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Medium: Glass
"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char
Located in Culver City, CA
"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
Solar Plexus - Manipura
The ...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Metal
Tender is the Night - Photographic Print on Glass with 23.4 carat Gold leaf
Located in London, GB
"Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach...
The image endeavours to celebrate the noble presence and elegant sway of the ubiquitous palm tree. The palm tree has many symbolic meanings and in this image I have tried to highlight its association with immortality and regeneration with the addition of gold leaf." - Valda Bailey...
Category
2010s Art Deco Glass Photography
Materials
Gold Leaf, Gold
Cedars, Twilight's Pat 001 - Forest at night...
Located in London, GB
Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...
Category
2010s Contemporary Glass Photography
Materials
Archival Pigment, Oak, Walnut, Cedar, Plate Glass, Archival Paper, Photo...
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Glass Photography
Materials
Metal
Shetland Islands, Golden Stardust
By Kate Breakey
Located in Columbia, MO
Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers and animals in a ser...
Category
21st Century and Contemporary Naturalistic Glass Photography
Materials
Gold Leaf
Dark Flora: Fly Argaric - mounted print and framed in oak
Located in London, GB
Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...
Category
2010s Victorian Glass Photography
Materials
Photographic Paper, Color, Archival Pigment, Glass, Oak
The Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Glass Photography
Materials
Black and White, Photogram, Silver Gelatin, Glass, Oak, Archival Paper
Dar Flora: Fly Argaric, May Foxgloves & Autumn Weald - 3 x Framed Prints Set
Located in London, GB
Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...
Category
2010s Contemporary Glass Photography
Materials
Glass, Oak, Photographic Paper, Color, Archival Pigment
Joe Jackson - Look Sharp, 1979 - Vintage gelatin silver print - album cover
Located in London, GB
Brian Griffin
Joe Jackson - Look Sharp, 1979
Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame
Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...
Category
1970s Symbolist Glass Photography
Materials
Glass, Oak, Photographic Film, Photographic Paper, Black and White, Brom...
Rocket Man, Dungeness, Kent, 1979 / Howard Jones - Crossed That Line 1989
Located in London, GB
“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...
Category
1970s Symbolist Glass Photography
Materials
Glass, Wood, Oak, Photographic Film, Photographic Paper, Black and White...
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979)
Located in London, GB
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979
Archival Pigment Print, Framed
Image size 30 x 30 cm
Frame: 55 x 45.5 cm
© Brian Griffin
"I remember this...
Category
1970s Performance Glass Photography
Materials
Glass, Wood, Photographic Film, Photographic Paper, Color, Archival Pigment
Waxing Crescent
By Kate Breakey
Located in Sante Fe, NM
Orotones leafed in 24kt gold, Price includes frame
Category
2010s Contemporary Glass Photography
Materials
Gold Leaf
Feathers - A selection of birds feathers in colours, Geometric Tribal Mandala
Located in London, GB
“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings....
It symbolises trust, honour, strength, wisdom, power, and freedom”
Naturally shed feathers, none of them were dyed, all natural colours.
Birds’ feathers included in this artwork:
Blue Jay
Pheasant
Woodcock
Blue Mallard
Homing Pigeon
Teal Duck
Partridge
Han Mallard
Magpie
Red Kite
Blue & Gold Maccaw
Red and Green Maccaw
Peacock
Guinea Fowl
Parrot
Leopard Spotted Argus Pheasant
Lady Amherst Pheasant
Ringneck Pheasant
Golden Reeves Pheasant
Tragopan Pheasant
Oriental Bay Owl
Scarlet Ibis
Feathers, 2022
Series: Detritus
Archival Pigment Print, Mounted on Dibond in custom made Frame;
with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx.
Edition of 5 + 2AP
About the Artist
George McLeod...
Category
2010s Tribal Glass Photography
Materials
Glass, Wood, Oak, Paper, Archival Ink, Archival Paper, Photographic Pape...
"Heart Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char
Located in Culver City, CA
"Heart Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Metal
"Sacral Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char
Located in Culver City, CA
"Sacral Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Metal
"Root Chakra" Mixed media photography 26" x 26" inch Edition 2/7 by Oleg Char
Located in Culver City, CA
"Root Chakra" Mixed media photography 26" x 26" inch Edition 2/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
R...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Metal
Under and Above, New York City, "Brooklyn to Manhattan journey on the subway..."
Located in London, GB
UNDER AND ABOVE, NEW YORK CITY, 2021
Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond.
Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing.
2 x Prints as One work of Art: 80 x 50 cm
Framed 82 x 52 cm approx./ 32 x 20.5 inches approx.
Unique Work
Series: New York City
Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity
© Michael G Jackson...
Category
2010s Art Deco Glass Photography
Materials
Glass, Wood, Photographic Paper, Black and White, Silver Gelatin, Photogram
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Glass Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
ATO>MIC #8, unique warmed toned, Silver Gelatin Abstract Luminogram Print
Located in London, GB
ATO>MIC #8, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass
23 x 18 cm approx. image size
38 x 35.5 cm (Framed)
Unique
Series: ATO>MIC
Signed on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson
The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Glass Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
JLO Jennifer Lopez. Portrait Intervened by the artists.
Located in Miami Beach, FL
JLO, Jennifer Lopez Portrait by Hunter & Gatti
Black and White Photography with broken glass on top of the image.
Image size: 45.2 in. H x 32.5 in. W
Frame size: 52.5 in. H x 39 in....
Category
2010s Contemporary Glass Photography
Materials
Glass, Photographic Paper, Black and White, Archival Pigment
Origianals: Bella Hadid. Portrait Intervened by the artists.
Located in Miami Beach, FL
Originals. Bella Hadid, Portrait by Hunter & Gatti
Black and White Photography with broken glass on top of the image.
Image size: 45.2 in. H x 32.5 in. W
Frame size: 52.5 in. H x 39 ...
Category
2010s Contemporary Glass Photography
Materials
Glass, Photographic Paper, Black and White, Archival Pigment
Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
Located in London, GB
Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs.
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Print size: 75 x 54 cm
Framed: 80 x 60 cm approx.
Inspired by Victorian era taxidermy dioramas...
Category
2010s Victorian Glass Photography
Materials
Archival Pigment, Glass, Wood, Oak, Photographic Paper, Color
Shravan Belagola, India, 1992, Photo Prints on Cardboard, Collage, Mirror Insets
Located in Surfside, FL
MacConnel, Kim Robert (American, California, born 1946)
Shravan Belagola Temple (Jain)
Shravanabelagola (Śravaṇa Beḷagoḷa) is a town located near Channarayapatna of Hassan district ...
Category
1990s Contemporary Glass Photography
Materials
Mirror, Acrylic Polymer, Mixed Media, Photographic Paper
Tourists Hampi, India, 1992, Photo Prints on Cardboard, Collage, Mirror Insets
Located in Surfside, FL
MacConnel, Kim Robert (American, California, born 1946)
Tourists, Hampi, India (Hampi is an ancient village in the south Indian state of Karnataka. It’s dotted with numerous ruined t...
Category
1990s Contemporary Glass Photography
Materials
Mirror, Acrylic Polymer, Mixed Media, Photographic Paper
Dar Flora #5, May Foxgloves, A floral arrangement of wild flowers and plants
Located in London, GB
Dark Flora #5 - May Foxgloves, 2020
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous...
Inspired by Victorian era taxidermy dioramas...
Category
2010s Contemporary Glass Photography
Materials
Archival Pigment, Glass, Wood, Photographic Paper, Color
Bruno Mars, Portrait. Portrait Intervened by the artists.
Located in Miami Beach, FL
Bruno Mars, Portrait by Hunter & Gatti
Black and White Photography with broken glass on top of the image.
Image size: 45.2 in. H x 32.5 in. W
Frame size: 52.5 in. H x 39 in. W x 2 i...
Category
2010s Contemporary Glass Photography
Materials
Glass, Photographic Paper, Black and White, Archival Pigment
King's Best - Neck, Stallion detail / abstract horse portrait
Located in London, GB
King's Best, ‘Neck’, 2001 by John Reardon
Edition of 7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of : (after) Whist...
Category
Early 2000s Contemporary Glass Photography
Materials
Glass, Black and White, Photographic Paper, Archival Paper, Photographic...
Noverre - Horse Landscape I, Blue Sky and Clouds, Panoramic Print, Australia
Located in London, GB
Noverre - Horse Landscape I, 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14....
Category
Early 2000s Contemporary Glass Photography
Materials
Glass, Wood, Photographic Film, Archival Ink, Wax, Panel, Archival Paper...
Cape Cross - Hoof, Horseshoe, Stallion - Equine detail, Silver Gelatin Print
Located in London, GB
Cape Cross, ‘Hoof’, 2001 by John Reardon
Edition of 2/7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This pie...
