Archival Pigment Abstract Prints
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Medium: Archival Pigment
Globe
By Amy Cheng
Located in New York, NY
Lively contemporary print of a large, iconic Earth-like globe decorated with patterned, curved lines filled with circles, flat color areas, repetitive lines, and cross-hatching in co...
Category
2010s Contemporary Archival Pigment Abstract Prints
Materials
Archival Pigment
Linear Mandala
By Amy Cheng
Located in New York, NY
Intricate, detailed, fine-lined rendering of a mandala-like image composed of a circular core bracketed by two half spheres. The image is suggestive of natural elements such as seash...
Category
2010s Contemporary Archival Pigment Abstract Prints
Materials
Archival Pigment
Eyes to The Wind is a Archival Chromagenic Photographic Print by Allan Forsyth
Located in Deddington, GB
Allan Forsyth is an artist who explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his w...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
White flowers - Contemporary, Abstract, Modern, Pop art, Surrealist, Landscape
Located in London, London
White flowers, 2019
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed)
His wor...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Paper, Inkjet, Pigment, Archival Pigment
JULIO LE PARC : ALCHIMIE & POESIE 6
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies !
Technic : Pigment print on pure Cotton paper 270gr.
Format :30x42 cm
Edition Size : 12 signed and numbered copies.
This is number 4 from an edition of 12.
OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€.
Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history.
Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
ALCHIMIE & POESIE
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies !
Technic : Pigment print...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
ALCHIMIE & POESIE 4
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies !
Technic : Pigment print...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
JULIO LE PARC : ALCHIMIE & POESIE 10
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies !
Technic : Pigment print on pure Cotton paper 270gr.
Format :30x42 cm
Edition Size : 12 signed and numbered copies.
This is number 4 from an edition of 12.
OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€.
Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history.
Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
Newton's Synod
Located in Henderson, NV
Clifford Singer has been researching Sir Isaac Newton's mathematical principles since 1978. Newton's Synod is one of the works. originally done as sculpture in 1988.
Category
2010s Archival Pigment Abstract Prints
Materials
Canvas, Archival Pigment
Burning Sky (Ed. 29/35)
By Jan Kaláb
Located in Dallas, TX
As a graffiti pioneer in his native Czech Republic, Jan Kalab made his name in the late 90s. As his work developed, he found a new way to push his own limits and challenge himself by making 3-D Graffiti. Under the name of Point, he sculpted huge abstract letters...
Category
21st Century and Contemporary Minimalist Archival Pigment Abstract Prints
Materials
Rag Paper, Archival Pigment
Wallscape VI ( Il Famoso ) - abstract capture of vintage Italian circus poster
By Frank Schott
Located in San Francisco, CA
Wallscape VI by Frank Schott
from a series of photographic observances capturing urban textures and palimpsest color palettes
32 x 40 inches / 81cm x 102cm
edition of 25
signed
48...
Category
21st Century and Contemporary Contemporary Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
JULIO LE PARC : ALCHIMIE & POESIE 7
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies !
Technic : Pigment print on pure Cotton paper 270gr.
Format :30x42 cm
Edition Size : 12 signed and numbered copies.
This is number 4 from an edition of 12.
OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€.
Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history.
Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
JULIO LE PARC : ALCHIMIE & POESIE 11
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies ...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
JULIO LE PARC : ALCHIMIE & POESIE 9
Located in LILLE, FR
Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc.
Very Limited edition Print of only 12 copies ...
Category
2010s Op Art Archival Pigment Abstract Prints
Materials
Archival Paper, Archival Pigment
Burst I - large format abstract photograph of aleidoscopic color explosions
Located in San Francisco, CA
From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color
48 x 72 inches (122 x 18...
Category
21st Century and Contemporary Contemporary Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Basquiat Philistines vs Basquiat
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Archival Pigment Abstract Prints
Materials
Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment
Untitled, Signed Colorful Limited Edition Print on Archival Paper, Asian Artist
Located in New york, NY
Untitled, 2020 by Chin Chih Yang is a signed limited edition print on archival paper: 28/75 - edition number, date of creation, and artist's signature on recto (front of work) - in m...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Pigment, Archival Pigment
5/3/2020
By Ajay Malghan
Located in New York, NY
Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead.
Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose.
Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract India Edition 5/8 Linocut Print Nature Orange Black Red Love
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper
Edition: 5 of 8, 1999
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Outgoing Tide, Signed Contemporary Neutral Minimalist Abstract Digital Painting
Located in Boston, MA
Outgoing Tide, Signed Contemporary Neutral Abstract Digital Painting
24" x 24" x 1.5" (HxWxD) Archival Print on Canvas
Hand-signed by the artist in verso.
This square format digital...
Category
21st Century and Contemporary Abstract Archival Pigment Abstract Prints
Materials
Canvas, Digital, Archival Pigment
From the bottom of my heart-line drawing heart with hyacinth flowers
By Mila Akopova
Located in Fort Lee, NJ
A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and signed by the artist. Framed (white) with a styrene face on a double mat board in beige and red colors with size 30x24 inches.
Mila Akopova is New York artist.
She graduated from Moscow State University with a degree in History and Theory of Art.
Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best...
