Late 20th Century Mixed Media

Linear drawing was done in 1975 along with many other drawings done in this style using pencil with ink on paper. This work has been reimagined as archival ink on canvas.

Logarithmic Study. 1974. Archival Ink on Canvas. Originally done on Logarithmic Engineering Graph Paper and thjen transferred as watercolor on paper is now reimagined as archival in...

This work was created with the intent during time Study for Bauhaus and has the same mindset.

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Unsigned but acquired in a portfolio of artist's work. Presented in a new white mat. Mat size: 3...

mixed media on paper Unique work hand signed and dated by artist in red pen in lower left corner paper size: 41,5 x 30,2 cm framed size: 71 x 60,5 cm good conditions , some slight si...

Artist: Roberto Matta Title: Sans Titre Original Mixed Media Medium: Mixed Media on paper Signed: Hand Signed Measurements: 12" x 17" Framed: 22.5" x 27" Certificate of Authentic...

gilded bronze sculpture with brass base Executed in 1983, the work is an limited edition of three hundred diameter: 5 7/8 in. (15 cm.) height 17 cm hand incised with the artist’s sig...

Signed lower right, 'Sue Gertz' for Suzanne Gertz (American, 1938-2003) and painted circa 1985. Suzanne Gertz first studied at the Art Institute of Chicago and, subsequently, at Bar...

Judy Pfaff Wufu Wu, 1995 (The Five Blessings) Original etching on Japanese Kozo paper with hand-colored opalescence Hand signed, numbered from the limited edition of 120, and dated i...

With its dynamic interplay of realistic and abstract elements, this painting invites viewers to explore the boundaries between perception and imagination. It evokes a sense of wonder...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Edition of 40 Pencil signed and numbered 11/40 on the front Frame included: elegantl...

Thelonius Monk- Little Rootie Tootie Collage, 1989 Signed and dated lower right: "Longstreet 89" Titled by artist lower left Excellent, with usual imperfections associated with the collage medium Image/Sheet size: 17 1/8 x 23 1/16 inches Provenance: Acquired directly from the artist Joseph M. Erdelac, Cleveland Noted art collector and friend and aptron of Longstreet. Stephen Longstreet (1907-2002) At the website, the artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

Richard Kalina Face Value, 1992 Collage and mixed media (flasche) and acrylic on laid paper painted on canvas Signed on the verso; also bears Max Protech Gallery Label, Unique Frame included Hand signed, dated and titled on the verso with original label from the legendary Max Protech Gallery, as well as Christie's NYC labels. A dazzling mixed media painting that looks so much better in person. Provenance Max Protech Gallery Christie's Inc (see labels) Measurements: Frame: 15.5 x 23.5 x 1 inch Artwork: 15 x 23 inches About Richard Kalina: Richard Kalina was born in 1946 and studied at the University of Pennsylvania. He began exhibiting in 1969 and has regularly shown his work in museums and galleries, both nationally and internationally. ... Richard Kalina is Professor of Art at Fordham University in New York, where he teaches studio art and art history. This is a gorgeous work that would look beautiful in any home or office. His works are included in museum collections such as the Arkansas Art Center, Grey Art Gallery, Guild Hall Museum, Fogg Art Museum, Indianapolis Museum of Art, Milwaukee Art...

