Skip to main content

Fiberboard Landscape Paintings

to
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
2
1
1
1
139
2
2
2
2
Artist: Albert Lorey Groll
Medium: Fiberboard
“A Lovely Day”
Located in Southampton, NY
Oil on canvas laid down on fiberboard by the American artist, Albert Lorey Groll. Signed lower left and in pencil lower right. Signed verso as well. Condition is good. Circa 1910. Sa...
Category

1910s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil, Fiberboard

Related Items
Allan Ramsay II, Evening Glow Near Glamis Forfarshire, Oil Painting
Located in Cheltenham, GB
This early 20th-century oil painting by Scottish artist Allan Ramsay II (1852-1912) depicts a gentle river view near Glamis in Angus, Scotland. As the sun...
Category

Early 1900s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Antique American Impressionist Winter Landscape Signed Framed Oil Painting
Located in Buffalo, NY
Nice example from important American tonalist artist Bruce (Robert Bruce) Crane (1857 - 1937). Oil on canvas. Signed. Framed.
Category

1890s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith
Located in Soquel, CA
Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...
Category

Late 19th Century Tonalist Fiberboard Landscape Paintings

Materials

Cardboard, Oil

'Breaking Wave, California Coast', Tonalist Seascape, New York, Sacramento
Located in Santa Cruz, CA
Signed lower left, 'Pogacar' for Vincent Pogacar (American, 1929-1997) and painted circa 1985. A cabinet-sized study of ocean water breaking against b...
Category

1980s Tonalist Fiberboard Landscape Paintings

Materials

Oil, Canvas

"Mount Rockwell, Glacier National Park, Montana, " Mountain Lake Landscape View
Located in New York, NY
Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...
Category

1920s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Paint, Oil

Dennis Sheehan, "Across the Marsh", 18x24 Tonalist Landscape Oil Painting
Located in Saratoga Springs, NY
This piece, "Across the Marsh", by artist Dennis Sheehan is a 18x24 oil painting on canvas featuring a marshy green landscape at dusk. This moody painting shows tree line at the hori...
Category

2010s Tonalist Fiberboard Landscape Paintings

Materials

Oil, Canvas

Dennis Sheehan, "Evening Prelude", Moody Sunset Tonalist Landscape Oil Painting
Located in Saratoga Springs, NY
This piece, "Evening Prelude", by artist Dennis Sheehan is a 14x18 oil painting on canvas featuring a marshy green landscape at dusk. This moody painting shows tree line at the horiz...
Category

2010s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Late 19th Century Tonalist Rocky Mountain High Camp Landscape
Located in Soquel, CA
Wonderful 19th Century tonalist painting of Flat Top Mountain in the Rocky Mountains by unknown artist (American, late 19th-20th Century). Unsigned. Unframed. Size: 16"H x 24"W. T...
Category

Early 1900s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Sunset, 1910 by Hudson Mindell Kitchell (American, 1864-1944)
Located in New York, NY
An early 20th century nocturne by Hudson Mindell Kitchell (1864-1944), Sunset, 1910 features a figure sitting beneath a tree beside a body of w...
Category

20th Century Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Dennis Sheehan, "Glowing Hedgerow", Moody Tonalist Landscape Oil Painting
Located in Saratoga Springs, NY
This piece, "Glowing Hedgerow", by artist Dennis Sheehan is a 18x24 oil painting on canvas featuring a marshy green landscape at dusk. This moody painting shows tree line at the hori...
Category

2010s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Navajos at Rest
Located in Palm Desert, CA
"Navajos at Rest" is an oil on canvas painting by Edgar Alwin Payne. The painting is signed at the lower right, "Edgar Payne". The framed piece measures 25 1/4...
Category

Early 20th Century Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Navajos at Rest
Navajos at Rest
H 25.25 in W 29.25 in D 2 in
Dennis Sheehan, "Winter's Warmth", Tonalist Landscape Mountain Tree Oil Painting
Located in Saratoga Springs, NY
This piece, "Winter's Warmth", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a traditional snowy landscape just before dusk. Warm afternoon light surrounds fol...
Category

2010s Tonalist Fiberboard Landscape Paintings

Materials

Canvas, Oil

Fiberboard landscape paintings for sale on 1stDibs.

Find a wide variety of authentic Fiberboard landscape paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Angela Wakefield, Albert Lorey Groll, Beatrice Gildersleeve, and Caroline Bell. Frequently made by artists working in the Impressionist, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Fiberboard landscape paintings, so small editions measuring 0.1 inches across are also available

Recently Viewed

View All