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Tracey Emin
These Feelings Were True II - Emin, Contemporary, YBAs, Lithograph, Portrait

2020

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  • Blue Madonna - Emin, Contemporary, YBAs, Lithograph, Portrait, Black
    By Tracey Emin
    Located in Zug, CH
    Blue Madonna - Emin, Contemporary, YBAs, Lithograph, Portrait, Black 3 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, nu...
    Category

    2010s Young British Artists (YBA) Figurative Prints

    Materials

    Lithograph

  • Crying – Shouting – Screaming – Was Not going to help me Live - Emin
    By Tracey Emin
    Located in Zug, CH
    Crying – Shouting – Screaming – Was Not going to help me Live (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by t...
    Category

    2010s Young British Artists (YBA) Figurative Prints

    Materials

    Lithograph

  • Life Will never be The Same (Nor should it), (from A Journey to Death) - Emin
    By Tracey Emin
    Located in Zug, CH
    Life Will never be The Same (Nor should it), (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint...
    Category

    2010s Young British Artists (YBA) Figurative Prints

    Materials

    Lithograph

  • Hurt Heart (from A Journey to Death) - Emin, Contemporary, YBAs, Lithograph
    By Tracey Emin
    Located in Zug, CH
    Hurt Heart (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condition With certificate of aut...
    Category

    2010s Young British Artists (YBA) Figurative Prints

    Materials

    Lithograph

  • A Feeling of Shock (from A Journey to Death) - Litograph, YBAs, Emin
    By Tracey Emin
    Located in Zug, CH
    A Feeling of Shock, (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condition With certifica...
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    2010s Young British Artists (YBA) Figurative Prints

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    Lithograph

  • Over and Out - Emin, Contemporary, YBAs, Lithograph, Black, Portrait
    By Tracey Emin
    Located in Zug, CH
    Over and Out - Emin, Contemporary, YBAs, Lithograph, Black, Portrait 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, nu...
    Category

    2010s Young British Artists (YBA) Figurative Prints

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    Lithograph

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  • Pyramus and Thisbe
    By Augustus Edwin John
    Located in Fairlawn, OH
    Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...
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  • The Stain (Venice Biennial), limited edition with pencil signed envelope
    By Tracey Emin
    Located in New York, NY
    Tracey Emin The Stain, 2007 Mini booklet; stitched binding; digitally printed, accompanied by pencil signed envelope 4 1/2 × 3 3/5 inches Edition of 100 (unnumbered) pencil signed by...
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    Early 2000s Young British Artists (YBA) Abstract Prints

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  • Maurice de Vlaminck - House in Rueil - Original Lithograph
    By Maurice de Vlaminck
    Located in Collonge Bellerive, Geneve, CH
    Maurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
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    1950s Impressionist Landscape Prints

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  • "Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche
    By Alphonse Mucha
    Located in Hinsdale, IL
    Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
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    1890s Art Nouveau Figurative Prints

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  • La Capeline de Paille d'Italie (The Italian Straw Hat).
    By Henri Matisse
    Located in Storrs, CT
    La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...
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  • Paris sans fin
    By Alberto Giacometti
    Located in London, GB
    First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...
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