Category
2010s Minimalist Archival Pigment Abstract Prints
Materials
Paper, Archival Pigment
F0027 - Contemporary, Abstract, Modern, Pop art, Surrealist, Landscape
Located in London, London
a, 2018
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed)
His work has been s...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Paper, Inkjet, Pigment, Archival Pigment
Kenny Scharf Furungle Green
By Kenny Scharf
Located in Washington, DC
Artist: Kenny Scharf
Title: Furungle Green
Medium: Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art pape...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
ST055-Contemporary, Abstract, Expressionism, Modern, Pop art, , Geometric
Located in London, London
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed. Edition of 25 (Unframed)
His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Paper, Inkjet, Pigment, Archival Pigment
F0027 - Contemporary, Abstract, Modern, Pop art, Surrealist, Landscape
Located in London, London
a, 2018
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed)
His work has been s...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Paper, Inkjet, Pigment, Archival Pigment
Retina #13, 2022, digitally handmade print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Retina #13, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16"...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract Print India Artist Proof Linocut Nature Earth Love Red Orange
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper
Edition: AP, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Love Purple Blue Turquoise
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
"In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture"
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
On the Periphery #16, digitally handmade print, edition of 10, signed
By Gary Cruz
Located in New York, NY
On the Periphery #16, an edition of 10, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism
from a series of photographs capturing the mid century modern architecture and architectural el...
Category
21st Century and Contemporary Contemporary Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Retina #6, 2022, digitally handmade print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Retina #6, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16" ...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Retina #12, 2022, digitally handmade print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Retina #12, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16"...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Dilation #21, 2022, digitally made abstract print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Dilation #21, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Dilation #39, 2022, digitally made abstract print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Dilation #39, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Dilation #8, 2022, digitally made abstract print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Dilation #8, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 16...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting
Located in Boston, MA
Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting
30" x 30" x 1.5" (HxWxD) Archival Print on Canvas
Hand-signed by the artis...
Category
21st Century and Contemporary Color-Field Archival Pigment Abstract Prints
Materials
Canvas, Digital, Archival Pigment
On the Periphery #18, digitally handmade print, edition of 10, signed
By Gary Cruz
Located in New York, NY
On the Periphery #18, an edition of 10, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is ...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
ST1b99-Contemporary, Abstract prints, stil-life, figurative, nude, landscape
Located in London, London
Flowers 09, 2019
Edition of 25
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His work h...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Paper, Mixed Media, C Print, Inkjet, Giclée, Pigment, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Ecco of Passion Blue
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Eyebeam, 2022, digitally made by hand print, edition of 2, signed
By Gary Cruz
Located in New York, NY
Eyebeam #2, an edition of 2, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 53" x 30" ...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Phosphene #20, 2022, digitally handmade print, edition of 3, signed
By Gary Cruz
Located in New York, NY
Phosphene #20, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28.75" ...
Category
2010s Contemporary Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Australia Aborigine Purple Lilac
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Aubergine Green
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 45 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
ST1823-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Edition of 25 Unframed
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His work has been s...
Category
2010s Abstract Geometric Archival Pigment Abstract Prints
Materials
Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Green Yellow Leaves
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 1999
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Pigment Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
F1As788-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Voluptuosidad 11, 2019
Edition of 25
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His ...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Archival Pigment
ST1828-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Edition of 25 Unframed
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His work has been s...
Category
2010s Abstract Geometric Archival Pigment Abstract Prints
Materials
Archival Pigment
ST1AB75-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Voluptuosidad 12, 2019
Edition of 25
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His ...
Category
2010s Pop Art Archival Pigment Abstract Prints
Materials
Archival Pigment
ST1827-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Edition of 25 Unframed
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His work has been s...
Category
2010s Abstract Geometric Archival Pigment Abstract Prints
Materials
Archival Pigment
Lovers7-Contemporary, Abstract, Minimalism, Modern, Expressionist, Surrealist
Located in London, London
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed)
His work has been shown in Reina Sofía M...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Archival Pigment
CoCreate 02 and 03 (Diptych), From the We Are One Series. Abstract color photo
Located in Miami Beach, FL
CoCreate 02 and 03 Diptych, by Angelica Tcherassi
From The We Are One Series
Archival pigment print on Hahnemühle photo pearl
Overall size:
Frame size: 37 H x 50 W x 1 D inches.
S...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Photographic Paper, Color, Archival Pigment
ST0034-Contemporary, Abstract prints, stil-life, figurative, nude, landscape
Located in London, London
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed)
His work has been shown in R...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
C Print, Inkjet, Color, Pigment, Archival Pigment, Mixed Media, Paper
F0026 - Contemporary, Abstract, Pop Art, Modern, Surrealist, Landscape
Located in London, London
The Observer, 2019
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed)
His work...
Category
2010s Abstract Archival Pigment Abstract Prints
Materials
Paper, Inkjet, Pigment, Archival Pigment
ST1828-Contemporary , Abstract, Gestual, Street art, Pop art, Modern, Geometric
Located in London, London
Edition of 25 Unframed
Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed)
His work has been s...
Category
2010s Abstract Geometric Archival Pigment Abstract Prints
Materials
Archival Pigment
Archival Pigment abstract prints for sale on 1stDibs.
Find a wide variety of authentic Archival Pigment abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Francisco Nicolás, Sumit Mehndiratta, Gary Cruz, and Christian Stoll. Frequently made by artists working in the Abstract, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Pigment abstract prints, so small editions measuring 0.02 inches across are also available
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