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Style: Abstract
Medium: Wire
Elephant in the Room, Fillipus Sheehama, Mixed media: makalani nut piths, metal
Located in Windhoek, NA
Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...
Category
2010s Abstract Wire More Art
Materials
Wire
Rural Transformation, Fillipus Sheehama, Mixed media: makalani nut piths, metal
Located in Windhoek, NA
Rural Transformation, 2021. Mixed Media: Makalani nut piths and wire
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled material...
Category
2010s Abstract Wire More Art
Materials
Wire
Concentric Alignment
Located in Dallas, TX
Burnt lines, rattan & wire, on indigo dyed paper
Category
2010s Abstract Wire More Art
Materials
Wire
Dominance, Fillipus Sheehama, Mixed media: makalani nut piths, metal, plastic
Located in Windhoek, NA
Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society.
Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...
Category
2010s Abstract Wire More Art
Materials
Wire
Nurture (Imbalance), Fillipus Sheehama, Mixed media: makalani nut piths, metal
Located in Windhoek, NA
Nurture (Imbalance), 2021. Mixed media: makalani nut piths, plastic, bottle caps, metal
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society.
Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...
Category
2010s Abstract Wire More Art
Materials
Wire
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The contemporary trend in her paintings is characterized by a figurative integration of abstract elements. Creatively mixing media from cement, resin, acrylic and epoxy on stretched canvas, Victoria’s work is simultaneously sculptural and painting.
The surface of this 32 inch tall by 40 inch wide artwork is covered with a shiny layer of clear, glass-like resin, which enhances the colors and adds depth. The sculptural, green and orange elements protrude beyond the smoother, parts of the artwork. The sides are finished as a continuation of the front, creating more layers and detailing. It is signed, titled and dated on back by the artist. It does not require framing and is wired and ready to hang. Free delivery within Los Angeles. Affordable US and global shipping options are available. A certificate of authenticity issued by Artspace Warehouse is included.
Her series on the World is immediately familiar, provoking us to step closer and have a better look, then after a few moments the nuances of her art appear. Her training is evident in her skill in creating the textures. Her charisma can be felt by her depiction of the ocean and their various shades of colors. Victoria’s work is magnetic and is being consistently collected by art lovers.
Victoria Kovalenchikova was born in Belarus in 1978. She lives and works in Amsterdam (Netherlands) since 2008.
Kovalenchikova's works are represented by Artspace Warehouse Los Angeles and can be found in private and corporate art collections and museums worldwide, including the Philips corporation in Eindhoven, Netherlands; RABO Bank, Amsterdam, Netherlands; Museum of Russian Art, Jersey City, USA; Museum of Belarusian State Academy of Arts, Minsk; Contemporary Fine Art Museum, Minsk, Belarus; The National Art Museum of The Republic of Belarus, Minsk; Maslennikov Art Museum, Mogilev, Belarus; Romanov Regional Study of Local Lore Museum, Mogilev, Belarus; Mogilev Museum of Ethnography, Belarus; Belarusian Embassy in Berlin, Germany; Belarusian Embassy in The Hague, Netherlands; Belarusian Embassy in London, United Kingdom; Municipality of Coevorden, Netherlands; Kolodzei Art Foundation, NY, USA; other private collections in Germany, Poland, Russia, Belarus, USA, The Netherlands, Belgium, Italy, Spain, France, Lebanon, Singapore, China, Saudi Arabia, United Kingdom, Turkey, France and Switzerland, India.
Education
1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus
1990 - 1996 I. Akhremchik National Art College, Minsk, Belarus
Professional experience
2002 - 2004 Teacher of painting and drawing at Belarusian State Pedagogic University, Minsk
Since 1997 more than 100 solo shows and group exhibitions in Belarus, USA, Switzerland, United Kingdom, Ireland, Germany, Italy, Belgium, Russia, Singapore, Turkey ,China and Netherlands
