Manolo ValdésChiara I with Gauguin Collage
About the Item
- Creator:Manolo Valdés (1942, Spanish)
- Dimensions:Height: 16.75 in (42.55 cm)Width: 12.63 in (32.09 cm)
- Medium:
- Period:
- Condition:The artwork is in excellent condition, we will send you more photos and videos upon request.
- Gallery Location:Miami, FL
- Reference Number:
Manolo Valdés
From his audacious Pop art paintings that challenged Spanish dictator Francisco Franco’s regime during the 1960s to his modern reinterpretation of works by masters such as Rembrandt van Rijn, Pablo Picasso and Henri Matisse, Valencia native Manolo Valdés has created an extraordinary range of work. He is internationally renowned as one of the most influential Spanish artists of the 20th and 21st centuries.
Born in 1942, Valdés studied art at the Real Academia de Bellas Artes de San Carlos de Valencia. As his career began to take shape, in 1964, Valdés cofounded Equipo Crónica with fellow Spanish artists Rafael Solbes and Juan Antonio Toledo. Together, the collective produced politically charged graphic Pop works, which frequently merged imagery that referenced Spain’s history and culture, in order to expressly denounce Franco’s oppressive government. Toledo left Equipo Crónica after one year, and the group disbanded after Solbes’s death in 1981.
From 1981 onward, Valdés focused on his solo career. In his portraits, still-life prints and figurative sculptures, Valdés adopts familiar images from masterpieces by some of the world’s most recognizable artists, including Diego Velázquez, Peter Paul Rubens and Roy Lichtenstein, and recontextualizes them, minimalizing forms and the use of color, introducing collagist elements and more. Examples of Valdés’s methods can be seen in the textured lithograph print Claribel (1995) and his contemporary sculpture Butterflies (2010), which is inspired by Matisse’s Woman with a Hat (1905).
Valdés has exhibited his works around the world, including in New York City, Paris, London, Madrid, Berlin, Geneva and Mexico City. In 1999, he represented Spain at the Venice Biennale. His paintings and sculptures are also held in the collections of the Centre Pompidou in Paris, Moderna Museet in Malmö, the Museo Nacional Centro de Arte Reina Sofia in Madrid and the Metropolitan Museum of Art and the Museum of Modern Art in New York.
On 1stDibs, discover a range of original Manolo Valdés prints, sculptures and mixed media.
- ShippingRetrieving quote...Ships From: Dallas, TX
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Beatrice IIBy Manolo ValdésLocated in Miami, FLEdition 14/50Category
2010s Prints and Multiples
MaterialsPaper, Etching, Lithograph
- Beatrice II with Fernand Leger Unique CollageBy Manolo ValdésLocated in Miami, FLFramed dimensions: 22.75" x 29" Edition 2/50Category
2010s Prints and Multiples
MaterialsPaper, Etching, Lithograph
- ChiaraBy Manolo ValdésLocated in Miami, FLFramed dimensions: 27" x 33.25" Edition 5/50Category
2010s Prints and Multiples
MaterialsEtching, Paper
- Texas Loves Texas · Limited Edition Signed SerigraphBy RISKLocated in Miami, FLSpecial edition of 25 prints created by RISK for his exhibition "Neon Paragon". Giclee print on archival heavy cold press cotton rag 290 gsm with deckled edges. Each print in the edi...Category
2010s Mixed Media
MaterialsCotton, Mixed Media, Spray Paint, Archival Paper
- Hand's EndBy Hunt RettigLocated in Miami, FL3-D Mixed Media Assemblage Hunt Rettig is known for his analog 3D assemblages that produce the illusion of 2D, backlit, digital illustrations. Rettig’s process-based discipline is a continual quest to transform quotidian material into the sublime. In Rettig’s hands, moldable synthetics and reflective acrylics become encapsulated sculptures implying kinetic movement if not actuating it. He has been drawn to the op and kinetic art movement since adolescence. "If I come to a fork in the road, my inclination is to continue going straight." An explorer of both geographic and psychological terrain, Rettig is most at home on a dirt path or body of water observing “familiar patterns that connect us as one, like source code.” Biomorphic shapes seen in Rettig’s work suggest sensual elements omnipresent in nature. How connected are we? “If it didn’t exist, if it didn’t resonate, we wouldn’t be here.” Inspiration: "When I was twelve I stepped into Jesus Soto...Category
2010s Contemporary Mixed Media
MaterialsPaper, Mixed Media
- CurtainLocated in Miami, FLHunt Rettig is known for his analog 3D assemblages that produce the illusion of 2D, backlit, digital illustrations. Rettig’s process-based discipline is a continual quest to transform quotidian material into the sublime. In Rettig’s hands, moldable synthetics and reflective acrylics become encapsulated sculptures implying kinetic movement if not actuating it. He has been drawn to the op and kinetic art movement since adolescence. "If I come to a fork in the road, my inclination is to continue going straight." An explorer of both geographic and psychological terrain, Rettig is most at home on a dirt path or body of water observing “familiar patterns that connect us as one, like source code.” Biomorphic shapes seen in Rettig’s work suggest sensual elements omnipresent in nature. How connected are we? “If it didn’t exist, if it didn’t resonate, we wouldn’t be here.” Inspiration: "When I was twelve I stepped into Jesus Soto...Category
2010s Contemporary Mixed Media
MaterialsPaper, Mixed Media
- Plutusia, from Imaginary Places II (Axsom 246). hand signed/N signed COA FRAMEDBy Frank StellaLocated in New York, NYFrank Stella Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996 52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...Category
1990s Pop Art Abstract Prints
MaterialsFoil
- The Accordian PlayerBy Max PapartLocated in New York, NYdeluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...Category
Late 20th Century Abstract Impressionist Figurative Prints
MaterialsMixed Media, Etching, Aquatint, Lithograph
- The Magicians Message From Cuevas' ComediesBy José Luis CuevasLocated in Lake Worth Beach, FLThe Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...Category
1970s Modern Figurative Prints
MaterialsLithograph, Etching
- Genre Scenes Compositions - Original Artwork after Angelika Kauffmann - 1780Located in Roma, ITGenre Scenes Compositions is an original artwork realized in 1780s After Angelika Kauffmann. The artwork consist in a pair of mixed colored hand wa...Category
Late 18th Century Modern Figurative Prints
MaterialsPaper, Etching, Watercolor
- Salvador Dalí – Femme à cheval - hand watercolored drypoint etching – 1969By Salvador DalíLocated in Varese, IThand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...Category
1960s Surrealist Prints and Multiples
MaterialsPaper, Watercolor, Drypoint, Etching
- Salvador Dalí – La Tête ( The Head ) – hand watercolored drypoint etching – 1969By Salvador DalíLocated in Varese, IThand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...Category
1960s Surrealist Prints and Multiples
MaterialsWatercolor, Etching, Drypoint, Paper