Skip to main content

Early 19th Century Prints and Multiples

77
to
147
761
393
113
646
708
580
14
1,059
140
82
19
2
Overall Height
to
Overall Width
to
427
199
2
1
1
1
856
405
317
268
264
225
176
114
106
87
86
62
40
37
36
30
30
27
26
26
4,742
8,936
52,383
29,678
726
987
2,041
2,399
2,326
4,500
7,015
12,036
6,728
3,808
3,817
314
101
29
27
21
863
255
165
114
95
Period: Early 19th Century
"Hackney" 1820 by Henry Alken
Located in Bristol, CT
Henry Alken hand-colour plate c1820 Hackney Published by T. McLean London Art Sz: 7"H x 9 1/4"W Frame Sz: 11 3/4"H x 14 1/2"W w/ birdseye maple frame
Category

Early 19th Century Prints and Multiples

Materials

Lithograph

The Ship Builder and His Wife by Johannes Pieter de Frey
Located in Middletown, NY
Etching with engraving on cream laid paper which is watermarked with a fancy "M," 9 1/2 x 12 3/16 inches (240 x 308 mm), narrow margins. In good condition with some scattered light a...
Category

Dutch School Early 19th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 5.75" x 4.75" Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

Victorian Early 19th Century Prints and Multiples

Materials

Intaglio, Engraving, Watercolor

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

Victorian Early 19th Century Prints and Multiples

Materials

Engraving, Intaglio, Watercolor

The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category

Edo Early 19th Century Prints and Multiples

Materials

Paper, Ink, Woodcut

Spear-leaved Helonias, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Helonias bullata - Spear-leaved Helonias' Native of Carolina, North America. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repos...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

"Le Passage du Gue" etching
Located in Henderson, NV
Medium: original etching. Executed in 1634. The impression offered here is printed on wove paper; this is the final state and the date of printing is unknown. The sheet measures 4 1/...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

Victorian Early 19th Century Prints and Multiples

Materials

Intaglio, Etching

Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching, Engraving

"Man wearing a plumed fur Cap and a Scarf" etching
Located in Henderson, NV
Medium: etching. Catalogue reference: Bellini 52 iii/iii. This etching is one of the Three Plates from Large Studies of Heads executed by Castiglione, and this impression was printed...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Antique Hand Colored Engraving of a Toucan by Jacques Barraband
Located in Palm Beach, FL
Striking 19th century engraving of a toucan hand colored by artist and naturalist Jacques Barraband (1767-1809 ) first published in Paris 1801. Presented under glass in a lacquered w...
Category

Other Art Style Early 19th Century Prints and Multiples

Materials

Glass, Wood, Lacquer

JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827) JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33) Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category

English School Early 19th Century Prints and Multiples

Materials

Engraving

M. Egerton (fl.1820-1829) - Early 19th Century Aquatint, A Blunt Razor
Located in Corsham, GB
A humorous coloured engraving that was published by Hunt in January 1882. The scene shows a man clumsily shaving his face with a blunt razor. The inscription below reads: 'One might ...
Category

Early 19th Century Prints and Multiples

Materials

Aquatint

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 4.5" x 4.5" Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

Victorian Early 19th Century Prints and Multiples

Materials

Intaglio, Engraving, Watercolor

Kitagawa Utamaro (1754–1806) - Early 19thC Japanese Woodblock, Hour Of The Horse
Located in Corsham, GB
A fine 19th Century restrike of the original woodblock by Kitagawa Utamaro. The image comes from the series "A Sundial of Maidens," which is a series of scenes showing the lives of h...
Category

Early 19th Century Prints and Multiples

Materials

Woodcut

Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

Victorian Early 19th Century Prints and Multiples

Materials

Etching, Intaglio

Actor Iwai Hanshiro as a Samurai by Utagawa Toyokuni I - Early 19th Century
Located in Roma, IT
Actor Iwai Hanshiro as a Samurai is an artwork realized by Utagawa Toyokuni (1769-1825), in the early 19th Century Color woodcut, signed or inscribed in the top right and bottom lef...
Category

Modern Early 19th Century Prints and Multiples

Materials

Woodcut

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category

English School Early 19th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving, Etching

Utagawa Kuniyoshi -- Sho'onko Ryoho 小溫侯呂方 (Lu Fang)
Located in BRUCE, ACT
Title: Sho'onko Ryoho 小溫侯呂方 (Lu Fang) form Series: Tsuzoku Suikoden goketsu hyakuhachinin no hitori 通俗水滸傳濠傑百八人一個 (One of the 108 Heroes of the Popular Water Margin) Utagawa...
Category