Since 2003 member of Belarusian Artists' Union
Since 2016 represented by Artspace Warehouse Los Angeles
Awards
2011 Award from The Ministry of Culture of The Republic of Belarus for Enriching and Promoting Arts and Culture.
2011 First Prize and Gold Medal of Honor “LORENZO Il MAGNIFICO” at the
VIII International Florence Biennale of Contemporary Art 2011 for her paintings “NO EXIT”, 2011 and “Reflected Reality”, 2010
Solo Exhbitions
2015 SCOPE Basel, Switzerland
2014 "The EARTH", ARTIFACT Gallery, NYC, USA
2014 "The EARTH", Sixty One Gallery, Amsterdam, Netherlands
2013 - 2014 – WTC Schiphol Art Center, Schiphol, Netherlands
2013 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2013 Russian New Year, De Industrieele Groote Club, Amsterdam, Netherlands
2013 Realisme Art Fair, Witzenhausen Gallery, Amsterdam, Netherlands
2012 Russisch IGC-buitenevenement, Landgoed Beukenrode, Doorn, Netherlands
2012 "Our Corloful World", RCC "Our Texas", Houston, TX, USA
2011 "REFLECTED REALITY", Contemporary Fine Art Museum, Minsk, Belarus
2011 VK Art, Reception of Belarusian embassy in The UK, Langham Hotel, London, UK
2011 "HEAVEN'S TEARS", The Museum of Russian Art, Jersey City, NJ, USA
2011 "REFLECTED REALITY", MWB Business Exchange, London, UK
2010 "CLOSED LOOP", Kasteel van Brasschaet, Brasschaat, Belgium
2010 "Summer Exhibition" in Ten Elsenhuyze, Brasschaat, Belgium
2009 Diary, Moscow Public Culture Foundation, Moscow, Russia
2009 Paintings of Victoria Kovalenchikova, Cultural exchange Belarus – Netherlands, CQ Art Centre, Emmen, Netherlands
2009 Just Childhood, VK Gallery, Amsterdam, Netherlands
2009 Colourful Emotions, VK Gallery, Amsterdam, Netherlands
2008 Dagboek, VK Gallery, Amsterdam, Netherlands
2008 Victoriart, Schloss und Gutshofanlage Ludwigsburg, Germany
2008 Griebenow Palace, Greifswald, Germany
2007 Gallery "Voorhaven One", Rotterdam, Netherlands
2007 Parallelen, Club Spittelkolonnaden, Berlin, Germany
2006 Oud Atelier Hendrik Luyten, Brasschaat, Belgium
2006 BelArt, Wereld Gallery, Maastricht, Netherlands
2005 Kleine Haag, Buuurmalsen, Netherlands
2005 "Dadali" Art & Design Gallery, Rotterdam, Netherlands
2005 Wereld Gallery. Maastricht, Netherlands
2004 Mirror, City, Soul, SWR, Ratzeburg, Germany
2004 Mirror, City, Soul, Burg Warberg, Germany
2004 Mirror, City, Soul, Ministry of Foreign Affairs of Republic of Belarus, Minsk, Belarus
2004 Associations, M-Gallery, Goethe Institute, Minsk, Belarus
2003 City Rhythms, Contemporary Fine Art Museum, Minsk, Belarus
2000 Art 2000, Belynitsky-Birulya Art Museum - Branch of the National Art Museum of the Republic of Belarus - Mogilev, Belarus
Group Exhibitions
2016 ART BREDA - Gallery Palma Arte, Breda, Netherlands
2016 AAF Singapore, Art Blue Studio, Singapore
2016 AAF Hong Kong, Art Blue Studio, Hong Kong
2016 AAF Milan, Gallery Palma Arte, Milan, Italy
2016 AAF New York, VK Gallery, NY, USA
2016 Naples Art Show, Villa del Arte, Palm Beach, FL, USA
2016 Palm Beach Art Show, Villa del Arte, FL, USA
2016 Art Wynwood, Villa del Arte, Miami, FL, USA
2016 LA ART SHOW, Villa del Arte, Los Angeles, CA, USA
2015 Palm Beach Art Show, Villa del Arte, West Palm Beach, FL, USA
2015 ST-ART, Palma Arte, Strasbourg, France
2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2015 New York Art, Antique & Jewelry Show, Villa del Arte, NY, USA
2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2015 Manhattan Art & Antique Centre, NY, USA
2015 AAF Battersea, Villa del Arte, London, UK
2015 AAF New York, VK Gallery, NY, USA
2015 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2015 East Hampton Artists & Writers Annual Softball Game
2015 Art Expo Malaysia Plus, Art Blue Studio, Kuala Lumpur, Malaysia
2015 Bazaar Art Jakarta, Art Blue Studio, Jakarta, Indonesia
2015 AAF Hampstead, Villa del Arte Gallery, London, UK
2015 Art Hamptons, VK Gallery, Bridgehampton, NY, USA
2015 SCOPE Basel, VK Gallery, Basel, Switzerland
2015 AAF Hong Kong, Art Blue Studio, Hong Kong
2015 Group show. Art Blue Studio. Singapore
2015 AAF Singapore, VK Gallery, Singapore
2015 World Art Dubai, Villa del Arte Gallery, Dubai, UAE
2015 Art Breda, Wanders MFA & Dock Gallery, Breda, Netherlands
2015 Art Dubai, Contemporary Practices Magazine, Dubai, UAE
2015 Art Karlsruhe, Villa del Arte, Karlsruhe, Germany
2015 Paddle 8, Kathryn Markel Gallery, Bridgehampton, NY, USA
2015 AAF Brussels. Villa del Arte, Brussels, Belgium