Category
Early 2000s Contemporary Glass Photography
Materials
Black and White, Wood Panel, Wood, Glass, Photographic Paper, Archival P...
Noverre - Horse Landscape 2, Sky and Mane, Panoramic Print, Australia 2003
Located in London, GB
Noverre - Horse Landscape 2, 'Mane', 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14.5 x 37 inches approx.
Ed...
Category
Early 2000s Surrealist Glass Photography
Materials
Glass, Wood, Photographic Film, Archival Paper, Photographic Paper, C Pr...
Singspiel, Running Stallion, Champion Equine Black and White Photograph
Located in London, GB
Singspiel, Stallion Portrait 2001 by John Reardon
76 x 51 cm
Edition of 5 only
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...
Category
Early 2000s Contemporary Glass Photography
Materials
Black and White, Wood, Glass, Photographic Paper, Archival Paper, Photog...
"Cherry Orchard" 28" x 27" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Cherry Orchard" 28" x 27" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror)
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER GREENAWAY...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Gold Leaf
Rest - An East Hamptons beach storm and seabirds
Located in New York, NY
49" x 70" Ed. of 8 $9,800 & larger
41" x 59" Ed. of 10 $6,800
36" x 50" Ed. of 6 $5,200
30" x 42" Ed. of 6 $3,600
Recommended option to use museum glass/acrylic priced on request
In this photograph, Lenoir captures a calming seascape featuring a group of piping plovers on East Hamptons beach...
Category
2010s Naturalistic Glass Photography
Materials
Glass, Paper, Archival Paper, Photographic Paper, Color, Pigment, Archiv...
"Your Reversed Berlin" 2016 Color-print on Fuji crystal archive II paper
Located in Toronto, Ontario
Olafur Eliasson (b. 1967) is a critically acclaimed Icelandic-Danish artist recognized for his work across multiple mediums including installations, sculpture, painting, photography, and film.
A long-time advocate of climate activism, Eliasson's work situates the viewer in immersive atmospheric environments, offering tangible experiences that epitomize the most ominous threat of our lifetime.
Engulfed in multisensory experiences, Eliasson invites the audience to contemplate our interdependence with the earth while highlighting the significance of personal accountability in combating climate issues.
"Your Reversed Berlin" features the Berlin cityscape shot from the artist's studio at an elevated vantage point. The same image is duplicated and inverted to fit into a circular reproduction, which is overlayed in the center of the work to complete the original image.
Color filled-glass covers the surface of the second photo, its hue alternating based on varied lighting. The glass doubles as a mirror, confronting the viewer with their own reflection when standing directly in front of the work.
"Your Reversed Berlin" was commissioned by the Canadian Friends of the Israel Museum in consortium with Benefit Print Project to mark the 50th anniversary of the Israel Museum. In 2022, the work was included in Hot Mess...
Category
2010s Contemporary Glass Photography
Materials
Glass, Color
Medusas 11, 12 y 13. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Medusas 11, 12 y 13, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x...
Category
2010s Abstract Glass Photography
Materials
Archival Pigment, Glass
Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018
Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category
2010s Romantic Glass Photography
Materials
Oak, Archival Pigment, Photographic Paper, Watercolor, Paint, Glass
Algas 11, 22 y 67. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Algas 11, 22 y 67, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x 1...
Category
2010s Abstract Glass Photography
Materials
Glass, Archival Pigment
Algas 23, 63 y 64. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Algas 23, 63 y 64, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x 1...
Category
2010s Abstract Glass Photography
Materials
Glass, Archival Pigment
Algas 88, 28, 87. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Algas 88, 28, 87, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x 12...
Category
2010s Abstract Glass Photography
Materials
Glass, Archival Pigment
Algas 75, 83 Y 26. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Algas 75, 83 Y 26, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x 1...
Category
2010s Abstract Glass Photography
Materials
Glass, Archival Pigment
Algas 14, 41 y 68. Cyanotype photograhs mounted in high resistance glass dish
By Paola Davila
Located in Miami Beach, FL
Algas 14, 41 y 68, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Mounted in a high-resistance borosilicate glass petri dish
Overall size: 36 cm Dm x 1...
Category
2010s Abstract Glass Photography
Materials
Glass, Archival Pigment
Sweet Violet... Spring face of female looking up in flowers hand coloured print
Located in London, GB
Katie Eleanor, "Sweet Violet", 2019
Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...
