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Milton Avery
Small Trees, Big Mountains

1962

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  • Impressionist Landscape painting by Larry Horowitz, Sunday Morning
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    Located in White Plains, NY
    Sunday Morning by Larry Horowitz, 2010, Oil on canvas, 44 x 70 in. in Green, white, brown, and blue. American landscape painter, Larry Horowitz, is wid...
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  • Expressionistic landscape oil painting 'Soft Tones at the Creek'
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    Located in White Plains, NY
    'Soft Tones at the Creek' 2022 by American artist, Ken Elliott. Oil on canvas, 50 x 40 in. / Frame: 51.5 x 41.75 in. This painting of a forest and ground comprises of colors in light blue, green, pink, purple, and brown. Framed in a gold painted frame. Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, the artist does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Early in his career, he was a student of Wolf Kahn, who inspired his work. Since 1988, Elliott’s work has been exhibited in numerous galleries nationwide. His work is collected in corporate art...
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  • Expressionistic landscape oil painting 'Found Colors at the Snows Edge II'
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    'Found Colors at the Snows Edge II' 2023 by American artist, Ken Elliott. Oil on canvas, 48 x 60 in. / Frame: 49.75 x 61.75 in.This painting of a forest and snowy ground comprises of colors in blue, green, brown and white. Framed in a gold painted frame. Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, the artist does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Early in his career, he was a student of Wolf Kahn, who inspired his work. Since 1988, Elliott’s work has been exhibited in numerous galleries nationwide. His work is collected in corporate art...
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  • Abstract Landscape Painting by Yangyang Pan 'Blooming Spirit'
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    'Blooming Spirit' 2022 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 60 x 48 in. / Frame: 61 x 49 in. This beautiful abstract-expressionistic, landscape painting incorpora...
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  • Abstract Landscape Painting by Yangyang Pan 'Awake'
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    Located in White Plains, NY
    'Awake' 2021 by Chinese/Canadian artist Yangyang Pan. Oil on linen, 50 x 40 in. This beautiful abstract-expressionistic, landscape painting incorporates gestural brushstrokes resembl...
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  • Oil Painting By New York Artist Sandrine Kern 'Lilies In Light'
    By Sandrine Kern
    Located in White Plains, NY
    Available at Madelyn Jordon Fine Art. 'Lilies In Light' by New York City based, French artist Sandrine Kern. 2022. Oil and cold wax on canvas, 36 x 60 in. This abstracted landscape p...
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  • Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian
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    Located in Surfside, FL
    Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...
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  • Fitzhugh Mine, near Leadville, Colorado, Mountain Mining Landscape Oil Painting
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  • Botanic Garden II, Modernist Oil Painting Pool With Flowers and Garden
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    18.50" x 23.50" sight size Debra Yoo received a degree in Fine Art and the Humanities from the University of Chicago, strongest influences were painting professor Vera Klement and the proximity of the Art Institute of Chicago. Her undergraduate work was primarily abstract, deeply influenced by Matisse, Russian icon painting, Robert Motherwell, and Barnett Newman. After graduation she decided to pursue a growing interest in painterly realism. At that time Minimalism and Conceptualism were dominant, but there was (as there is still) a core of distinguished American artists who practiced the kind of contemporary realism based on modernism. Matisse continued to be a guiding light, but she also became interested in the work of Larry Rivers, Louisa Matthiasdottir...
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  • Farmland in Autumn, Modern Pastoral Landscape
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  • 1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair
    By Harry Lane
    Located in New York, NY
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  • Manayunk, Schuylkill River, Factory, City Scene Philadelphia, Pennsylvania 1970
    By Giovanni Martino
    Located in Rancho Santa Fe, CA
    Provenance: Private Collection, San Diego, CA. Framed Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic* works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto* laden oils in the 1960's with some of the paintings worked with a palette knife*. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli and his two daughters, Nina & Babette. In the 1980's and 90's he also painted in Conshohocken and Norristown with his youngest daughter, Babette. His paintings became more sharply executed like his earlier work but were more colorful. In the late '90's he worked in his studio to enlarge paintings. He is the recipient of over 100 awards and honors. He received the Benjamin Altman Prize in Landscape Painting in 1975 at the National Academy of Design, NYC where he was elected an Academician (NA) in 1944. He mentored not only his wife and two daughters but also taught at Lehigh University and the Graphic Sketch Club, Philadelphia. He died at his home in Blue Bell on February 1, 1997. (Babette Martino...
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    1970s American Modern Landscape Paintings

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