1990s Mixed Media

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: US Flag with Bill and Hillary Clinton Year: 1996 Medium: Mixed Media with Acrylic on D...

Collotype and collage with linen, paper and gouache. Layers of texture create a rich visual assemblage. Signed lower right and on verso; signature illegible, Artists Proof. Displayed...

Alain Kleinmann Oil painting and mixed media 80 x 65 cm without frame 84 x 100 cm framed Alain Kleinmann is a true master in capturing the time flow within beautiful painting and installations. his unique approach to art is both sensorial and conceptual, expressed through complex pieces that feature high historical content and extremely rich textures. By mixing different techniques such as drawing, collage, writing and engraving, kleinmann is able to subtly evoke tactile emotions and memories from the past. His paintings are like sculptures and his sculptures have a certain pictorial feel, obtained through special treatments and polishing processes. The metamorphosis of the years, memories that fade away, life experiences forgotten and somehow re-discovered, traditions and cults shape the art of kleinmann and his symbolism, which touch the visitors deeply in their souls. Exhibited in Museums: Centre Georges Pompidou, Paris Museo Leonardo da Vinci, Milan Science Muséum, Londres New York Coliseum, New York Tekniska Museet, Stockholm Kunsthalle, Berlin Palais des Beaux-Arts, Bruxelles Musée d'Art Contemporain, Fontainebleau Palais de Beaulieu, Lausanne Palacio Velasquez, Madrid Musée de la Résistance, Lyon Musée de Saint-Paul-de-Vence Musée de Quimper Musée de la Vicomté-Melun Musée de Châteauroux Musée de Mantes-la-jolie Musée des Capucins, Coulommiers Musée des Invalides, Paris Musée de la Poste, Paris Musée du Luxembourg, Paris Espace Lyonnais d'Art Contemporain, Lyon Museo del Technische Hogeschool, Delft Musée D'art juif, Paris Museo Municipal, Bat Yam Museo Mercal el Born, Barcelonne Museo Charlottenborg Copenhague Magnes Muséum, San Francisco Museo Tretiakov de Arte Contemporâneo, Moscû Museo de la Academia de Bellas Artes de Chine, Pékin Museo de Shandong Museo de Shengzen Museo de Arte Contemporâneo, Santiago de Chile Loft Muséum, Nagoya Kirin Plaza Fundation, Osaka Tokyo Bunkamura, Tokyo Museo Nacional de Bellas Artes de La Habana Main Exhibitions in galleries 1976 Fiac - Paris / Galerie...

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Art installation, 1991. Signed and titled at the top. Ready to hang. Dimensions: 44.09 x 38.58 in ( 112 x 98 cm ) Wolf Vostell ( 1932–1998 ) was a German painter and sculptor, consi...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

Available at Madelyn Jordon Fine Art. 'Pindewegunglasgemut' by Stanley Boxer, 1994. Oil and mixed media on canvas, 50 x 26.75 in. / Frame: 51 x 27.75 in. This painting has an active...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Original mixed media composed of graphite, watercolor, gouache and acrylic paint on hardboard by the well known American artist, Thornton Utz. Signed lower left and dated 1992. Con...

This unique Dartboard by California artist Kim Dingle was part of her "Priss Room" exhibition. It is oil painted on wood with three feather darts and measures 31" in diameter.

Follow up photo we be replace the enclosed as all the detail is washed out from the flash. Additional photos if requested . A photo certificate accompanies this painting. It is frame...

