark ...
Category
Early 2000s Contemporary Art by Medium: Monotype
Materials
Archival Paper, Monotype
City 13. 1966, paper, monotype, varnish, 47x77 cm
Located in Riga, LV
City 13. 1966, paper, monotype, varnish, 47x77 cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
...
Category
1960s Abstract Art by Medium: Monotype
Materials
Varnish, Paper, Monotype
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
One Cat D
Located in Denver, CO
Born in 1937 in Breckenridge, Minnesota, Fritz Scholder knew what he must do at an early age. As a high school student at Pierre, South Dakota, his teacher was Oscar Howe...
Category
Late 20th Century Contemporary Art by Medium: Monotype
Materials
Monotype
Interstate 2, from the Reader's Digest Assoc. Art Collection, unique abstract
Located in New York, NY
Jennifer Hilton
Interstate 2 (Reader's Digest Association Art Collection), 1988
Monotype on paper
Signed and titled in pencil by the artist on lower right front. Reader's Digest Association (RDA) corporate art collection label with inventory number on the back
This is a unique work
Frame Included - original wood frame with plexiglass
Jennifer Hilton is a master printmaker, lithographer and longtime art professor at various museums and universities including:
Assistant Professor, Montserrat College of Art
Faculty, Danforth Museum of Art
Faculty, Worcester Art Museum Department of Visual and Performing Art
Clark University
This impressive, monotype features overlapping geometric shapes of varying opacity, creating a beautiful depth and intrigue of pictorial elements. An excellent work to have for any collector of geometric abstraction.
This work was de-accessioned from the prestigious Reader's Digest Art Collection, who originally acquired it from the Bess Cutler...
Category
1980s Abstract Geometric Art by Medium: Monotype
Materials
Monotype, Pencil, Lithograph
Aster Leaf Penny + Grass
By Nina Tichava
Located in Denver, CO
This work is a series of nine individual monotype prints. Each print comes framed in a floating white frame without glass. Dimensions included for the installation account for hangin...
Category
2010s Art by Medium: Monotype
Materials
Monotype
Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet.
Details:
+ Title: Blue Flower Bouquet
+ Year: 2022
+ Edition Size: 100
+ Stamped and Certific...
Category
2010s Baroque Art by Medium: Monotype
Materials
Emulsion, Mixed Media, Watercolor, Photographic Paper, Monoprint, Monotype
Iain Baxter& "Alpine Skiing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Alpine Skiing and furniture armoire in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Day Dreaming While Herding Sheep, by Melanie Yazzie, horse, sheep, painting
Located in Santa Fe, NM
Day Dreaming While Herding Sheep, by Melanie Yazzie, horse, sheep, painting, wood
Melanie Yazzie works in a wide range of media that include printmaking, painting, sculpting, and ce...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Acrylic, Wood Panel, Monotype, Screen
FACE III - monotype
Located in East Patchogue, NY
Original Monotype, ink and oil on paper, signed by the artist
Unique piece.
Samuel Bloch paints canvases on the frontier of abstraction that give free re...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Oil, Monoprint, Monotype, Paper, Ink
SELF PORTRAIT IN A GERMAN MANNER - Large Monotype
By Karl Schrag
Located in Santa Monica, CA
KARL SCHRAG (German - American 1912 - 1995)
SELF PORTRAIT IN THE GERMAN MANNER, 1991
Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I"
Plate an...
Category
1990s American Modern Art by Medium: Monotype
Materials
Monotype
Iain Baxter& "Containing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with snow capped mountains in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Merging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with ironing board in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Blue Triptych of Trio of Palms, Tropical Botanical Cyanotype, Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space.
Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture.
The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly.
These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space.
Details:
+ Title: Desert Palm Trio
+ Year: 2023
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...
Category
2010s Naturalistic Art by Medium: Monotype
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Monotype, Photo...
Iain Baxter& "Regurgitating Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with beach chair or lawn chair in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Reaching Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Ranch Fence in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Diptych of Ancient Theatres, Blue Tones Cyanotype, Greek and Roman Architecture
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Diptych of Ancient Theaters
+ Year: 2023
+ Edition Size: 50
+ Stamped and Certificate of Authenticity provided
+ Measurements : Two panels of 70x100 cm (28x 40 in.), a total of 70x200cm (28x80 in.)
