Frank StellaRabat, Geometric Screenprint by Frank Stella 19641964
1964
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:1964
- Dimensions:Height: 27 in (68.58 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In good condition apart light age-toning.
- Gallery Location:Long Island City, NY
- Reference Number:
Frank Stella
Frank Stella was one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella was a painter, printmaker and sculptor.
A native of Massachusetts, Stella attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann. Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s.
After moving to New York in 1958, Stella gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns.
Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series.
Herman Melville's Moby Dick was Stella's muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca."
In 1997, the artist oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museums around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find original Frank Stella art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Silver Image, Geometric Abstract Screenprint by Nicholas KrushenickBy Nicholas KrushenickLocated in Long Island City, NYArtist: Nicholas Krushenick Title: Silver Image Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 32 x 26 inches (81.28 x 66.04 cm)Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- KTL, Geometric Abstract by Jack TworkovBy Jack TworkovLocated in Long Island City, NYAn original geometric silkscreen by Russian/American artist, Jack Tworkov. It is signed and numbered 80/150 in pencil.Category
1980s Abstract Geometric Abstract Prints
MaterialsScreen
- Composition Green, Geometric Abstract by Larry ZoxBy Larry ZoxLocated in Long Island City, NYArtist: Larry Zox Title: Green Composition I Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 15/100 Image: 12 x 27.5 inches Paper Size: 21 x 36 in. (53.34 x 91....Category
1980s Abstract Geometric Abstract Prints
MaterialsScreen
- Sunset, Colorful Geometric Silkscreen by Barbara Lynch ZinkelBy Barbara Lynch ZinkelLocated in Long Island City, NYA colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, estate stamped verso and numbered in pe...Category
1990s Abstract Geometric Abstract Prints
MaterialsScreen
- Gordon House, "Dial Set One, " Screenprint, 1966By Gordon HouseLocated in Long Island City, NYThis screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...Category
1960s Abstract Geometric Abstract Prints
MaterialsScreen
- Bandeirinhas estruturadas, Screenprint by Alfredo VolpiBy Alfredo VolpiLocated in Long Island City, NYArtist: Alfredo Volpi, Brazilian (1896 - 1988) Title: Bandeirinhas estruturadas Year: 1970 Medium: Silkscreen, signed in pencil Edition: PA Size: 19 in. x 26 in. (48.26 cm x 66....Category
1960s Abstract Geometric Abstract Prints
MaterialsScreen
- Arrived /// Bauhaus Abstract Geometric Josef Albers Screenprint Yellow MinimalBy Josef AlbersLocated in Saint Augustine, FLArtist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right Year: 1965 Medium: Original Scre...Category
1960s Abstract Geometric Abstract Prints
MaterialsScreen
- City 365By Risaburo KimuraLocated in San Francisco, CAArtist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...Category
1970s Abstract Geometric Abstract Prints
MaterialsPaper, Screen
- JHM - II /// Bauhaus Abstract Geometric Josef Albers Screenprint MinimalismBy Josef AlbersLocated in Saint Augustine, FLArtist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen, Plexiglass
- Jai-Alai Suite: Screen Print CBy Jesús Rafael SotoLocated in New York, NYJesús Rafael Soto Jai-Alai Suite: Screen Print C, 1969 screenprint on plexi, edition of 300 24 1/4 x 19 3/5 in.Category
1960s Abstract Geometric Abstract Prints
MaterialsPlexiglass, Screen
- Jai-Alai Suite: Screen Print ABy Jesús Rafael SotoLocated in New York, NYJai-Alai Suite: Screen Print A, 1969 screenprint on plexi, edition of 300 24 1/4 x 19 3/5 in.Category
1960s Abstract Geometric Abstract Prints
MaterialsPlexiglass, Screen
- Jai-Alai Suite: Screen Print DBy Jesús Rafael SotoLocated in New York, NYJesús Rafael Soto Jai-Alai Suite: Screen Print D, 1969 screenprint on plexi, edition of 300 19 1/2 x 24 1/4 in.Category
1960s Abstract Geometric Abstract Prints
MaterialsPlexiglass, Screen
Recently Viewed
View AllRead More
Get to Know the Artists Who Led the Op Art Movement
In the 1960s and '70s, the hypnotic creations of Op artists went mainstream and influenced the look of pop culture.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.