Elizabeth Murray Crossing, 1999 Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum support board Signed and dated in pencil 19 1/2 × 30 × 4 inches Framed: held in acrylic shadow box frame Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum board support, signed and dated in pencil. This mixed media paper construction with hand coloring is housed in an acrylic box shadow frame, part of the "Crossing Series" of 33 works, each entirely unique, published by Gemini G.E.L., Catalogue Reference: Gemini 1776 Provenance: the Family Collection of Harry W. and Mary M. Anderson Artist Biography: Elizabeth Murray (b. 1940, Chicago, IL—d. 2007, Granville, NY) was an artist at the forefront of American painting for five decades and is considered one of the most important postmodern abstract artists of her time. Her drive and determination produced a singularly innovative body of work characterized by a Cubist-informed Minimalism and streetwise Surrealism. Throughout her career, she reveled in the physicality of paint and approached her work through the constructive vocabulary of sculpture, warping, twisting, splintering, and knotting her canvases. In her innovative and deeply imaginative body of work, Murray not only reclaimed the medium of paint as her own but shared personal evocations of birth and death, laughter and confusion, fullness and loss. From an early age, Murray wanted to be an artist—a cartoonist actually. With the support of her high-school art teacher, Elizabeth Stein, Murray enrolled at the School of the Art Institute of Chicago with the aim of becoming a commercial artist. However, she would spend more time learning from the works on view in the museum than in the classroom, gravitating toward the paintings of El Greco, Francisco de Zurbarán, Georges Seurat, Henri Matisse, and Pablo Picasso. Above all, it was the work of Paul Cézanne and Willem de Kooning that fueled her commitment to becoming a painter. After graduating in 1962, she went on to continue her studies at Mills College in Oakland, California. In 1967, she moved to New York City, where she would live and work until her death in 2007. Murray’s works from the 1960s reflect an irreverent embrace of the materiality of paint. Here, the artist experimented with elements of sculpture while maintaining allusions to the figure informed by her long-standing affinity for cartooning. Murray’s childhood love of Walt Disney and comics would underpin many aspects of her art throughout her career. During the 1970s, Murray dismantled—then rebuilt—many of the compositional strategies and theories associated with Minimalism. Using curved lines and complex shapes loosely informed by mathematical ideas, she introduced geometries that transform scale, shape, and form to her thickly painted and layered compositions. In the following decade, Murray introduced three-dimensionality to her canvases, bringing about a complete break from traditional, flat, rectilinear compositions. Muddied, moody, and gestural, the paintings of the 1980s blazed a course of international recognition and notoriety. In these works, interiors, tables, coffee cups, shoes, and other signature themes emerge from skeins of spray paint and graffiti-like markings. During the 1990s, Murray’s works became flatter while retaining a high degree of compositional elaboration and chromatic exuberance. In the final years of her career, the artist offered new visions of her characteristic motifs in vibrantly painted, multipaneled paintings. Throughout her stellar career, Murray was a much sought-after instructor, visiting artist, and lecturer. Appointments include instructor at Rosary Hill College (1965–67), visiting artist at Wayne State University and the School of the Art Institute of Chicago (1973), instructor at Bard College (1974–77), visiting instructor at California Institute of the Arts (1975–76), lecturer at Princeton University (1977), instructor at Yale University (1977–80), instructor at School of Visual Arts in New York (1978–80), lecturer at Skowhegan School of Painting and Sculpture (1979, 1985, and 1992), lecturer at Maryland Institute College of Art (1981), lecturer at New York Studio School of Drawing, Painting and Sculpture (1987), guest curator of Artist’s Choice: Elizabeth Murray at The Museum of Modern Art, New York (1995), visiting professor of studio arts at Bard College (1999–2003), and instructor at Brooklyn College (2003–07). Murray received numerous honors in recognition of her work, including the Walter M. Campana Award from The Art Institute of Chicago (1982), an award from American Academy of Arts and Letters (1984), Medal for Painting from Skowhegan School of Painting and Sculpture (1986), an honorary doctorate from School of the Art Institute of Chicago (1992), induction as an elected member of the American Academy of Arts and Letters, New York (1992), Larry Aldrich Award (1993), an honorary degree from Rhode Island School of Design (1993), MacArthur Fellowship (1999), an honorary doctorate from The New School (2001), National Artist Award from Anderson Ranch Art Center (2002), Distinguished Artist Award for Lifetime Achievement from College Art Association (2007), and an award from CITYarts (2007). Significant public commissions include two New York City Transit mural projects: Blooming (1996) at Lexington Avenue/59th Street and Stream (2001) at 23rd Street/Ely Avenue. Monographic institutional presentations include Elizabeth Murray: Drawings 1980–1986 at Carnegie Mellon University Art Gallery (1986), Elizabeth Murray: Paintings and Drawings at Dallas Museum of Art (1987, traveled to List Visual Arts Center at MIT; Museum of Fine Arts, Boston; Museum of Contemporary Art, Los Angeles; Des Moines Art Center; Walker Art Center; and Whitney Museum of American Art), Elizabeth Murray: New Work at San Francisco Museum of Modern Art (1988), Elizabeth Murray Prints: 1979–1990 at Barbara Krakow Gallery (1990, traveled to Bates College Museum of Art, David Winton Bell Gallery at Brown University, Davison Art Center at Wesleyan University, and Florida Gulf Coast Art Center), Elizabeth Murray: Recent Work at Wexner Center for the Arts at The Ohio State University (1991), Elizabeth Murray at Nerman Museum of Contemporary Art at Johnson County Community College (1993), and Elizabeth Murray: Works on Paper, Virginia Commonwealth University (1998). In 2005, Murray earned the distinction of becoming only the fifth woman to receive a career retrospective at The Museum of Modern Art, New York, following Louise Bourgeois, Lee Krasner, Helen Frankenthaler, and Jackie Winsor...