2015 Naples Art Show, Villa del Arte, Palm Beach, FL, USA
2015 India Art Fair, Villa del Arte, New Delhi, India
2015 Rotterdam Art Fair, Wanders MFA & Dock Gallery, Rotterdam, Netherlands
2015 Palm Beach Art Show, Villa del Arte, Palm Beach, FL, USA
2015 LA ART SHOW, VK Gallery, Los Angeles, CA, USA
2014 Art Miami (Context), Witzenhausen Gallery, Miami, USA
2014 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2014 AAF Hamburg, Villa del Arte Gallery, Hamburg, Germany
2014 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2014 AAF Battersea, Villa del Arte, London, UK
2014 AAF New York, VK Gallery, New York, USA
2014 Houston Fine Art Fair, VK Gallery, Houston, TX, USA
2014 Summer Group Exhibition, Hay Hill Gallery, London, UK
2014 Paddle8 Auction, Bridgehampton, NY, USA
2014 Art Hamptons. VK Gallery, Bridgehampton, NY, USA
2014 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2014 AAF Singapore, VK Gallery, Singapore
2014 Downtown Fair NYC, Witzenhausen Gallery, NY, USA
2014 Russian Pavilion at Erarta Gallery (NYC Frieze week), NY, USA
2014 AAF New York, NY, USA
2014 SCOPE New York, G-77 Gallery (Japan), NY, USA
2014 Art Wynwood. Witzenhausen Gallery, Miami, USA
2013 AA New York, VK Gallery, NY, USA
2013 Russian Pavilion at Kavachnina Gallery, Miami, USA
2013 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2013 AAF New York, VK Gallery, New York, USA
2013 ART Copenhagen. Witzenhausen Gallery, Copenhagen, Denmark
2013 Vught Biennale, Gallery van Loon, Vught, Netherlands
2013 Russian Pavilion at Arttitud San Francisco, USA
2013 SCOPE New York, Witzenhausen Gallery, NY, USA
2013 Russian Pavilion, 25 Central Park West, New York City, USA
2013 Art Wynwood, Witzenhausen Gallery, Miami, USA
2012 Art Miami, Witzenhausen Gallery, Miami, USA
2012 OpenArtCode Shanghai at Present Art Festival Pudong Librart and CEIBS China Europe International Business School
2012 Europe International Art Exhibition at Wison Art Center, Shanghai, China
2012 AAF Amsterdam, Amsterdam, Netherlands
2012 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2012 Verge art fair, NYC, USA
2012 AAF New York, VK Gallery, NY, USA
2012 Art Southampton, Witzenhausen Gallery, NY, USA
2012 Open Art Code Shanghai, China
2012 Dublin Biennial. Point Village, East Wall, Dublin, Ireland
2012 AAF New York, VK Gallery, New York, USA
2012 PooL Art Fair New York, NY, USA
2012 AAF Brussels, VK Gallery, Brussels, Belgium
2011 VIII International Biennale of Contemporary Art, Florence, Italy
Victoria received first prize for two paintings
2011 Contemporary Art Fair NYC 2011, NY, USA
2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2011 "ARTI'2011", Art fair, VK Gallery, The Hague, Netherlands
2011 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands
2011 Museum of Russian Art, Jersey City, NJ, USA
2011 Tales of Breukelen, BWAC, Red Hook New York, NY, USA
2011 Berliner Liste 2011, VK Gallery, TRAFO, Berlin, Germany
2011 8th annual summer art show, Black and White, BWAC (The Brooklyn Waterfront Artist Coalition), Brooklyn, New York, USA
2011 "Belarusian Artists of The World", Art Festival of Belarus
2011 Sensation Modern Fine Art Group Exhibition, Notting Hill, London, United Kingdom
2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2011 AAF New York, VK Gallery, NY, USA
2011 Art Fair, VK Gallery, Hertogenbosch, Netherlands
2011 Gallery More Then Art, AHOY, Rotterdam, Netherlands
2011 AAF Brussels, VK Gallery, Brussels, Belgium
2010 Salon Art Bizarre 2010, La Galleria Pall Mall, London, UK
2010 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands
2010 Davidoff Swiss Indoors Tournament, Basel, Switzerland
2010 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2010 "ARTI'2010", VK Gallery, Art fair, The Hague, Netherlands
2010 Open Art Fair, VK Gallery, Utrecht, Netherlands
2010 Art Nocturne, VK Gallery, Knokke, Belgium
2010 Fine Art Fair, Park Lane Hotel, London, UK
2010 Art Laren, Laren, Netherlands
2010 "Reflected Reality", VK Gallery, Amsterdam, Netherlands
2010 Spring Celebration, Ten Elsenhuyze, Brasschaat, Belgium
2010 Art Fair, VK Gallery. Brabanthallen, Hertogenbosch, Netherlands
2010 "Primavera'10", VK Gallery, AHOY, Rotterdam, Netherlands
2010 Old Russian New Year, IGC, Amsterdam, Netherlands
2009 Memory Fragments, VK Gallery, Amsterdam, Netherlands
2009 Midwinter Celebration, Ten Elsenhuyze, Brasschaat, Belgium
2009 Kunst Messe, Jan Roelofs Antiquairs, Munich, Germany
