16th Century Prints and Multiples

Etching black and white from Civitates Orbis Terrarum. View of the Old Mexico City, built over the ruins of the Aztec city of Tenochtitlán from 1520, and Cusco, ancient capital of th...

Enea Vico (1523-1567) engraving, Two Trophies With a Cuirass Lower Left, 1550, Bartsch 449, with the name of the publisher Ant[onio] Lafreri at bottom, first state (of 2) before numb...

Georg Pencz (1500-50) engraving, c. 1540, Abraham and Sarah (Sarah Presenting Hagar to Abraham). Reference: Bartsch 1, Landau 1, only state. [title...

Etching 195 x 295 mm.; 7 3/4 x 11 3/4 inches Exhibited: Old Master Prints & Drawings: 1450 - 1850, R. S. Johnson Fine Art, December 1999: no. 21. Reference: Hollstein 68 I/II No...

Hans Sebald Beham (1500-1550), Virgin and Child with the Pear, engraving, 1520. Initials monogram and date in the plate. References: Bartsch 18, Pauli, Hollstein 19. First state (of two). In good condition, on old laid paper with thread margins on three sides, trimmed on the platemark bottom right and bottom, and archival mounting. h: 4.5 x w: 3 in / h: 11.4 x w: 7.6 cm A very good impression of this rarity. Hollstein indicates that earlier impressions, such as this one, do not have a scratch above the head of the Virgin. Beham was one of the Northern Renaissance Little Masters, so called because of their eminence in producing small-scale engravings such as the Virgin and Child with a Pear. Beham was born in Nuremberg in 1500, and may have trained under Durer, though his training is no more certain than that of his younger brother Barthel. He made his first engraving in 1518, and later became known for producing woodcuts as well. Beham’s Madonna with the Pear has a similar composition but in reverse to Durer’s engraving...

Hendrick Goltzius (1558-1617), engraving, 1593 [with extensive inscription in the plate]. Reference: Bartsch 161, Hollstein 177, second state (of two...

Hans Sebald Beham (1500-1550), Panel with a Mascaron, engraving, 1543 [with the initials monogram and date in the plate]. Reference: Bartsch 231, Hollstein 235. Second state (of 2). ...

Original engraving printed in black ink on laid paper. Dated and signed with the artist’s monogram on a tablet lower left. A superb, richly inked 16th century/lifetime Meder “a” (o...

ANTONIO DA TRENTO (CIRCA 15101550) AFTER PARMIGIANINO (1503-1540),The Virgin and Child with Saint John the Baptist, chiaroscuro woodcut, printed fr...

GIULIO CAMPAGNOLA (CIRCA 1482-1516) AND DOMENICO CAMPAGNOLA (CIRCA 1500-1564) Shepherds in a Landscape engraving, circa 1515-1518, on laid paper, without watermark, a fine, richly tonal and atmospheric impression of this rare print, small to thread margins above and below, trimmed to the subject at left, the right edge of the subject skillfully made-up with pen and ink Sheet 140 x 260 mm. Provenance With R.M. Light & Co., Santa Barbara, California. Acquired from the above on 1 July 1982; then by descent to the present owner. The fascinating composition of this rare early engraving...

GIORGIO GHISI (1520-1582) AFTER PERINO DEL VAGA (1501-1547) Venus and Vulcan at the Forge engraving, mid-1550s, on laid paper, proprietary watermark P. PRICARD in a Shield with Flowe...

MASTER OF THE DIE (Fl. 1530-6) A PANEL OF ORNAMENT - Putti Standing on Cornucopia in Lower Section after Perino Buonaccorsi (Italian Florence 150...

This is one of twenty woodcuts that together comprise The Life of the Virgin, a series on which Dürer worked for some ten years. Seventeen of these woodcuts were finished when the artist left for Italy in 1505. (There they were copied as engravings by Marcantonio Raimondi—much to Dürer’s chagrin.) Dürer finished the last two woodcuts as well as the frontispiece only in 1510. The set was then published in 1511 together with The Large Passion, accompanied by Latin verses written by the Benedictine monk Benedictus Cheledonius. On this occasion Dürer also reissued his Apocalypse series in order to offer his Große Bücher (Great Books...

Braun G., Hogenberg F., "Bilbao", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Dim Image: cm 26 x 49. Very nice B/W Aquatint showing a view of ...

This is one of twenty woodcuts that together comprise The Life of the Virgin, a series on which Dürer worked for some ten years. Seventeen of these woodcuts were finished when the artist left for Italy in 1505. (There they were copied as engravings by Marcantonio Raimondi—much to Dürer’s chagrin.) Dürer finished the last two woodcuts as well as the frontispiece only in 1510. The set was then published in 1511 together with The Large Passion, accompanied by Latin verses written by the Benedictine monk Benedictus Cheledonius. On this occasion Dürer also reissued his Apocalypse series in order to offer his Große Bücher (Great Books...

Burin, Monogram on plate at the centre lower. Outstanding Proof representing the myth of David winner on Goliath. In perfect condition, except a light sign of renovation left-higher, over the marginal line of impression. Very rare. Including passepartout, cm 60x 40. Marcantonio Raimondi...

Hans Sebald Beham (1500-1550), engraving, c. 1540, [with initials in the plate]. Reference: Bartsch 244, Pauli 253, only state. In generally good condition, with slight abrasions, soft rust marks, trimmed on or just into the plate mark but outside of image. 15/16 x 5 1/8 inches, archival mounting. Provenance: ex Collection Dr. Herweg (stamp verso, Lugt 3974); P. Davidsohn (Lugt 654). This impression is mentioned in the Hollstein catalogue raisonné. A very good impression of this great rarity. Sebald Beham, like the other illustrious German Little Masters of the Northern Renaissance including his brother Barthel, Heinrich Aldegrever, Albrecht Altdorfer...

Albrecht Dürer (1471 – Nuremberg – 1528), The Virgin and Child with Saint Anne ca. 1500, engraving; 115 x 71 mm (4 ½ x 2 13/16 inches), B...