Purvis Young (1943-2010) Mixed media collage oil on poster board painting. Painted atop a voting advertisement sign. Signed in multiple places on piece "Young". Purvis Young (1943 – 2010) was an African American artist from the Overtown neighborhood of Miami, Florida. Young's work, often a blend of collage and painting, utilizes found objects and the experience of African Americans in the south. Purvis Young painted on scrap lumber, old doors, tax forms, street signs, cardboard and plywood that he scavenged from the streets and vacant lots of Overtown, the historically black neighborhood where he lived in Miami, Florida. Young gained recognition as a cult contemporary artist, with a collectors' following that included Jane Fonda, Damon Wayans, Jim Belushi, Dan Aykroyd, and others. In 2006 a feature documentary titled Purvis of Overtown was produced about his life and work. His work is found in the collections of the American Folk Art Museum, the Corcoran Gallery of Art, the High Museum of Art, the National Museum of African American History and Culture, the Philadelphia Museum of Art, and others. In 2018, he was inducted into the Florida Artists Hall of Fame. Purvis Young was born in Liberty City, a neighborhood of Miami, Florida, on February 2, 1943. As a young boy, his uncle introduced him to drawing, but Young lost interest quickly. He never attended high school. As a teenager, Young served three years (1961–64) in prison at North Florida's Raiford State Penitentiary for breaking and entering. While in prison he would regain his interest in art and began drawing and studying art books. When released, he began to produce thousands of small drawings, which he kept in shopping carts and later glued into discarded books and magazines that he found on the streets. He proceeded to move into the Overtown neighborhood of Miami. Young became attracted to a vacant alley called Goodbread Alley, which was named after the Jamaican bakeries that once occupied the street; he started living there in 1971. In the early 1970s, Young found inspiration in the mural movements of Chicago and Detroit, and decided to create a mural of inspiration Overtown. He had never painted before, but inspiration struck and he began to create paintings and nailing them to the boarded up storefronts that formed the alley. He painted on wood he found on the streets and occasionally paintings would "disappear" from the wall, but Young didn't mind. About two years after starting the mural, tourists started visiting the alley, mainly white tourists. Occasionally, Young sold paintings to visitors - tourists and collectors alike - right off the wall. The mural garnered media attention, including the attention of millionaire Bernard Davis, owner of the Miami Art Museum. Davis became a patron of Young, providing him with painting supplies as well. Davis died in 1973, leaving Young a local celebrity in Miami. In the late 1990s and early 2000s, he explored other inspirations by watching historical documentaries about war, the Great Depression, commerce, and Native American conflicts and struggles in the United States. In 1999 the Rubell family, notable art collectors from New York, purchased the entire content of Young's studio, a collection of almost 3,000 pieces. In 2008 the Rubell's donated 108 works to Morehouse College In 2015, The Bass Museum of Art announced that it is donating almost 400 pieces of Young's art to the permanent collection in the Black Archives History and Research Foundation of South Florida. The foundation is located in Lyric Theater in Overtown. Young found strong influence in Western art history and voraciously absorbed books from his nearby public library by Rembrandt, Vincent van Gogh, Gauguin, El Greco, Daumier and Pablo Picasso. His work was vibrant and colorful, and was described as appearing like fingerpainting. Reoccurring themes in his work were angels, wild horses, and urban landscapes. Through his works, he expressed social and racial issues, and served as an outspoken activist about politics and bureaucracy. Two Purvis Young works appear on the 2018 David Byrne album "American Utopia." He is included in the collection of the Metro-Miami Dade Cultural Center. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. His work has since been included in numerous private collections and museums and was championed by the Joy Moos gallery, an influential gallery specializing in folk art, street art, self-taught visionary, outsider art and contemporary art (Galerie Moos, Montréal; Joy Moos Gallery, Miami. Joy was a recognized photographer, jewelry designer and interior decorator. She wrote a catalogue on Purvis Young and promoted Cuban artist Ramon Carulla. Her gallery also showed major contemporary artists such as Robert Rauschenberg of Captiva Island and Edward Ruscha of Los Angeles. SELECTED EXHIBITIONS 2020 "Prophets and Angels": Purvis Young & Édouard Vuillard, Shin Gallery New York, NY 2019 "Personal Structures" Palazzo Mora, Venice, Italy 2019 "Purvis Young" solo exhibition James Fuentes LLC, New York, NY 2018/2019 "Purvis Young" solo exhibition, Rubell Family Collection, Miami, FL (for Art Basel) 2018 "History Refused to Die" Group Exhibition, Metropolitan Museum of Art, NYC 2017 "Revelations" Group Exhibition, Fine Arts Museum of San Francisco, CA 2015 "50 for 50," LACMA, Los Angeles County Museum of Art. Los Angeles, CA 2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical Society 1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA “Bearing Witness: African-American Vernacular Art of the South,” Schomburg Center for Research in Black Culture, New York, NY “Purvis Young-The Streets of Overtown: 1996 “Souls Grown Deep: African American Vernacular Art of the South - The Arnett Collection,” Emory University 1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA “Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA “Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Galerie Karsten Greve, Cologne, Germany “Purvis Young Works of Paper (The Books),” Ricco/Maresca Gallery, New York City, NY “Sam Doyle, William Hawkins...

Available at Madelyn Jordon Fine Art. 'Goodbyagain (Toodleoonocheinmal)' by Stanley Boxer, 1999-2000. Oil and mixed media on canvas, 40.5 x 31 ...

Available at Madelyn Jordon Fine Art. 'Marblemanandfaith' by Stanley Boxer, 1991. Oil and mixed media on canvas, 8 x 4 in. / Frame: 9 x 4.5 x 2...

Available at Madelyn Jordon Fine Art. 'Marblemanblossom' by Stanley Boxer, 1991. Oil and mixed media on canvas, 6.25 x 4.75 in. / Frame: 7 x 5....

Leonard Stokes (b.1944) is an American Postwar & Contemporary artist whose work consists of paper and digital collage. His early pieces contain harvested materials from books and pri...

Abstract collage-style work.

Modernist collage style painting

Modernist collage style painting

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

Sophia Vari (born in Athens, Greece) recently deceased, was an established international visual artist known for polychrome sculptures, collages, oil and watercolor paintings. Her ex...

Nicola Bolla is an Italian painter and sculptor. A practicing ophthalmologist and eye surgeon, Bolla divides his time between two passions: art and medicine. Both activities are link...