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins...
Category
2010s Realist Art by Medium: Monotype
Materials
Photographic Film, Woodcut, Monotype, Lithograph, Color, C Print, Waterc...
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Art by Medium: Monotype
Materials
Lithograph, Monoprint, Monotype
"365 Vessels", Mixed technique on tissue white paper, Abstract, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Abstract Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Iain Baxter& "Recovering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with music record or disc in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Correcting Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with refrigerator in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Kissing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Sandwich Maker in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Lettering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with framed house in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Jumping Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Deflecting Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Lanscape with waffle iron in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Dislodging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with barbecue grill in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Art by Medium: Monotype
Materials
Mixed Media, Monoprint, Monotype
Tree Bottles for Two People, Blue Tones, Modern Monotype, Vertical Still Life
By Kind of Cyan
Located in Barcelona, ES
"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures.
This artwork ...
Category
2010s Abstract Geometric Art by Medium: Monotype
Materials
Photographic Film, Photogram, Emulsion, Printer's Ink, Watercolor, Photo...
Infinity Pool Water Reflections, Blue & White Pattern, Handmade Cyanotype Print
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Infinity Pool" is a sophisticated image that captures the water reflections shimmering over ...
Category
2010s Abstract Art by Medium: Monotype
Materials
Emulsion, Watercolor, Photographic Paper, C Print, Lithograph, Monotype
Untitled
Located in Santa Fe, NM
"A Wall Won't Stop Us" is a monotype featuring reduction woodcut and silkscreened elements. The print belongs to a series that captures Simpsons' mos...
Category
21st Century and Contemporary Abstract Art by Medium: Monotype
Materials
Monotype
Botanical Cyanotype of Floating Floral Forms, Unique Monotype, Classy Marbling
By Kind of Cyan
Located in Barcelona, ES
This is a contemporary botanical cyanotype print made using natural sunlight. The technique is combined with a Suminagashi marbling (a traditional japanese technique), that was previ...
Category
2010s Art Deco Art by Medium: Monotype
Materials
Marble
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Art by Medium: Monotype
Materials
Lithograph, Monoprint, Monotype
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Phyllotaxis 34 by Katherine Warinner Relief Monotype on Paper
Located in Atlanta, GA
Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a per...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Paper, Mixed Media, Monotype
Phyllotaxis 43 by Katherine Warinner Relief Monotype on Paper
Located in Atlanta, GA
Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a per...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Paper, Mixed Media, Monotype
Large Gary Denmark Contemporary Abstract Flora Monotype Print Monoprint Artist
Located in Surfside, FL
Gary Denmark (American, born 1953).
A monotype art print on Arches paper.
Titled, "Being in Salgadoland," produced 1993.
An abstract work with shapes and designs, including flora, honeycomb patterns, and other forms.
Hand signed lower right Gary.
Provenance: Hunsaker Schlesinger Fine Art, Santa Monica, CA. Bears gallery label with title, details verso.
The artist's work is in the permanent collection of the Smithsonian American Art Museum (Washington,D.C.).
Work Size: 29 x 29 in. Framed dimensions: 31.5 X 31.5 X 1.5 in.
Gary Denmark, California, 1953-
Education: M.F.A. Degree, 1981, Graphics, University of Wisconsin, Madison
B.F.A. Degree, 1976, Fine Arts, San Diego State University
He worked as a master printer in Monotype, Lithograph, serigraph and monoprint techniques at Aurobora Press (they published Roberto Juarez, Lynda Benglis and Pat Lipsky...
Category
1990s Contemporary Art by Medium: Monotype
Materials
Monotype
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Graphite, Monotype, Organic Material, Adhesive, Ink, Mixed Media, Acryli...
Alma Thomas III
By Red Grooms
Located in New York, NY
Alma Thomas III, 2020
monotype, unique print from a series of IV
26 3/4 x 20 in. (68 x 50.8 cm)
Coinciding with the current presentation of recent paintin...
Category
2010s Contemporary Art by Medium: Monotype
Materials
Monotype
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Monotype, Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmad...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Art by Medium: Monotype
Materials
Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...
Monotype art for sale on 1stDibs.
Find a wide variety of authentic Monotype art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kismine Varner, Carol Summers, Laura Moriarty, and Brad Brown. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Monotype art, so small editions measuring 0.01 inches across are also available
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