Early 19th Century Prints and Multiples

Materials

Woodcut

Utagawa Kunisada -- A Woman Diver Combing Her Hair 美人合 春曙
Located in BRUCE, ACT
Title: Diving Woman Combing Her Hair, 「美人合 春曙」髪をとく美人 from the series Spring Dawn: A Contest of Beauties (Haru no akebono, bijin awase) Utagawa Kun...
Category

Early 19th Century Prints and Multiples

Materials

Woodcut

St Giles with a View of St John's College, Oxford engraving by Stadler
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

Realist Early 19th Century Prints and Multiples

Materials

Engraving

College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category

English School Early 19th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Lithograph

Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Complete Kite
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on his red jacket, ready with his kite at ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Bird Catcher
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on the ground, baiting a bird trap with gr...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 2
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category

English School Early 19th Century Prints and Multiples

Materials

Aquatint, Handmade Paper, Engraving, Etching

Passage du Mont Saint-Bernard
Located in Fairlawn, OH
Theodore Gericault (1791-1824) Passage du Mont Saint-Bernard Lithograph, 1822 Signed and titled in the stone As published in Arnault "Vie politique et militair...
Category

Romantic Early 19th Century Prints and Multiples

Materials

Lithograph

Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category

Italian School Early 19th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Roman - Oskar Schlemmer
By Oskar Schlemmer
Located in Winterswijk, NL
Art print on heavy paper After the original from 1925 In great condition
Category

Early 19th Century Prints and Multiples

Materials

Color

La Tauromaquia, Plate #5
Located in San Francisco, CA
This artwork titled "Brave Moor Gazul" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category

Realist Early 19th Century Prints and Multiples

Materials

Photogravure

Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

English School Early 19th Century Prints and Multiples

Materials

Handmade Paper, Engraving, Etching, Aquatint

Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821) North View of Whitehaven, Cumbria Hand-coloured engraving 27.5 x 56.5 cm A view of the cliffs and port of Whitehaven in Cumbria. Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category

Realist Early 19th Century Prints and Multiples

Materials

Engraving

Thomas Hearne, artist, portrait, soft ground etching, 1809
Located in Melbourne, Victoria
'Thomas Hearne' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Thomas Hearne (1744-1817...
Category

English School Early 19th Century Prints and Multiples

Materials

Etching, Engraving

London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches (250 x 354 mm), full margins....
Category

Victorian Early 19th Century Prints and Multiples

Materials

Watercolor, Etching

Balaclava - The target in sight -
Located in Berlin, DE
Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...
Category

Realist Early 19th Century Prints and Multiples

Materials

Etching

"Deal" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 17
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Fishermen - Lithograph - 1824
Located in Roma, IT
Fishermen is a lithograph on paper realized by an Anonymous artist in 1824. Good conditions with slight foxing, The artwork is realized through perfect hatching and deft strokes, c...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
Located in Melbourne, Victoria
'Primula Cortusoides - Siberian Primrose' Native of Siberia. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 20
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Beauties of Claude Lorrain mezzotint - Plate 6
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

"St. Mawes, Cornwall" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

"Tintagel Castle" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

"Watchet" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

"Mount Edgcumbe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

"Bow-and-Arrow Castle" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 4
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Portrait of Maximilien Robespierre - Lithograph - Early 19th century
Located in Roma, IT
Portrait of Maximilien Robespierre is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatchin...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Beauties of Claude Lorrain mezzotint - Plate 1
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

"Torbay from Brixham Quay" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving

Skulls - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Skulls is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810. Good conditions. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

Beauties of Claude Lorrain mezzotint - Plate 13
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Beauties of Claude Lorrain mezzotint - Plate 15
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss' Native of Cape of Good Hope, South Africa. Original copper-line engraving with original hand-colouring from Henry Andrews...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Beauties of Claude Lorrain mezzotint - Plate 14
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

Early 19th Century Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Read More

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Welcome (Back) to the Wild, Wonderful World of  Walasse Ting

Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.

Shapero Modern’s Director Tells Us All about 20th-Century Prints

Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.

Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors

The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”

Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art

In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.

Just What Is an Intaglio Print, and What Makes It a Good Investment?

Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.

Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print

Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.

A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects

Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.

Recently Viewed

View All