Bessie Smith - If You Don't Like My Peaches - Don't Shake My Tree Collage, 1980 Signed and dated in pencil lower right (see photo) Titled in pencil lower left Original price verso '3,000' (see photo) Provenance: Acquired from the artist Joseph M. Erdelac, Cleveland, friend and patron of the artist Condition: Very good Usual minor condition issues (wrinkling) associated with the artist's creation process Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Martin Wong (untitled) Cowboy Sacred Heart 1978: Martin Wong constructed this endearing mail art piece for his close friend John Rotter in 1978. This rare high collectible Wong mixe...

Biography: Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After gradu...

Nails on painted wooden board by unknown artist inspired by Bernard Aubertin. W/frame

Artist: Peter Max (1937) Title: Angel with Heart Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 15 x 11 inches Condition: Excellent Inscription: Signed in g...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

Unidentified/ Unknown Artist, "Untitled: White House" , Mixed Media (Charcoal, Oil Paint) Landscape Drawing on Paper, 17.75 x 23, Mid to Late-20th Century ...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches. Artwork is in excellent conditi...

This stunning bouquet of roses exudes a vibrant energy through the artist's expressive energy. It is a perfect balance between freedom and control, allowing the subject matter to com...

Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 13.75 x 12 inches Condition: Excellent Inscription: Signed ...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/...

Contemporary abstract painting by Houston-based artist Virgil Grotfeldt. The work features metallic gold-toned gestural strokes created with acrylic paint and bronze powder. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: Virgil Grotfeldt was born in 1948 in Decatur, Illinois, and studied at Eastern Illinois University and the Tyler School of Art in Philadelphia. After a brief stay in Chicago, he settled in Houston in 1977, where emerging galleries and alternative spaces such as Diverse Works and the University of Houston Lawndale Annex were fostering a vibrant new art scene. His last teaching position was at Houston Baptist University. Although Grotfeldt frequently collaborated with the Dutch artist (and former student of Joseph Beuys) Waldo Bien beginning in the late 1980s, and remained close to the artist community in Houston, he maintained a deeply personal sensibility. Preferring a monochromatic palette of earth tones, which contributed to his work’s sense of timelessness, Grotfeldt emphasized texture as an expressive device. He experimented with materials, working with coal powder, clay, ground metal, acrylic, and metal dust on paper, which he combined with carbon, watercolor, or oil. He incorporated found letters, antique maps, and nautical charts to initiate a dialogue between conscious systems of order and the expressive freedom of the subconscious. One of Virgil Grotfeldt’s last bodies of work, a series of sixteen oil paintings completed during the final year of his illness, was based on MRI scans of his brain. With utmost clarity, these works document Grotfeldt’s key ambition to make sense of the many forces life entails its contradictions, inflictions, and puzzles. By making the MRI scans his material of choice, he abstracted the records documenting the failing health of his body. But by painting on them as a point of departure, he was able to create something vivid and vibrant, a home for the imagination built by an undeterred spirit. Grotfeldt had numerous national and international solo exhibitions. His work is part of the Menil Collection, Houston; the Whitney Museum of American Art, New York; the Chengdu Museum, China; and the Fritz Becht Collection, Amsterdam. In 2003, a major publication of his work, entitled Virgil Grotfeldt, with text by Patrick Healy, an introduction by Walter Hopps...