2009 "ARTI'09", VK Gallery, The Hague, Netherlands
2009 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands
2009 Art Manege 09, Moscow, Russia
2009 AAF Amsterdam, Wies Willemsen Gallery, Amsterdam, Netherlands
2009 Open Art Fair, VK Gallery, Utrecht, Netherlands
2009 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands
2009 "Slavyanski Bazar", Museum Geelvinck Hinlopen Huis, Amsterdam, Netherlands
2009 Armenian Independent Day Festival, Hollywood, California, USA
2009 The Earth Day Celebration Festival, Los Angeles, California, USA
2009 "Dialog Ost - West", Kulturintegrationsprojekt, Aachen, Germany
2008 The Modern Art Gallery, Los Angeles, California, USA
2008 Agnieten Festival, Gallery Goda, Gouda, Netherlands
2008 Russian Art Exhibition, Gallery Goda, Alakmaar, Netherlands
2008 InterArt, Pommernhus, Greifswald, Germany
2007 Kunst – Event, AHOY, Rotterdam, Netherlands
2007 Woman's World, National Art Museum of the Republic of Belarus, Minsk, Belarus
2007 AKCENT Gallery, Brussels, Belgium
2006 Winterexposition Academy of Russian Arts, Gouda, Netherlands
2006 Eastern Neighbours, Cultural Center Babel, Utrecht, Netherlands
2006 Russian Art Gallery "Kartina", Gorinchem, Netherlands
2006 Embassy of The United States of America in Belarus, Minsk, Belarus
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2006 De Kunst van het Wonen, Willa Arena, Amsterdam, Netherlands
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2005 Kunst – Event, Antwerp EXPO, Antwerp, Belgium
2005 National Art Gallery of Belarusian Artists' Union, Minsk, Belarus
2005 Kunst – Event, AHOY, Rotterdam, Netherlands
2005 ID Studio, LLC, Pawley's Island, USA
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About the artist:
Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others.
Artist Statement:
I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Resume:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY
Coordinator, Interior Design Program, Florence, Italy campus 1992-present
AWARDS
Finalist, “Saatchi Showdown” 2010
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY
“Donise English-Paintings”, Orange County Community College, Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”, Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY
“On/Of Paper”, Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition, Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”, Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL
“Women Painting Women”, McNeese State University, Lake Charles, LA
“Thought Patterns”, Kent Place Gallery, Summit, NJ
“Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center
“The Great White Oak”, Garrison Art Center, Garrison, NY
Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY
“Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Wire More Art
Materials
Wire
Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Wire More Art
Materials
Mixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
Previously Available Items
Collapsing Identity, Fillipus Sheehama, makalani nut piths, animal bone and wire
Located in Windhoek, NA
Collapsing Identity, 2020. Mixed media: makalani nut piths, animal bone and wire
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recyc...
Category
21st Century and Contemporary Abstract Wire More Art
Materials
Wire
H 83.08 in W 46.07 in D 1.19 in
Abstract Shadow Box Construction
By Hannelore Baron
Located in Milford, NH
A wonderful abstract shadow box construction by self- taught German / American artist Hannelore Baron (1926-1987). Baron was born in Dillingen/Saar, Ge...
Category
1980s Abstract Expressionist Wire More Art
Materials
Wire
0420-06
Located in Los Angeles, CA
A lifetime of imaging and creating blossomed into a singular artistic passion ten years ago when Creager attended a workshop on wire sculpture. The wire looping workshop was taught b...
Category
2010s Abstract Wire More Art
Materials
Copper, Wire
Wire more art for sale on 1stDibs.
Find a wide variety of authentic Wire more art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul Villinski, Fillipus Sheehama, Elisia Nghidishange, and Arozarena De La Fuente. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wire more art, so small editions measuring 0.1 inches across are also available Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $929,058, while the average work can sell for $1,100.
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