Abstract Mixed Media

Contemporary collage by Jill Haas. Haas grew up watching her grandmother and mother paint flowers, acquiring the love of leaf and petal. Her subject matter is informed by the wisdom...

Contemporary collage by Anne-Joëlle Galley. Anne-Joëlle’s works predominantly with collage, collage-paintings, paintings, and monotypes. The artist studied in Europe, joining var...

Contemporary collage by Lorelle Rau. Lorelle Rau is a mixed media, collage artist, who uses cut paper and appropriated imagery to investigate concepts of nature, place, and the envi...

Contemporary collage by Kari Souders. Kari Souders is best known for her ritualistic physical and structural approach to artwork that interweaves texture, form, line and color. Her ...

Contemporary collage by Anastasya Peña. This mixed media work of art is made using acrylic, embroidery and collage on canvas. The vibrant abstract composition is comprised out of va...

Powerful and subtle work from the talented Peter Rossiter. Stunning work Image 30 x 18

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Contemporary Wood Frame Excellent condition. signed

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time,...

Abstract collage by Iona Fromboluti. Fromboluti’s mixed media collages are a beautiful abstract compositions, comprised out of flowing shapes that overlap and interact with each oth...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time,...

Contemporary collage by Stewart Siskind. Stewart Siskind has been intrigued by the elements of printed matter ever since he worked as an art director in New York City. His love of t...

Jazz aficionado Sax Berlin offers his homage to Miles Davis. This piece is a street art version of portraiture, bold & incisive. There's a raw feel to this painting that has the musi...

Sax Berlin continuing his Abstract Expressionist series with this mixed media oil and acrylic on canvas piece

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains 19th century hand-written elements and ag...

Heavily textured with paste, crackle, bitumen, fabric and acrylics. In the words of the artist; “this piece reminds me that we are all more than what we can see on the surface”. Signed on reverse so that it can hang whichever way you choose. NB:- This piece may work well as a diptych with Scar Face...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and contemporary abstraction are created as a ...

How often, standing on the bridge above the water, we try to consider what is hidden in the depths ... Perhaps this is the desire of almost every person to know as much as possibl...

“Mashrabiyya IIâ€

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains elements of Boedecker map of Paris, hand-...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains vintage/antique colored litho-printed ele...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains 19th century hand-written elements. :: Mi...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been shown in ...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. :: Mixed Media :: Abstract :: This piece comes wit...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of geometric shapes of collage material. Contains colored pieces of 19th century litho...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of strips of collage material. :: Mixed Media :: Abstract :: This piece comes with an o...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains elements of Boedecker map of Russian citi...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains elements of marbleized book paper and antique litho...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

“Caelestis Iâ€

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

Stfk097, 1997 His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other Art Fair, London, an...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains elements of old litho-printed advertising...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of .5" squares of collage material. Contains elements of 19th century hand-written let...

4.5" x 4.5" collage, vintage and antique paper ephemera on archival museum rag board, composed of strips of collage material. Contains 19th century hand-written and envelope element...

Out of the mystical egg surges the world dragon uroboros :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

Part of my Message in a Bottle series, exploring the nature of self and lineage, as well as the themes of isolation, connection and love recurrent in the letters of my late father an...

Set of 6 artworks from the Intenciones del Silencio serie, 2019 by Angélica Chavarro Franco Mixed media (Oil paint and textile) on canvas Overall fra...

Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...

Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarity of those sweet treats t...

Intenciones del Silencio IX and XIII. Diptych, 2018 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Overall size: ...

Intenciones del Silencio VI, IV and II. Triptych, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Overall fra...

Flowers 19 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Rei...

Inspired by mineral structures - ice fern structure. Collage and acrylic :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the art...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía M...

Chase Langford has created a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions reca...

Abstract mixed media painting on canvas by SOULIE, France, 1970s. Geometric abstract decor in white, gray, carmine and vermilion colors on a yellow. Background appearing in places. A...

Set of 6 artworks from the Intenciones del Silencio series, 2018 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil...

Intenciones del Silencio VII and III. Diptych, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Overall frame ...

Fractured Illusions Within Mental Projections by Lyora Pissarro x The Allaux Brothers The combination of technology and traditional techniques allows the artist to explore the malle...

The Orientation of Grounding in Time and Space by Lyora Pissarro x The Allaux Brothers The combination of technology and traditional techniques allows the artist to explore the mall...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been shown in...