Category
2010s Contemporary Glass Photography
Materials
Oak, Archival Pigment, Watercolor, Paint, Glass
Folded Moon 3/20 - iconic, detailed, photography, shaped tondo wall relief
Located in Bloomfield, ON
As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...
Category
2010s Contemporary Glass Photography
Materials
Mirror, Plexiglass, Digital
Woman Portrait Photography Print Titled "Spy" by Luciana Pampalone
Located in Plainview, NY
A photography archival pigment print of a a woman holding a reading magnifier close to her eye in black and white by Luciana Pampalone ( American, 1962) titled " Spy" and the first e...
Category
21st Century and Contemporary Modern Glass Photography
Materials
Paper, Glass
Impressionistic Photography Print of a Tree by Luciana Pampalone Limited Edition
Located in Plainview, NY
An impressionistic photography archival pigment print titled "Tree" by Luciana Pampalone ( American, 1961) limited edition 1/20 in black and white, framed and matted. The print comes...
Category
21st Century and Contemporary Modern Glass Photography
Materials
Paper, Glass
Modern Genre Photography Print Titled " Bobbi's Ghost", Limited Edition
Located in Plainview, NY
A modern genre photography archival pigment print titled " Bobbi's ghost" featuring a lady with three open umbrellas near a lake. The art work created by Luciana Pampalone ( American...
Category
21st Century and Contemporary Glass Photography
Materials
Glass, Paper
"Under the Enchanter's Spell, " Contemporary Figural Photography, 24" x 27"
Located in Westport, CT
This limited edition photograph by Alyssa Fortin captures a female figure floating, submerged in water and partially enveloped by soft, light orange fabric. The warm-toned fabric is contrasted by the surrounding deep sea-green and teal water, with yellow refracted light cast on the floor.
An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under UV Tru Vue Museum glass which provides 99% UV protection and excellent clarity. The print size itself is 24" x 27" with a frame face of 1 1/4". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity.
To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production.
Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...
Category
2010s Contemporary Glass Photography
Materials
Glass, Archival Paper
"Dynamene, " Contemporary Figural Photograph, 16" x 40"
Located in Westport, CT
This contemporary figural limited edition photograph by Alyssa Fortin captures a female figure, enveloped in light, soft fabric, floating under the surface of blue water in a dancer'...
Category
2010s Contemporary Glass Photography
Materials
Glass, Archival Paper
James Sparshatt Ritmo del Autobus Photography, Framed Palladium Platinum Print
Located in Coltishall, GB
It was Christmas day and we were heading to Santa Maria beach in a hired Cuban school bus about 40 minutes from Centro Havana. The girls of Rumba Morena beg...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Platinum, Glass
James Sparshatt El Ultimo Tango Photography, Framed Palladium Platinum Print
Located in Coltishall, GB
The last tango of the day en la Boca, Buenos Aires, Argentina.
James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Glass, Platinum
The Skelligs by Moonlight by James Sparshatt. 34 x 24" Framed Archival Print
Located in Coltishall, GB
The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them..
James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements.
The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print.
Archival print on 300gsm Hahnemuhle rag
Edition of 15
Dark wood frame with UV clarity glass
Framed size 96cm x 72cm (38″ x 28.5″)
Signed by the artist
Certificate of Authenticity from the gallery
Country: County Kerry...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Glass, Wood, Rag Paper
Fellaz on Frenchmen by James Sparshatt. Framed Palladium Platinum Print
Located in Coltishall, GB
New Orleans is a mecca for music lovers from around the world. Wandering up Frenchmen Street on a sultry Louisianan evening is to be surrounded by competing sounds vying for attentio...
Category
21st Century and Contemporary Contemporary Glass Photography
Materials
Glass, Platinum
"Dexamene, " Contemporary Figural Photograph, 24" x 27"
Located in Westport, CT
This contemporary figural limited edition fine art photograph by Alyssa Fortin captures a female figure wrapped in soft, light, creme-colored fabric, floating beneath the surface of ...
Category
2010s Contemporary Glass Photography
Materials
Glass, Archival Paper
Glass photography for sale on 1stDibs.
Find a wide variety of authentic Glass photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, pink, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kate Breakey, Vladimir Clavijo-Telepnev, James Sparshatt, and Monica Denevan. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Glass photography, so small editions measuring 0.1 inches across are also available
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