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Claes OldenburgFagends Carved in Rock, De-Accessioned from the Denver Art Museum 1975
1975
About the Item
Claes Oldenburg
Fagends Carved in Rock, De-Accessioned from the Denver Art Museum (137, Axsom and Platzker), 1975
Offset Lithograph. Hand signed and numbered with artists copyright.
38 × 22 1/4 inches
Edition XX/XXV
Hand signed in graphite pencil in full signature also plate signed above; stamped on verso.
Multiples Inc., New York and Denver Art Museum, Colorado
This print was published on the occasion of the solo exhibition Claes Oldenburg: six themes at the Denver Art Museum, Colorado, 28 June - 24 August 1975, and travelling thereafter. Fagends are of course Oldenburg's famous cigarette butts ("Fag Ends"). Unframed.
Catalogue Raisonné: 137, Axsom and Platzker
25 ( XII/XXV Roman numeral prints, aside from the regular edition of 50 plus 25 artist's proofs plus 12 Hors Commerce editions plus 10 Landfall Press impressions)
Hand signed in graphite pencil in full signature and numbered 12 from the Roman Numeral Edition of 25; also plate signed above; stamped on verso.
Claes Oldenburg Biography
Claes Oldenburg is renowned for his sculptures, drawings, and colossal monuments that transform familiar objects into states that imply animation and sometimes revolt.
A leading voice of the Pop art movement, Oldenburg came to prominence in the New York art scene of the late 1950s and early 1960s, where he established himself with a series of installations and performances influenced by his surroundings on the Lower East Side.
Moving from early environments such as The Street (1960), The Store (1961), and Bedroom Ensemble (1963), Oldenburg then developed a series of soft sculptures, created with the participation with his first wife Patty Mucha. These took as subjects ordinary, everyday objects, often enlarged, as did a series of fantastic proposals for civic monuments. His accumulation of studio miscellany eventually took form as the Mouse Museum and Ray Gun Wing (1965–77), which pioneered collection and display as forms of art.
In 1977, Oldenburg married curator and art historian Coosje van Bruggen, with whom he would collaborate for over thirty years. In addition to curatorial and lecturing positions, van Bruggen was the author of many articles and books including monographs on Bruce Nauman, Hanne Darboven, John Baldessari, and Claes Oldenburg. Together, Oldenburg and van Bruggen produced sculpture, drawings, performances, and colossal monuments that transform the familiar into the unexpected.
-Courtesy PACE Gallery
- Creator:Claes Oldenburg (1929, American, Swedish)
- Creation Year:1975
- Dimensions:Height: 38 in (96.52 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210567922
Claes Oldenburg
One of the original Pop artists, Claes Oldenburg was born in Stockholm. The son of a Swedish diplomat, he spent his early years in Stockholm and Oslo until the family moved to Chicago in 1937.
Oldenburg attended Yale University, then returned to Chicago, where he worked for a newspaper and also attended drawing classes at the Art Institute. He moved to New York in 1956.
Oldenburg’s early art in New York were works of urban realism in cardboard and paper that were influenced by the work of Dubuffet and the New Realists, and were seen as a brutal response to society. In 1961 Oldenburg rented a storefront on the Lower East Side and sold brightly painted plaster objects as well as three-dimensional and wall reliefs based on hamburgers, pastries, men's and women's clothing, and other commodities. The signature soft sculptures followed, objects of commonplace household objects made of vinyl or canvas stuffed with kapok. These pieces transformed the medium — the soft sculptures are intended to be sensual experiences and commentary on our material world of objects and our relationship to them.
In 1965, still working in vinyl, plaster and cardboard, Oldenburg began making large works termed “Colossal Monuments,” which are large public sculptures with public and private meanings. In the 1970s, Oldenburg was fabricating large-scale works in durable materials such as steel, and working with Coosje van Bruggen, he had received many such public commissions in the United States and Europe.
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(Biography provided by Art Commerce)
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