Keith Haring Record Art 1984: Medium: Offset Lithograph on record jacket, vinyl record Dimensions: 12 x 12 inches. Cover: Fair to good overall...

Frame size 81x66 cm.

Fantasy Landscape is an artwork realized by Mario Sinisca in 1980s.  Oil on Canvas, 140 x 180 cm.  140 x 180 cm.  Very good conditions

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

In "Ethereal Embrace," the artist draws inspiration from the concept of soulmates and the enchanting beauty of nature. The painting depicts two bodies, representing a man and a woman...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

This painting is a masterful blend of realistic and surrealistic elements. The painterly brushwork and textural elements create a sense of abundance and opulence, while the interplay...

3991 Sculptural Art piece rolled archival acrylic painted paper set in a custom acrylic frame on dark blue back round

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

Rafael Duran Benet (1931-2015) - Dream scene - Mixed technique Drawing measurements 64x43 cm. Frame measurements 79x59 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

made from old Japanese newspapers, maple frame. woven

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (Time) (1985) Mixed media on paper 70 x 50 cm signed in the bottom center, also at the bottom is an openwork inscription I vedent...

This untitled abstract work by Constance Powell-Teeples is a stark contrast to her usual work, prints of the Detroit skyline and local monuments and buildings. The work is flushed with colors that are reminiscent of the Detroit Tigers...

Frame size 79x64 cm.

JAY MILDER Untitled, ca. 1987 Gouache on Paper hand signed in pencil, lower left. Image is 9 square inches; framed it's 16 square inches Frame included: held in the original vintage frame A protege of Hans Hofmann, Milder also studied Jewish mysticism and Kaballah. Poignant framed color gouache painting on paper by second generation Abstract Expressionist painter Jay Milder, a former student of Hans Hofmann, whose work has been greatly informed by his background and interest in Jewish mysticism and Kaballah. Most recently, Milder had been represented by the Lohin Geduld Gallery in Manhattan and Eric Firestone. The visible sheet measures approximately 9 square inches. Framed, the work measures 16 square inches. Artist's official biography: JAY MILDER Born 1934 in Omaha, Nebraska, Jay Milder became a noted abstract painter in the New York art scene in 1958 when he, Bob Thompson, and Red Grooms founded City Gallery. They were all influenced by Abstract Expressionism, but closer to Willem De Kooning than Jackson Pollock because all three were committed to figurative work. Milder was originally shown at The Allan Stone Gallery and then when Martha Jackson took over as Milder’s dealer, her client, Walter Chrysler...

Rare hand-signed Keith Haring Pop Shop sweatshirt circa 1986: A much historical hand-signed 1980s Keith Haring Pop Shop collectible produced during the early days of the famed Hari...

Keith Haring handwritten letter 1989: A rare 1989 handwritten letter by Keith Haring executed on the artist's personal stationary. An endearing personal response by Haring to a young...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Jack Hooper "Pear Still Life on Green" 10-1990 Pastel and gouache on paper 17.75"x15.5" unframed Signed and dated in pencil lower right In this artwork, Jack Hooper presents a simpl...

lacquered Chinese newspapers

Artist: Peter Max (1937) Title: Umbrella Man Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 12 x 13.75 inches Condition: Excellent Inscription: Signed in ...

Jacquard woven silk, silver leaf

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

Limited Edition Keith Haring spray paint can set published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout ho...

This artwork titled "Window, The Afternoon" 1986 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 76/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

Louise Bourgeois Limited Edition Ceramic Plate depicting Malloreddus alla Sarda, Dallas Texas, 1998 Ceramic Plate 10 in diameter Edition 457/1000 (read description; the edition was not completed) Unframed (Stand shown is not included) Makes a memorable gift! This striking, rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Louise Bourgeois. From the late 1990s through the millenium, Buon Ricordo...

Artist: Peter Max (1937) Title: Sailboat on the Horizon Year: circa 1998 Medium: Silkscreen and watercolor on archival paper Size: 21 x 15 inches Condition: Excellent Inscription: Si...