Largely self-taught, Hutchison has developed and innovated methods and mediums including hand-building and bending Plexiglas forms to facilitate her artistic process. Notably Hutchison's works are constructed of utilitarian, and often re-purposed materials and incorporate ambient light as a primary material. She shares similar concerns with the Light and Space artists...

Again, the versatility in her texture, shapes an palette are reflected in this work.

This work is a great sample of the versatility in use of medium, texture and color. This work is also oil on gessoed paper.

Valerie Hird's work reflects her travels throughout Morocco, her unique palate and textures, really evoke an essence of Morroco and how she perceives it.

Susana Jamie-Mena is a visual artist from Argentina, the uniqueness in her paintings, is that she blurred the lines between painting and sculpture, and her works looked like they cou...

Signed, dated, numbered and titled in pencil on recto; artist's copyright label affixed to verso Painted Gelatin Silver 16 x 20 inches Edition 8 of 25

Signed, dated, numbered and titled in pencil on recto; Artist's copyright label affixed to verso Painted Gelatin Silver 11 x 14 inches Edition of 50

David Hayes (1931 - 2013) Untitled Paper Collage, 1993 Paper Collage, Mounted on Paper 21.75 x 22.25 in

Monica Cross-legged with Beads. Original color steelcut (alkyd oil paint on cut-out steel), 1985/2004. Edition of 25 signed and numbered impressions on cut-out steel. Tom Wesselmann ...

1992. Original mixed media (oil, tar and sand on cardboard), 1997. Vladimir Veličković was one of the most prominent Serbian artist of our time, and als...

Modern black and white charcoal still life drawing by iconic abstract artist Donald Sultan. The work features a dynamic composition of circular forms set against a white background. The rich black tones, emblematic of Sultan's work, make this work pop. Titled, dated, and signed along top margin. Currently hung in a complementary black floating frame. Dimensions Without Frame: H 48 in. x W 60 in. Artist Biography: Born in 1951 in Asheville, North Carolina, Donald Sultan rose...

collage

collage

collage

This intimate, yet highly energetic, artwork is a timeless example of Long’s exceptional style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Bert Long...

Purvis Young (1943 - 2010) Free Her, 1992 Mixed Media 48 x 18 in

Purvis Young (1943 - 2010) Collage Figures, 1990 Mixed Media 43 x 28 in

Medusa Marinara (for Peter Norton Family Christmas Project) 1999 Stamped, verso Ceramic plate (Made by Bernardaud in Limoges, France) 12.5 x 12.5 inche...

Untitled 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 30 x 22 inches (76.2 x 55.9 cm), sheet 27 x 18 inches (68.6 x 45.7 cm), image Contact galle...

A monumental limited edition Woolen Tapestry of Andy Warhol's iconic "Marilyn" published by Museum Masters International in 1997. Artist: after Andy ...

This work resembles a colorful abstraction of a terrarium inhabited by geometric and organic forms alike. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew ...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: Narcissus, from ROCI USA (Wax Fire Works) Year: 1990 Medium: Acrylic, Enamel, and Fire Wax on Sta...

Fido, 1998 Chemical or biological rocket Stainless steel, electronics and resin 100 x 12 x 12 inches Fido is a fully functional rocket with a hand sculpted nosecone but is missing the detonator and fuel. Shipping times may vary depending on location. Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

Donald Sultan Born 1951 Seven Black Flowers, 7 June 1999 Charcoal on paper 60 x 40 inches Donald Sultan is an acclaimed American painter known for his lar...

Donald Sultan Born 1951 Fifteen Oranges, 17 September, 1992 Tar, oil, spackle on tile over masonite 96 x 96 inches Donald Sultan is an acclaimed American painter known for his large...

Target shaped work made of wood and cement. Inspired by Jasper John's target paintings from the 1960's. Artist signed the back of the work. Artist Biography: Joe Mancuso lives and w...

Jasper Johns style flag mixed media work. The work consist of wood layers with cemented layers in between the wood. The work is signed, titled and dat...

Clodgy - St Ives, Modern British Painting, Abstract Art - Sandra Blow (Abstract) Signed and inscribed with title and date on the canvas overlap Sandra Blow RA (1925-2006) pioneered ...

Colored pencil, pen and ink, graphite and paper collage on paper This artwork is offered by ClampArt, located in New York City. Born in Chicago in 1954, Sue Williams...

pastel on fabric (bathrobes) on wood panel with upholstery tacks

Memoire of a Moment by Stanley Boxer, 1996. Oil and mixed media on canvas, 50.5 x 60.5 inches. This mixed media work has an active surface that is thickly painted, with defined brush...

Fido, 1998 Chemical or biological rocket Stainless steel and electronics 100 x 12 x 12 inches Fido is a fully functional rocket but is missing the detonator and the rocket fuel. Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

A multimedia collage by Donald Baechler from 1992, reminiscent of Dada period collages. Artist: Donald Baechler, American (1956 - ) Title: Untitled (Flower) Year: 1992 Medium...