1840s Portrait Paintings

Attributed to Charles de Steuben (1788-1856) Portrait of a man, oil on canvas 22 x 18 cm In a modern frame : 35,5 x 31,5 cm The attribution of this small portrait to Charles de St...

This charming mid-19th-century oil painting by Austrian artist Johann Paul Eisenmeyer (act.1820-1846) depicts a gentleman wearing a black coat, white shirt and black bowtie. Eisenme...

Antique portrait of a young woman. Romantic 1800's oil painting on canvas board. This is an attractive, traditional 19th Century French oil painting in its original frame. MORE ABO...

Essay: David Monies (1812-1894) was a danish artist, specializing in portrait and genre painting. His father Salomon Monies (1786-1853) was a Jewish busin...

Antique French female portrait signed bottom right P Chardin (Paul Louis Léger Chardin 1833-1918) and dated 1874, Ville d'Avray. This delightfu...

A classic romantic portrait of a man on stretched canvas in a rectangular frame with an oval setting. This painting was found in France but is likely to be of German origin. A gent...

Suite of four large family portraits, kept together to this day. Created around 1840 by the painter Théophile Morel, who presented portraits at the Salon des Artistes Français from t...

This lovely British Victorian portrait is by noted artist Richard Buckner. Painted circa 1840 it is a half length seated portrait and the sitter is Charlotte Julianna Jane Howard, 3r...

British female artist, attributed to Margaret Sarah Carpenter, nee Geddes, painted this lovely 19th century portrait oil painting. Painted circa 1840 it is a three quarter length portrait of a two sisters in a landscape. The colours are still vibrant and the detail lovely. Carpenter mostly painted portraits in the manner of Thomas Lawrence and his influence can be seen here in the composition and detail. A lovely Victorian portrait oil painting by a female artist who was much sought after as a portraitist in London and she was also a frequent exhibitor at the Royal Academy. When purchased this painting was of a single sitter. However when this stunning painting was professionally cleaned it revealed the second younger sister. Provenance. Christie's, London. 22 September 1978 Lot 50 as by D Allen...

Robert Street (American, 1796-1865) Portrait of a Woman, 1840 Oil on canvas, 28 1/2 x 23 1/2 inches; Framed: 34 1/2 x 29 1/2 inches Signed and dated at ...

Signed lower right, 'Richmond' for George Richmond, RA (British, 1809 – 1896) and painted circa 1845. Displayed in a period, carved and giltwood frame. (Framed dimensions: 22.75 x 21.5 x 1.0) This English painter and portraitist was a founding member of The Ancients, a group of followers of William Blake. Later in life, he established himself as a successful society portrait painter of the British gentry, nobility and royalty. George Richmond was the son of Thomas Richmond the miniature-painter and, also, the father of the painter William Blake Richmond. For a short time, he attended a day school in Soho, before became a student at London's Royal Academy. Here he was much impressed by Henry Fuseli, his professor of painting, and formed a lifelong friendship with Samuel Palmer, and had as fellow-students and companions Edward Calvert...

A wonderful 19th century portrait of two Bull dogs in a barnyard. Artist Bio: Herring was born on 12 September 1795 in Blackfriars, London, the eldest of nine children of Benjamin Herring...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

Signed lower left, "E. Brown' and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular by Queen Victoria in the early years of her reign; the lady shown relaxed, standing beside a velvet-draped, Neo-Classical column and wearing a satin ball...

Julius EXNER (Copenhagen, 1825 - Copenhagen, 1910) Model stripping Oil on canvas H. 122 cm; L. 74 cm Signed and dated 1842 lower right Exhibition: most likely Charlottenborg Salon of 1845, under number 110, titled Modelfigur, awarded with a silver medal Provenance: Emilio Fernando Bolt (c.1860 - 1944), acquired from the artist around 1900, then by descent Our painting was produced as part of the summer sessions organized between 1839 and 1850 by Christoffer Wilhelm Eckersberg (1783-1853), the master of Danish painting of the first half of the 19th century, in his private studio-apartment on the ground floor. floor at the Royal Academy of Fine Arts in Copenhagen. The master brought together a few students there between June and September, rented one or two models for the season, which were painted from different angles, the artists (including Eckersberg himself) sitting side by side. Eckersberg used to paint a fairly small version, the pupils of the larger formats. The work fits more generally into the legendary context of the research and reforms carried out by Eckersberg concerning the studies of nudes and in particular of female nudes, to make this exercise a genre of painting in its own right. Following his two-year stint in Jacques-Louis David's studio in Paris in 1811, Eckersberg had been made aware of work on the nude and in particular on live models, in natural light, while in Denmark the drawings were then only made from casts of antique models or other mannequins. In 1822, when he had been a professor there since 1818, it was he who had the Royal Academy of Copenhagen authorize the study of nudes, no longer in the evening by candlelight, but in natural light; from 1833, it was still he who allowed students to work on nude female models, even if the official authorization of the Academy did not take place until 1839. It was this same year that he instituted his summer sessions, on a private basis, to orient his painting and that of his students towards a new conception of the representation of models: even if the nude remains the real theme, it does not however, this is more than just an academic exercise. The subject is placed in a contemporary interior, with a rather sophisticated decor, and occupied with an intimate activity (it is this type of intimate vein that we will find later in Degas or Cassatt for example); thus in our painting, the young woman is supposed to take off her clothes to wash. The objective is that the viewer forgets that the master and his students are painting a model during a posing session, and that he instead has the impression of being alone with the model, but invisible, almost like a voyeur in spite of himself. Moreover, in these paintings, the model never looks towards the spectator, inducing a psychological distance with him, whereas model and artist are actually physically very close. On the other hand, it is not a question of idealized nudes either, even if Eckersberg, proof of his debt to the antique, chooses fairly classic models and poses. The sensuality is real and very present, with dreamy, even innocent, and timeless expressions (the models do not seem to have a defined age), suave and slow attitudes and movements, and especially with clothes that hide or reveal skillfully parts of the female body: upper buttocks, pronounced hips... Made by an artist under 20, our sensual painting is probably one of the most beautiful and spectacular produced by the students of Eckersberg during these summer sessions. With a perfect balance between the firmness of an ancient statue (it recalls the Venus de Milo) and the softness of the feminine forms, highlighted by a harmonious palette, it captures the attention with many details: the almost photographic folds white clothing...

A pair pf 19th century English School watercolor portraits of a man and woman, possibly husband and wife. Both are inscribed on the rever...

Henry Calvert was an animal painter, particularly of the sporting variety and best known for his depictions of horses, hunting scenes and equestrian hunting portraits...

A wonderful portrait of a young boy seated in his room looking out over the expansive landscape. Painted circa 1840 this piece has all the style of middle European art. French, Swis...

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

This portrait depicts a seated colonial woman, painted in a realist style that can be compared to John Smibert. This painting has beautiful details such a...

This beautiful mid-19th-century oil painting by British artist Charles Dickinson Langley (1799-1873) depicts a mother and child before a landscape. Little is known about Langley, wh...